FBM Texture 1

Drummin Jam Chby Warp 01

Chimes warped then chime removed. FScape.

Chms Wrp1 Chime Removed 01

An early track I made (polished over many times) having fun with NI Massive and Reaper's complex routing functionality. Anyone interested in remixing feel free to contact for stems!

S2 Remix 2013

A few years back IDM Forums ran a contest to create a track only using a small collection of provided samples. It was my first deep sound design experience, and deep it was. Frequency shifters, resampling, singe wave cycles, 96dB filter slopes and more contributed to a pool of custom samples that made this track. I've always wanted to give those samples away - anyone interested feel free to contact me!

Change the Noise

Change The Noise

Collaborative jam between Basso and Controverse. Bath away your troubles in a sea of sweet synths and delicate beats.

Dreamer's Life

Dreamer's Life - Basso X Controverse

This track was created for an interview video, but wasn't used in the final edit. The track energy did not match the mood I intended for the video, so I eventually abandoned this track. It has a very 'floaty' synth pad that refuses to anchor down. Using Reaper's routing I set up a 'glitchy delay' effects chain with parameter modulation sources from LFOs and input signals. My goal is always to get the computer to make some design decisions, or rather to program enough variables to produce seemingly random timings and variables.

Serdar Interview Track (unused)

A laid back chill track written as the background for an interview video. This is a more recent creation made entirely in Reaper. Ableton is flexible and Logic is polished, but I find Reaper to be a fun and dirty musical sketch pad. It's low CPU Demand, complex routing matrix (both globally and per track), and dozens of simple but effective plugins makes Reaper a Swiss Army Knife of sound manipulation.

Serdar Interview Track (final)

A laid back chill track written as the background for a slideshow video. This is a more recent creation made entirely in Reaper. The chords have their own 'grid' (or lack there of) with the kick drum underpinning the groove. I tried to achieve a compromise between controlled elements and programmed 'chaos' to coax some design decisions from the computer itself. The glitch melody that appears about halfway through partially owes its melody to Livecut and SupaTrigga.

Slough M Down

Demo track I made for a video game project. Track has three sections for three different game moods.

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