Apr 17

Band - Blue Mountain Expansion
Song - Our Day Will Come
Mixed by Mitch Lah at Jonestown Audio
Mastered by Sakis Anastopoulos at digisoundmastering

Blue Mounatin Expansion are a French psychedelic band that brings sounds back from the 60's underground psychedelia era mixed in with hints of the Black Angels and Brian Jonestown Massacre. 

Check them out 
Facebook - https://www.facebook.com/pages/Blue-Mountain-Expansion/406573126104818?ref=stream
Bandcamp - http://bluemountainexpansion.bandcamp.com/
Soundcloud - https://soundcloud.com/blue-mountain-expansion

Dig their sound!

Our Day Will Come by Blue Mountain Expansion (Jonestown Audio)

Heaven Forgive Me

Superstars

Alacrán

22° Halo

COLONEL BAGSHOT - Six Day War (feat Ollie Halsall on guitar) Rare Version

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Howlin Banana Records (FR) - LP
Stolen Body Records (UK) - LP/CD
Yippee Ki Yay Records (USA) - Cassette
The Attic Video (FR) - VHS

dustymush.bandcamp.com/album/cheap-entertainment

Maxime Saïd : Drums
Romain Duplessier : Bass
Cédric Bottacchi : Guitar, keyboard & vocals
All songs written by Cédric Bottacchi, except Fullpipe by Dusty Mush.
Recorded and mixed by Cédric Bottacchi at home in Vincennes and at the attic in Melun, France.
Mastered by Patrick Haight at Spot-On Sound.
Cover by Romain Duplessier.

Hot Tomato

Tara Clerkin’s music combines elements of psychedelia, country and folk songwriting with a lo-fi palette of found sounds and field recordings.
Her first album ‘Hello’ is due to be released on May 12th on Bristol labels Stolen Body Records and Howling Owl, available on CD, download (Stolen Body) and in clay head format (Howling Owl).

Recorded with her partner (Sunny from Taos Humm) in one week, with collaborations from various friends and musicians including members of Taos Humm, Edward Penfold and the collective Belvoir House Band.

Her live shows vary from six piece psychedelic band to stripped down soundscape and solo ballads.

Track list:

1. Hello
2. Hello Theme
3. Trifle
4. Sleepy Town
5. Zadar
6. White Wine Spritzer
7. Zither
8. John
9. Holy Purpose
10. The Future
11. Full Of Fright

Tara Clerkin - John

Second track to be taken from Ulrika Spacek's new album, Modern English Decoration, out June 2nd. Available on CD, LP (black vinyl), LP (mellow yellow & secret 7" - indies only), LP (mellow yellow vinyl & secret 7" & print - Tough Love site only) and digital formats.

Pre-order Modern English Decoration
http://smarturl.it/UlrikaSpacek.MED

See Ulrika Spacek live
April
28th - Newcastle Upon Tyne - Hit The North Festival 
29th - Portsmouth - Portsmouth Psych Fest 
30th - Liverpool - Festevol 
May
16th - Brussels, Belgium - Les Nuits Botanique at the Rotonde  
June
2nd - Oxford - O2 Academy w/ Slowdive  
6th - Nottingham - Rough Trade shop instore
8th - Bristol - Rise Music instore 
14th - London - The Lexington - http://thelexington.co.uk/events/ulrika-spacek/
August
4th - Katowice, Poland - OFF Festival
20th - Stirlingshire, Scotland - Doune The Rabbit Hole Festival

Modern English Decoration - final masters MP3

Ulrika Spacek - Full of Men

NONN - Need

Josephine Foster's "No More Lamps In the Morning" is a new folk route, a stripped down starsailor vector connecting heller to highwater. Foster, on nylon string guitar, and husband Victor Herrero, accompanying on Portuguese guitar, together weave intimate readings of songs spanning Foster's songwriting career including selections from recent albums "This Coming Gladness" (2008) and "I'm a Dreamer" (2013) and back to Born Heller (2004).

Foster's new route is a free, chromatic music, a tuneful montana of mind--an expansive harmonic space dominated by Rif mountain on the horizon. As highwater as the music is, as broad the stylistic palette of the musicians, the music really exists in service of the lyrics. Two of the songs on No More Lamps are poems by Rudyard Kipling and James Joyce given musical settings by Foster. The rest arguably are musical settings of her own poems strengthened in a fiery crucible of guitars (and on 2 tracks Gyða Valtýsdóttir's cello) in which dissonant notes bend and quaver as wirefork embers, dying without affecting the glowing tonal fire which unites contrary forces in a Moroccan speakeasy.

She and Herrero have performed, for an audience of burros, concerts of Federico Garcia Lorca poems set to music. A music of wandering and a music of roots. An impermanent tradition passed down for generations. Let your loved ones know. ~ Written by Chris Davis

Recorded live to tape by Henry Hirsch and Patrick Higgins at Future-Past Studios, Hudson, NY, in February 2014, the record was mixed by Patrick Higgins. ‘No More Lamps In The Morning’ features Victor Herrero on Portuguese guitar and Gyða Valtýsdóttir on cello (tracks 4 and 6).

‘No More Lamps In The Morning’ music and lyrics written by Josephine Foster except where noted.

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