Interference Patterns

Poppy Seed Boards of Canada Others

Healing Sounds Chakra Meditation (version without overvoice)

Composed, performed and mixed by Maria Moles in Fitzroy, Australia 2020
Drum kit recorded/mixed by Timothy Harvey
Mastered by Lawrence English at Negative Space
Commissioned by the APRA Art Music Fund 202

For Leolanda

In Pan-as

Visit www.binauralpower.com for full album and extended audio.

Binaural Beats for Meditation with Theta and Delta waves that help you get into deep meditation.

Binaural Beats for Meditation Theta and Delta Waves

Visit www.binauralpower.com for full album and extended audio.

Binaural Beats to help you get to sleep.  For best results wear headphones.

Binaural Beats for Sleep Delta Waves

waiting for the stars to change

Pape Nziengui et son groupe
#bwiti #ngombi
LP/CD/Tape/Digital out April 8
https://linktr.ee/PapeNziengui

Kadi Yombo, published in 1989, is the most successful album in the quest for a fusion between tradition and modernity in Bwiti harp music of the Tsogho people of Gabon. Combining beating rattles with a layer of synthesizers, Papé Nziengui blends in a contrapuntal dialogue characteristic of harp playing: male song in appeal and female choir in response, male voice of the musical arc and rhythms of female worship. But above all it’s Tsogho ritual music and modern studio orchestration. The result is an initiatory itinerary of 10 musical pieces which are all milestones likely to be simultaneously listened to, danced, meditated on, and soon acclaimed. In the years since, Nziengui has traveled he world from Lagos to Paris, from Tokyo to Cordoba, from Brussels to Mexico City to become a true icon, the emblem of Gabonese music.   

Like Bob Dylan, "electrifying" folk and Bob Marley mixing rock with reggae, some purists have criticized Nziengui for having distorted the music of harp by imposing a cross with modern instruments. They even went so far as to claim that Nziengui was just an average harpist covering his shortcomings with stunts that were only good for impressing neophytes; like playing a harp placed upside down behind his back or playing two or three harps simultaneously. Sincere convictions or venomous defamations, in any case, Nziengui never gave in to such attacks, imposing himself on the contrary to pay homage to the elders (Yves Mouenga, Jean Honoré Miabé, Vickoss Ekondo) while instructing the maximum of young people. He is thus the promoter of many young talents, the most prominent of which is certainly his nephew Jean Pierre Mingongué.

In a conservative society where the sacred is confused with secrecy, exposing the mysteries of Bwiti in broad daylight can be punished by exclusion or even execution.

Papé Nziengui has always claimed that he faces such risks because he never felt enslaved to a community that governs his life, that regulates his conduct, that has a right of censorship over his activities. Like Ravi Shankar, the famous sitarist, Papé Nziengui is a man of rupture but also of openness, a transmitter of culture. As proof, he has established himself in Libreville, Gabo’s capital, as the main harpist for sessions and concerts, accompanying the greatest national artists (Akendengué, Rompavè, Annie-Flore Batchiellilys, Les Champs sur la Lowé, etc.) as well as foreign artists (Papa Wemba, Manu Dibango, Kassav', Toups Bebey, etc.). In 1988, he was the first harpist to release an album in the form of a cassette produced by the French Cultural Center (Papé Nziengui, Chants et Musiques Tsogho). At the same time, he created his own group (Bovenga), combining traditional music instruments (musical bow, drums, various percussion instruments, etc.) in the framework of a true national orchestra, which gave the first concert and the first tours of a traditional music that was both modern and dynamic, thus "democratizing" the harp, to the dismay of certain purists.

On the other hand, in modern music, dominated by the logic of profit or even commercialism, artistic creation must often be adjusted for a specific audience based on reason rather than heart. But instead of allowing himself to be distorted, Papé Nziengui has always tried to produce music that is not a caricature, worthy in its expression as in its content, of the sacredness and transcendence of the music of the Origins. This is what makes Nziengui—not only the musician, but the man—someone whose age hasn’t altered any of his freshness or authenticity.

Papé Nziengui — Gho Boka Nzambé

Atmosphere. Ideal for intergalactic and transatlantic movement.
Background support, the space segment, science fiction.
meditation and relaxation.
~~~~~~
Pure perception. Aloofness. The thread of life. Duality.

Transatlantic

Astral Meditations: The Music Of Alice Coltrane

Journey In Satchidananda (feat. Pharoah Sanders)

Apollo

Stars (Remastered 2005)

Aquamix 12.40, a special mix of tracks from Overlaps new album Medium Fields and EP Greylight Green - available on Bandcamp via Overlap Recordings, released 23rd February.

"Overlap proves that they don’t necessarily need multi-media to paint their atmospheres. The video images will probably be a great addition at live performances, but the audio alone works fine, too!" Ambientblog

*Due to Soundcloud low KBPS - there are some artifacts at the beginning of the track.

Aquamix 12.40 (from the album Medium Fields).

Juno

hello sir would you like some coffee?
what are you doing, just standing around handing out coffee at 6am?
well when i was in the service, my dad sent me this book by the guy who started this company 
and every word... i wanted to BE that guy
and the guy who wrote it started this company 
you know... i used to have a corolla

I Was That Book

New ambient track using Prophet 6 and Arturia's Mini and Solina

Refractions

Decoupled

A bit different than the stuff I usually make, played this on my Prophet Rev 2 in one go and I knew I had to share it with you guys. Inspired a good amount from Hanz Zimmer, Brian Eno, and Vangelis.
Hope you all like it!

Nebula

Available on July 9 in digital and limited-edition cassette at:
bambooshows.bandcamp.com/

6 months after releasing the first episode of its compilation tapes, Lyon-based label Bamboo Shows is about to deliver the second chapter of the series, featuring 14 artists on a 90-minute cassette to promote audio sophrology, 90’s reminiscences, psychedelic atmospheres and tribal breaks.

Once again, head-honcho @erevandj aimed to present a distinct yet complementary vibe on each side, leaving the exotic and ecstatic atmosphere of the BST001 for a more introspective and darker curation.

Including poetic and melancholic productions from Italian Lamusa II, Swedish Golden Ivy, English Wåveshåper (one of the many projects of Greg Hunter), Russian Misha Sultan, Spanish Entten, German Airchina and local talent Vague Imaginaires, the A-Side highlights dreamy new age, delicate neo-folk and ethereal kosmische-kraut, considerably inspired by the 70s-80s wave.

Yet, this gentle path drawn by the A-Side will slowly lead the listener to some more percussive, tribal and dubby materials as the B-Side shows a twisted and wild tension, aroused by gloomy works from Lyon gems Jonquera & HLM38, Venezuelan Bear Bones, Lay Low, German Vector Trancer, Serbian Andria, British Angel Hunt & Lou Venturini, and will perfectly come to an esoteric end with the closing track by Komodo Kolektif.

Concurrently with this limited release of 150 cassettes, the label is reissuing 50 copies of the BST001, Featuring renowned RAMZi, Niklas Wandt, Star Searchers' Spencer Clark, DJ Ungel & DJ Rasputin and local heroes Eiger Drums Propaganda, Christian Coiffure, Jacques Satre or Lastrack.

& also a limited edition-series of black or white T-shirts with artwork from Dima Rabik to celebrate or collaboration with the Russian Artist on this second release.

Available on July 9 in digital and limited-edition cassette at:
bambooshows.bandcamp.com/

TRACKLIST:
A1. Lamusa II – D'Aria (@lamusalamusa)
A2. Vague Imaginaires – Louis' Boat (@youpidoumusic)
A3. Golden Ivy – Till Jorden (@golden-ivy)
A4. Entten – Fonts Ufanes (@entten)
A5. Airchina – Mothermold (@airchina)
A6. Misha Sultan – 2562 (@mishasultan)
A7. Wåveshåper – Expansion Phase II (@dubsahara)
B1. HLM38 – Une Suze avec Anna (@hlm38)
B2. Bear Bones, Lay Low – Oruguero (@bearboneslaylow)
B3. Angel Hunt & Lou Venturini – Dessert Vents (@greenbelt999)
B4. Jonquera – Président Baker
B5. Vector Trancer – Uranus Crypt Haunt (@vectortrancer)
B6. Andria – Shandumir (@androan97)
B7. Komodo Kolektif – The Reptile (@komodokolektif)

CREDITS:
Mastering: Guillaume Lespinasse
Artwork: Dima Rabik
Design: Loïs Markarian
A&R: Erevan DJ

LINKS:
Bandcamp: bambooshows.bandcamp.com/
SoundCloud: www.soundcloud.com/bambooshows/
Facebook: www.facebook.com/bambooshows/
Web: www.bambooshows.com
Discogs: www.discogs.com/fr/label/1732183-Bamboo-Shows
YouTube: bit.ly/bambooshows-yt
Mixcloud: www.mixcloud.com/bambooshows/
Instagram: www.instagram.com/erevan_bamboo/
Contact: bambooastruth@bambooshows.com

Bamboo Shows Tapes 002

Fonts Ufanes

Download & Buy Tape

A4. Entten - Fonts Ufanes (BST002)

Spiritchaser

Devorzhum (Remastered)

Inspired by open spaces (and the objects that interrupt them), META DOOR L is the latest auditory excursion from Perila. Expansive in scope, it extracts beauty from the organic and inorganic alike, tapping into the wonder of the outdoors as it revels in the unique properties of metal—both as a material and a sound source. Building on her work for labels like Sferic, Motion Ward, and Boomkat Editions, META DOOR L is rooted in field recordings extracted from the wilderness outside Tbilisi, where a series of hiking expeditions led Perila to chance encounters with metal tubes, large rocks and the ruins of an old house. In the months that followed, these recordings were patiently processed, degraded and transformed, their misshapen remains welded together by hazy ambient atmospheres and textured soundscapes. From there, the St. Petersburg-raised, Berlin-based artist pushed herself into new creative territory, searching for the innate (and decidedly non-linear) rhythms lurking within her dense sonic stratigraphy. META DOOR L is the hypnotic end result, an immersive listen whose lush tones and guttural rumbles coalesce into something utterly transportive.

Music by Perila.
Mastered by Rupert Clervaux.
Artwork by Oficina de Disseny.
Printing by L'automatica, Barcelona.

Ent I Pse

Melbourne label Daisart gets Huerco S. on remix duties for some grainy, soft-touch downtempo.

'picnic' is out February 11th on Daisart.

Buy: bit.ly/2VzzAbt

@huerco_s
@daisart-press

Interference Patterns

sirtun4