Name: Spectrosonic - Moonshine by hd465 in Oldis - part 5
Duration: 6 min 55 s
Description: Spectrosonic - Moonshine

Oldis - part 5

Gaia-Tuvan [Andy Blueman Remix]

A bootleg / DJ tool of one of my favourite trance tracks. Enjoy !

The Khemist Networks:
Facebook: www.facebook.com/DeeJay.TheKhemist
Twitter: www.twitter.com/#!/The_Khemist
Youtube: https://www.youtube.com/user/TheKhemistMedia


Cosmic Gate - The Drums (The Khemist Bootleg/DJ Tool)

This tune has gone through a few versions.  The very first version, which we fondly call the 1.0 mix, had Nico playing drums recorded in stereo at our old, usually flooded rehearsal space.  Brandon re-recorded the drums for the "final version."  This tune has been revisited in the Bloody Mix, which played at the start of Season 2, and Return, which opens opens RvB Season 5 as well as Ghosts That Linger.
Credits:
Trocadero: Words & music
Nico: Danelectro baritone guitar, vocals
Wendy: Moog Opus 3, Kurtzweil 2661, vocals
Brandon: Drums, Moog Taurus pedals
Heather Cristofaro: Artwork

Blood Gulch Blues

Electric Six - Danger (High Voltage)

LIES-084
Greg Beato-Haunting
from upcoming 5 track ep
to be released June 2016

Buy vinyl direct

Greg Beato-Haunting (LIES-084)

Spectrosonic - Moonshine

Chase the Light

Chase the Light (Extended Mix)

Written by Robert Alfons
Produced by Robert Alfons and Damian Taylor
Mixed by Damian Taylor
Additional live drums by Lia Braswell
Mastered by Emily Lazar
Artwork by Martin Falck

Bicep

'Bliksem' is the third release from Sander van Doorn's incredible Purple Haze guise. It's been almost 4 years since the release of 'Eden', a track which most DJ's would pay a fortune for on eBay. Having recently made it's debut airing during Armin Van Buuren's Radio 1 'Essential Mix', it looks like the demand for follow-up, 'Bliksem' is going to be even higher! ‘Bliksem’ the dutch for ‘Lightning’ in dutch is a very deep trance journey and just keeps building into a massive climax.
    
  Sander commented, "I"m delighted to be able to announce the new Purple Haze record - I've been roadtesting it recently and it's going down brilliantly on the dancefloor".
    
  If you like dark, melodic, emotional and progressive quality trance, 'Bliksem' is one for you!
  
  Reactions:
  
  Armin van Buuren: ‘One of the biggest tracks this summer! Supported in Essential Mix and ASOT
  Paul van Dyk: ‘Played in my radioshow!’
  Ferry Corsten: ‘Support in Corsten’s Countdown’
  Above & Beyond: ‘Full Support! One of the best Sander productions’
  Marco V: ‘BOMB! Very nice!’
  Markus Schulz: ‘Played in my radioshow’
  Andy Moor: ‘Purple Haze, it’s been a while… Always top stuff from Sander!’
  Lange: ‘FANTASTIC!’
  Judge Jules: ‘Full Support!!’

Purple Haze - Bliksem (Original Mix)

Orkidea: Unity (Solarstone's Pure Mix)

Here’s the second of the reworks I’ve recently put together with Henry Greenwood. This time it’s a brooding Balearic treasure from the late-‘70s, recorded by a group who experienced a fleeting moment of fame with this pop/rock treat and its addictive downtempo dance beat. It’s these qualities we’ve tried to enhance, making the track more contemporary for DJs to play out now, whilst retaining the distinctive essence of the original.

Before we set about the rework, I played it last year as my final track when I appeared at Glitterbox in Hi! Ibiza (I’m back this year for the closing party on Sept 28th). It was after hearing how well this worked as my Glitterbox finale (mix here: https://soundcloud.com/glitterboxibiza/greg-wilson-glitterbox-hi-ibiza-150917) that I approached Henry, who has a wonderful feel for downtempo grooves, to work on an update with me. Anyhow, I think it’s definitely mission accomplished, feedback since I’ve been playing it extremely positive.

Released on EMI’s progressive label, Harvest, in 1978, Marshall Hain’s ‘Dancing In The City’ was a huge UK hit, reaching #3 on the singles chart, as well as scoring big in Europe, Australia and South Africa, and just missing out on the US top 40. 

The duo behind the track, keyboardist Julian Marshall and vocalist/bassist Kit Hain had met as pupils at Dartington Hall School in Totnes, Devon, just a few years beforehand, but their success would be short-lived. A follow-up, ‘Coming Home’, was less memorable, just about scraping into the top 40 before, as with the band itself, completely vanishing from the pop realm, indifference to their album, ‘Free Ride’, the final nail in the coffin.

Marshall would become a member of The Flying Lizards, whose oddball post-punk/avant-garde cover of the R&B classic, ‘Money (That’s What I Want)’, released on Virgin, went top 5 in 1979, before forming Eye To Eye, who released 2 albums for Warner Bros. in the early-‘80s. Hain pursued a solo career, recording the albums ‘Spirits Walking Out’ for Deram (1981) and ‘School For Spies’ for Mercury (1983), before subsequently moving to the US and turning her attention to songwriting.

Available to pre-order on 12" here: https://www.juno.co.uk/products/gw-henry-disco-mondo/739367-01/

Pre-Order

Marshall Hain 'Dancing In The City' (greg wilson & henry greenwood rework)

Tracklist: https://imgur.com/a/RsEVz97
Artwork by me: https://www.dropbox.com/s/ousjbenmbxidxna/LongDarkSummer_CoverArt_1080.png?dl=0
Download: http://www.mediafire.com/file/trh03wv1h82358h/Long_Dark_Summer.mp3/file

Long Dark Summer

Buy 10" | Digital

Parallx | Red Clouds

Jochen Miller - Brace yourself

I create uplifting Norwegian techno music, driven by a passion for sharing my sound with the world. Born in 1982 near the Arctic Circle, I turned 42 the year I wrote this biography. My trademark style is all about expressing raw emotion—nothing is suppressed in my music; instead, it comes alive.

While my music may be complex and unique, its appeal is universal, and understanding it doesn't take a genius. My oldest tracks are rooted in projects I began when I was 18 to 23 years old. Back then, my focus was on crafting captivating melodies rather than sticking to basic dance rhythms.

The rhythmic component became a part of my work only 3-5 years ago, prompting me to revisit and reproduce my earlier tracks with the help of the riff machine. This tool has allowed me to transform some pieces into vibrant, colorful soundscapes. These tracks have since been improved countless times, and my growing confidence continues to fuel my belief in my work. That belief isn’t just an assumption—it’s a reality confirmed through dedication.

Currently, I’m diving into sequences, an exciting new element in my music. They’re fresh territory for me, and I’m committed to keeping them dynamic and engaging.

Spectrosonic - Moonshine

hd465

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