Name: Maselan - beamer backseat by Maselan
Duration: 3 min 35 s
Description: #ukgarage #ukg #beamerbackseat #garage #techno #house #speedhouse

Download/Stream - fanlink.to/forthepeople_rmxs

One of house music’s most in demand producers and remixers delivered the goods for Hypercolour’s 100th release.  KiNK aka Strahil Velchev nailed four cuts of genre bending bangers for the label’s milestone release on the ‘For The People’ EP.

For the second installment of the ‘For The People’ remix series, Nikki Nair and Elli Acula weave their signature styles into new interpretations of KiNK’s title track.

Nikki Nair supplies the damage with a sound mangling, bounce-laden banger, as Elli Acula turns up the temperature with a killer rave weapon.

For The People (Remixes)

Download/Stream

KiNK - For The People (Elli Acula Remix)

Crown

4 original tracks representing some styles that I'm enjoying at the minute + 2 killer remixes.

Mastering: Patrik Skoog
Artwork: Joshua McMillan

Enjoy :)

Zubizuri (Kjinn's Stripe Remix)

Banjaxed

Pre-order: https://found.ee/spandau20-010

For the 10th release on FJAAK's @spandau20 imprint, the label delivers a 10-track compilation calling on label favourites and Spandau natives.

@fjaak get back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit’.

More exclusive music

Premiere: FJAAK 'Jackfruit'

bandcamp

Gnomen - Bonsai Garden (bandcamp)

#ukgarage #ukg #beamerbackseat #garage #techno #house #speedhouse

Maselan - beamer backseat

Self release 004 // dark. deep & minimal. 

Mix & Composition by Mozz (Mulubinba, Australia)
Master by Lachlan Booker from Dura Audio (Eora, Australia)

Free Download

My Hands Are Bleeding

Buy here: found.ee/spandau20-010

Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others.

The label’s 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer’, a swarming, slithering beginning featured as the VA’s opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects.

The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes’, a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge’ the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move’ escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. 

The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll’ towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit’. The abstract wonder of Anna Z’s broken-beat like stylings is fully explored on ‘Icy Liq’. It’s outlandish and amorphous in its execution, causing a clattering percussive chaos that’s choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows’, packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted’. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.’ In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.

BUY HERE

KiNK, FJAAK - Overbridge

“Circuit” begins in deceptive calm, with pleasant synth plucks and light, shimmering drums setting a serene, almost dreamlike tone. But just beneath the surface lies something darker. As the track progresses, it descends into a techstep-driven groove; razor-sharp basslines, precise percussion, and a pulsing sense of tension take over, evoking the gritty, futuristic energy of classic late-’90s techstep.

Midway through, the track takes a haunting turn with the introduction of a female vocal MC line, layered against ethereal, atmospheric vocal textures. The contrast between the grounded spoken word and the ghostly, melodic overlays adds a hypnotic dimension, enhancing the track’s sci-fi feel and deepening its cinematic scope. “Circuit” is a perfect blend of past and future - raw, techy, and unmistakably Ritual X.

Maselan - beamer backseat

Maselan

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