Listening "Follow Me"... fan..tas..tic.  Listen: The world should not got an end, without a full "science, robotics, space" album coming from you. The piece "In Love With Emi" tells a lot about you. You have a very acurate feeling when writing about "science" music. In Love With Emi have the power to stop my world, my time... its a very powerful feeling. This happens to everybody, i believe. Not just me. Bring to life a full science/robotics/mysterious space album. This will be one of your legacies.

Uma playlist com músicas selecionadas A DEDO por mim, Paulo (The80sGuy), da Techdroid Computadores. Cada música aqui lhe fará refletir sobre Deus, sobre sua própria existência, sobre a evolução humana, sobre a evolução tecnológica, sobre o espaço, sobre o universo, sobre o futuro. Nosso futuro.

Techdroid Computadores

These are excerpts from the Schneider TM album "The 8 Of Space", out on Editions Mego as LP / CD / download:
https://schneidertm.bandcamp.com/album/the-8-of-space
Promo: 
ed(at)dense(dot)de

www.schneidertm.net
http://editionsmego.com/release/EMEGO-297

With an extensive catalogue under his belt, one may wonder where this one takes us? The 8 of Space orbits the realm of “pop” more overtly than the project has done for 14 years, residing in the line of works that temporarily ended with “Skoda Mluvit“ from 2006. In the age of scattered streaming listening habits The 8 Of Space champions the classic album format with connected tracks that act like chapters adding up to what could be framed as an 'audio-movie‘. The ‘plot' revolves around a post-dystopian landscape which posits the make up of reality in the future. 

The vessel is electronic pop music but one which takes inspiration from the spirit of a multitude of musical forms absorbed into a trans human sound world where biological & technological elements complement each other (We are NOT The Robots!). The music unifies the analog world of acoustic and electric instruments with electronic & digital possibilities that range from heavily processed acoustic & electric guitars and bass, tube organ, analog modular synth units, acoustic drums and percussion, analog & digital drum machines & effect units, hardware and software processing. Experimental & extended musical techniques build a world of musical elements that is sometimes upside down and mirrored. Electric guitar becomes rhythm machine & modular system, voice becomes sound object & synthesizer, effects are used as instruments, acoustic guitars are being modulated by voices etc. Reality and illusion are getting mixed up. One can hear short moments of longer recordings in the tracks which are snapshots of bigger musical pictures that lurk behind what’s actually audible. Generative music, audio spirals like clockworks create ever changing musical combinations; thrown-in sounds, polyrhythms & cascades based on the concept of chance attributed to the service of the SONG. 

The lyrics are a key component. Holistic, associative poetry acts as interactive trigger points for the mechanisms of existence in times of a paradigm shift that are open to the listeners discretion. Autobiographical elements combine with science fiction and dreams, protagonists shift where the ‘I’ or ‘me’ is not necessarily the voice of the artist, nor even the same person. Alongside a more naturalised voice another protagonist appears represented by a processed voice. This character, named iBot, evolved around the start of the millennium and has appeared on some previous Schneider TM recordings. It can be seen as a post-human, or even a trans-human character, a combination of human & technology, uncertain of the future, which lends iBot it’s melancholic tone. 

In the opening song “Light & Grace“ iBot appears in an advanced form of AI, which managed to hack & hijack a commercial space travel program (eg, Virgin Galactic) to invite those rich, who profited most from the destruction of planet earth, for a holiday trip into space to unknowingly fly them directly into the middle of the sun. In this episode it seems to have developed higher ethics than humanity itself with ambition to save the planet with as much of its cooperative life as possible.“Light & Grace“ serves as an intro / opener for this album to be followed by 7 other tracks featuring different windows of consciousness represented by diverse characters & protagonists. 

All the elements on The 8 of Space, the music, sounds, vocals and artwork fit together as a whole, creating a dazzling electro pop future questioning it’s own certainty. This is experimental electroacoustic pop music featuring glorious melodies dancing along human/machine voices, each track is a small universe that triggers the physical mind and tickles the subconsciousness.

The 8 Of Space

The 8 Of Space (album snippets, eMego 2021)

In Love With Emi

All links ► https://band.link/azaliah

Azaliah's latest EP 'Behind the Light' is a masterful display of minimal melodic techno, reminiscent of the style of Boris Brechja. Each track is a sonic journey, taking the listener through a landscape of intricate soundscapes and driving beats.
The EP opens with the title track, 'Behind the Light', which sets the tone for the rest of the release with its hypnotic rhythms and melodic hooks. The following tracks, 'In The Dark' and 'It Is Crystal', continue to build on this energy, introducing new elements and textures to keep the listener engaged.

The standout track on the EP is 'Behind The Light', a haunting and atmospheric piece that showcases Azaliah's ability to create a sense of space and depth in his music. The final track, 'It Is Crystal' is equally impressive with its pulsing bassline and ethereal melody. It brings the EP to a fitting close with its uplifting and driving rhythms.

Overall, 'Behind the Light' is a must-listen for fans of minimal melodic techno, solidifies Azaliah's place as a rising star in the genre and it showcases Azaliah's production skills at their finest.
Highly recommended.


♪♫ W&P by Fabien Fustinoni, France
► https://www.fabienfustinoni.com/azaliah
► https://soundcloud.com/azaliah-electro

Artwork by Marilyne Paluczak
► https://www.marilynepaluczak.com

Mastering by DJ Zen
► https://linktr.ee/altarrecords

Available in 24bit studio master quality only in Bandcamp:
https://altar-records-europe.bandcamp.com/album/behind-the-light
https://techno.bandcamp.com/album/behind-the-light

|AltarTechno011|♪♫ W&P by Fabien Fustinoni, France
► https://www.fabienfustinoni.com/azaliah
► https://soundcloud.com/azaliah-electro

Artwork by Marilyne Paluczak
► https://www.marilynepaluczak.com

Mastering by DJ Zen
► https://linktr.ee/altarrecords

Available in 24bit studio master quality only in Bandcamp:
https://altar-records-europe.bandcamp.com/album/behind-the-light
https://techno.bandcamp.com/album/behind-the-light

|AltarTechno011|

Behind The Light

It is Crystal

In The Dark

Taken from the album 'My Ghost Comes Back' released as CD and Download

Tujiko Noriko 'Through The Rain' (EMEGO 201)

Music & Producktion: AGF
Voice: Tujiko Noriko & AGF

This is a video edit for this video:
https://vimeo.com/poemproducer/newwoman

The words are inspired by Hiratsuka Raicho which published Japan’s first all-women literary magazine, Seitō (Bluestocking) in 1911. It opened with the words “In the beginning, woman was the sun…” Her words could be referring back to the Japanese foundation myth of Amaterasu, the goddess of the sun who emerged out of a cave and brought sunlight back to the universe.

The track is a collaboration between AGF and Tujiko Noriko for the album: A Deep Mysterious Tone, a work about Japanese poetry, language, identity and feminism. The album CD contains a deeper examination on these subjects.
PREVIEW: press.morrmusic.com/distribution/release/press/id/2630
PREORDER: agf-poemproducer.bandcamp.com/album/a-deep-mysterious-tone
PROJECT: adeepmysterioustone.poemproducer.com/



buy on itunes

#newwoman [video edit] feat. Tujiko Noriko

life is so goddamn complicated, Heidi

dub invaders: AKU FEN Feat SHANTI D "global loving"(74BPM)

Task Force 29 - Deus Ex Mankind Divided OST

Stellaris: Leviathans

Dragon Breath

Stellaris: Synthetic Dawn

Robotics And Beyond

Stellaris (Original Game Soundtrack)

To The End Of The Galaxy (From Stellaris Original Game Soundtrack) (Additional Take)

XCOM: Enemy Unknown is a 2012 strategy action game from Firaxis / 2K Interactive. The soundtrack, composed by Michael McCann is a blend of electronic, orchestral and break-beat.

XCOM: Enemy Unknown (Original Soundtrack)

XCOM: EU - Breaking Ground (HQ Act I)

Original vocal “Keep On Running/The Goldbush” by Dub Shepherds & Jahno. Remixed at Fabasstone Studio

Run In feat. Jolly Joseph & Ivan Jah

I came from the past, to see what you can do nowadays.

This electronic and ambient music producer based in France has long explored the world of painting and guitar sounds, only to realize that his passion is audiovisual music. Through the pairing of acoustic sounds and a futuristic atmosphere, Fabien Fustinoni's music constructs a unique and ethereal world.

In Love With Emi

Fabien Fustinoni

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