Name: How Will We Feed the New Global Middle Class? - The Atlantic - Charles C. Mann by TheAtlantic in Articles
Duration: 50 min 36 s
Description: In 2050 the world population will be 10 billion. Can everyone eat without destroying the Earth?

Articles

The preconditions are present in the U.S. today. If Congress is quiescent and the public listless, Donald Trump can set the country down a path toward illiberalism, institutional subversion, and endemic graft. Full Text can be found here: https://www.theatlantic.com/magazine/archive/2017/03/how-to-build-an-autocracy/513872/

How to Build an Autocracy - David Frum - The Atlantic March 2017

The philosophers he influenced set the stage for the technological revolution that remade our world. Read the full text version here: https://www.theatlantic.com/technology/archive/2017/03/aristotle-computer/518697/

How Aristotle Created the Computer - The Atlantic - Chris Dixon

The condition has long been considered untreatable. Experts can spot it in a child as young as 3 or 4. But a new clinical approach offers hope.

Read text version here: https://www.theatlantic.com/magazine/archive/2017/06/when-your-child-is-a-psychopath/524502/

When Your Child Is A Psychopath - The Atlantic - Barbara Bradley Hagerty

"No republic is safe that tolerates a privileged class, or denies to any of its citizens equal rights and equal means to maintain them."

Reconstruction - The Atlantic - Frederick Douglass

Concerto for Violin Solo and Orchestra

Recording performed by ORF Wien Modern, Carolin Widmann and Sylvain Camberling

First performed at Darmstadt Summer Course 14. August 2016, Radial System Berlin and Weimar Festspiel by Carolin Widmann, Sylvain Cambreling, Junge Deutsche Philharmonie and dancers from Sasha Waltz and Guests. 
Choreography by Antonio Rúz.

https://issuu.com/editionpeters/docs/ep_12015r__rebecca_saunders__still_

Still (2011)

What Facebook Did to American Democracy - The Atlantic - Alexis Madrigal

In 2050 the world population will be 10 billion. Can everyone eat without destroying the Earth?

How Will We Feed the New Global Middle Class? - The Atlantic - Charles C. Mann

A Warning From Europe - The Atlantic - Anne Applebaum

One of the beautiful, pastorally infused tracks off of the lovely new album from English artist, Enofa... entitled "Nerra Ninna Noak"...

Enofa "Nerra Ninna Noak" (Part 5)

Debbie talks with V (formerly known as Eve Ensler) about her abusive father and how feminism has shaped her career.

Design Matters with Debbie Millman

Design Matters with Debbie Millman: V

Penghu Experimental Sound Studio
www.kalerne.net
by Yannick Dauby 澎葉生

Underwater Recording
Equipment = Zoom H5 / Aquarian Audio H2c with USB battery in underwater enclosure
Date/Time = from 25.07.2020 12:03 to 26.07.2020 15:42
GPS = 23.515714, 119.572440
Habitat = coral reef
Note = Autonomous recorder running during 24h. This extract was recorded on 25.07.2020 around 12:06 it features snapping shrimps (of course) and damselfishes and in the lower frequency (50-90Hz) a drumming sound that is probably the stressed warning call of Pomacanthus Semicirculatus (Semicircle angelfish). It was observed (and disturbed, sorry) when deploying the recorder and was swimming around. To be confirmed

200725 - Pomacanthus Semicirculatus

Andi Schnellmann - electric bass
Manuel Troller - electric guitars
David Meier - drums and percussion

SCHNELLERTOLLERMEIER "209 Aphelion" from "5" (Cuneiform Records)

What a strange, odd, mixed-up year it has been.  The yellow spanner of Covid-19 really wrecked a lot of plans. I was all booked to travel to Estonia to record, but it had to be cancelled.   Very noticeable was the sunlight, perhaps it was because there was few jet trails, but when the day was cloudless the sunlight could be absolutely dazzling, it had the strange effect of making it feel like we were living in paradise.     Because of the restrictions I am so glad the woods is only within a moderate cycle distance from my home.  I am very fortunate that I have two fairly good places to record relatively close by.  I even found a wild sand dune area not even five kilometers away,  I hope to record more there in the future.   Disc 1 track 2 is from a much longer recording, it is probably one of the best recordings made during the 2020 season, I had made a few recordings, near the stream, then a bit less close, then a bit further away and another even further away, as I wanted a sound where the stream was a suggestion rather than really dominating the sound picture.  The Blue Tits nested in a cavity block in the wall of my home, there is an vent on the inside of the block, so I only needed to place the microphone up to that to get a fantastic close perspective recording.  
I include two recordings of the Blue tits as they sounded so different when I recorded them a week later.  Sometimes I would get great results by leaving the old Marantz recorder hidden in a bushy place while I go not too far away to record with the new recorder, I love how I had no idea of what it has captured for me, only later when the track loaded on the computer did I get to see if it captured anything worthwhile.  This was the case with Blackbird - alarm calls (Track 3 on disc 2).  I think the peaks came in at about minus six db.  This year was my first time to use Contact microphones and a Hydrophone.    
At the beginning of April my dad Desmond died, he was 89, a great age.  Apart from Covid, we could see he wasn’t going to live much longer, he had been deteriorating noticeably for months up to that.  Why then are the covers for the two discs so strange ?  
A birdsong production should have birds on it !   My dad was big into sun power and indeed wind power even long before it became popular.  Over by my workshop he had placed a few sun power panels on the wall, these were wired into a small room to a panel on the wall with six switches.  I thought it a good way to remember him by including a picture of part of his panel for disc one front cover.  I was going to include the six switches in the picture, but my heart of hearts said no, it didn’t look good, too much scruffy brown, but I include it in the zipped folder (If you are buying it on Bandcamp)so you can see what I am talking about.  I had almost chosen it, as it occurred to me one morning that the six switches are like the levels of lockdown (I hate that term, but I have to use it here) thankfully we didn’t have a level six, maybe that is like in a movie I saw where the authorities came and boarded up a house with the people still inside.  In the end I used the part of the photo with the meter.   
The butterflies . . . Dessie we call him, was always interested in butterflies, that is where I got my interest in nature, as a child he used to bring us for walks up along the canal to see the wild flowers and butterflies.  The picture comes from one drawer of his small collection of Irish butterflies he put together maybe around the late 1940’s or 1950’s ??  Very few of them are even in one piece now, this drawer just looked the part, it was all mixed up and spoiled like the year had been, the summer we never really had, at least not the way we wanted or had planned it.

How Will We Feed the New Global Middle Class? - The Atlantic - Charles C. Mann

TheAtlantic

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