Name: Until The End Of The World by nowyyorg ( Seasonal OptiMist ) in Related tracks: Universe Fuzzing
Duration: 3 min 31 s
Description: ... the guitars and some electronics are mine, the violin and piano is Sophie and the rhythm section and oud are Aywaze (the inspirer of my new ideas) ...

Richness beyond gorgeous! Love the life in this. Beautiful playing. Really beautiful playing.

New inspiration, superb work on melody and rhythm, beautiful orchestration👌

beautiful vibes! a great fusion of different styles from far-away countries. Wonderful to let the mind wander

Beautiful tender and oriental track which makes my mind travel

Related tracks: Universe Fuzzing

Terry Reeves:  Vocals
Gary Reeves:  Drums
Hans-Michael Albers:  All other instruments, Arrangement & Production
(From the forthcoming album ‘From London To Hamburg’)

Photograph and post production by Dan Duchars.
Hans’ video: https://youtu.be/Lm8WoxCegRE?si=XFq1zX8Gkz3oLDmH

When you’re brainstorming ideas for album covers, you never really think they might involve placing yourselves in the middle of a road as traffic bears down on you.  However, that is precisely what we did.
Now I’m not one to tell tales but it was all Gal’s fault.  He thought our front cover  should feature an image of the entire band, which was quite compelling aside from the fact that we lived in London, Hans in Hamburg and have in reality never met.  But Gal had a mate called Dan (who lives in Norfolk, hence the title), a professional photographer whose comprehensive knowledge of Photoshop could bring the three of us together.
We’d always loved the pre-fame, Astrid Kirchherr portraits of The Beatles, taken during their club-playing, Hamburg days and two of these became our template - in focus subject occupying the foreground, covert and blurred figure (in our case, 2  figures) in the distance.
And so it was that, armed with a pin-sharp shot of Hans, we met with Dan to photograph the background scene which, as outlined previously, was in the middle of a busy side road.  Camera in hand, Dan teetered on a plastic crate as Gal and me  dodged back and forth to avoid a plethora of oncoming vehicles - everything from lorries to mobility scooters - who were, on the whole, very accommodating in the circumstances. Some even smiled and waved - at least I think that’s what they were doing…
We owe Dan so much, not only for his consummate skills and kindness but also for laying his life on the line in the name of art.  This song is for him.  (Terry Reeves)

I met a man called Dan holding a magical light
Viewing future moments, giving individual sight
Shadows from Hamburg, combination of skills
Show London reflection of a figure standing still

Chorus:
A flash of light, picture to follow
In black & white, diverse as tomorrow

Stand high in right places, enchanted vision of art
Friend of ageing musicians, sorcery skills from the heart
A Wizard conjuring cover, Kirchherr’s copy of claim
Painting light into a picture, producing Album in frame

Chorus

Viewing from height - sparks of vision
Seeing it tight - artist precision
Know left from right - avoid collision
Negative in sight - develop position

Chorus

Confidence in commitment, enjoying musical tracks
Working four to an image, platinum vinyl plaque 
Black and white cover photo, a clue why, when and who
Monochrome life connections, enjoy vision past to new

Chorus

A feeling it’s time to give a show
A feeling making history grow
A feeling, a feeling only one way to go
A feeling thinking fast going slow
A feeling Duchars photos will glow
A feeling CC one day will all know

FROM NORFOLK TO LONDON  - CRIPPLE CLUB  (Video)

This is a bit of an experiment. Just me and my guitar recorded on my iPhone 16 pro.
Link to. video below.
https://youtu.be/4lXvHYD5VAA

All It Takes is A Smile (+ video)

Brand new track and first for 2025. Song called "Universe fuzzing"
Taken from my upcoming full length synthwave album (2025) that will be called "Ultraviolet Cosmos".

youtube link: https://youtu.be/16y888BdiZI?si=rikRzRdc4swOOSyx
----------------------------------------------------
lyrics:
Feel the heat while you're moving around
Feel the beat while you're turning around

there's no wheels for stoping, only thin air poppin


Feel the warmth of the grinding machine
feel the heat from the earth beneath

there's no time machine to revert it, only the future u gotta face it


See these raylights that are flashing, all these memories are crushin' 
all these voices are buzzin' the whole universe is fuzzin'


Read the signs for the future unfold, 
learn from the past and let your dreams on hold

there's no logical planning, only sane present that is running.
--------------------------------------------------------------
(p) & (c) 2025.

Universe Fuzzing

Cast of Characters:
~Mark F-- @mark_f_2019 -- Ibanez EBH1005MS modified three string bass guitar, composition
Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar end solo, production, and mix
TexMex Shaman–@texmex-shaman –Stephen– Fender Telecaster foundational rhythm electric guitar
J.J. Terrell–@j-j-terrell – organ and synth
Cgmaness – @user-419254289-15129531 – Chris – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- PRS SE semi hollow body wah guitar, and ooh aah vocals at the end
This song began as a bass composition recorded as a stem by Mark. He named it after a hang out spot he and his friends used to go to as teenagers to drink beer and smoke bowls. He shared it with JJ, who turned it over to the Eclectic Collective so that we could have our way with it. However, Mark didn't use a click track to record it, so when he sent it to us, Ken had to come up with a drum beat based on Mark's structure, to which Mark then redid his bass part. That takes a lot of imagination on Ken's part when we do something that way.
    The first one of us to lay down a part for it was Chris, who added some really freaky textural guitar. Ken was next up, completing the rhythm section with his mighty drums. Ken then redid his part to better match the bass, thus completing the rhythm section with his mighty drums. Then, Stephen laid down the gritty, underlying rhythm guitar that runs throughout. Josh was up next, adding his melodic wah guitar to the mix. JJ came along soon after and laid down the magical synth that runs throughout. Last, but not least. Tez dropped the fiery solo towards the end. 
  Once the music was all laid down, we thought it could use some oohs and aahs at the end, so Josh recorded them as a five part harmony. However, choosing to only use the highest thee parts in the song, our expert producer on this one, Tez, decided to make a coda out of all five. So, stick around for a treat at the end!
  This is the third song the Eclectic Collective has done as a collab with Mark F. He's a very talented solo bassist, whose other music worth checking out on his page, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

Pryer Manor (Eclectic Collective with ~Mark F)

A little rap, hip hop, electronic mixed with some double bass for dat ass.

Why Not

El Árbol del Fuego - www.korima.net

Hace calor aquí? ¿O soy yo?
Hace calor aquí? ¿O soy yo?

Beware the Purple Tiger
On the wall of flame
Hungarian Hot Wax
With a Bangalore Wippet’s tail

Paper Lantern and Prairie Fire
Select Lucky Seven
Red Cherry Sweet Desire
Will leave you Facing Heaven

Chilhuacle Rojo
Orange Scorching Fresno

Malawi Bird’s Eye burn
Peach Carolina Reaper
Trinidad Perfume
Golden Cayenne Pepper

Hace calor aquí? ¿O soy yo?
Hace calor aquí? ¿O soy yo?

Guitar featured is: Guitarra Especial 10 Concierto by ANTONIO ALVAREZ BERNAL, 41007 SEVILLA SE, España

Graphic effects by Simon

You can find our acoustic versions released in advance of Soundcloud in our "Black & White" page here: https://www.korima.net/black-white

El Árbol del Fuego - Acoustic

This song was written eight years ago as the darkness of the first Trump presidency was making itself known. And now once again we have the unthinkable -- this disastrous human being with power at his fingers.  And he's already busy spreading lies, fear, and hate.

Liisa Pentti https://soundcloud.com/liisapentti did guest vocals on this 2019 version, and it's the definitive one -- I love what she did.

Ever Since the Rainbow

ever since the rainbow left the evening sky
waiting and hoping seem such a waste of time
into the air we fly into the seams we dive
as if the dust of a broken down dream
could start the engine fire

the passage of time this endless ennui
rivers and threads between you and me
sleep and dream again and again
an old man's finger tapping on a window pane
we dream and breath we love and grieve
remember that we share the same blood and air

the innocent sunrise the whispering day
dark clouds rising that will pass away
I know that these things that bind you to the common marrow
will rise up in your veins to remind you
remember that we share the same blood and air

Spotify Link

Ever Since the Rainbow

... the guitars and some electronics are mine, the violin and piano is Sophie and the rhythm section and oud are Aywaze (the inspirer of my new ideas) ...

Until The End Of The World

Cast of Characters:
E Ruizzo-- https://soundcloud.com/ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (with The Eclectic Collective)

Crossroads

Keith needed to get some stuff out and needed to wail away on his guitar, singing his heart out. I rode his coattails through the concrete. 

King of the Concrete Jungle
Lyrics:

King of the concrete jungle
As far as he could see
Across the road and down the street
As far as the distant tree


Paved with puddles and historical dirt
A field of broken tiles
The Lord of darkened corners
Can see for miles and miles
 

(CHORUS)
NOW ALL AROUND IS CONCRETE
AND GREYNESS WINS THE GREEN
THE KING OF THE CONCRETE JUNGLE
WEEPS FOR YOU AND ME…YOU…AND ME


 Singing from his lamppost
A branch without a tree
The sweetest notes you would ever hear
But no honey for this bee

 
Mouth open to the heavens
Warm sunshine from deep within
Blue skies he used to soar in
Clear waves he used to swim

 (CHORUS)

(INST BREAK)

(CHORUS)

note from Keith:
"This was inspired by a lone blackbird, singing his heart out from the top of a lamppost. (The branch without a tree)  I remember that behind 'his' lamppost there used to stand a beautiful Maple tree...long chopped down to make way for more car-parking space. There's not a single tree left standing down our road now...not one"

Note 2:Terry likes the social/political application to life in the 21st c. , always ready to see a moral to all of Keith's tales. ;)
 
Wigmore: synths, percussion, production
Allen: guitars, bass, lyrics, vocals

King of the Concrete Jungle

“ Colpi Dritti “  by Luke 

During Medieval & Renaissance days the fencing word..
“Colpi Dritti”…means: “Vadi blows from the right side used to defend one self” as the warriors had to do…

Just a fun experimental piece …

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Colpi Dritti”  by Luke

37°

Baby Girl (Remix 2025)

Echoes of yesterday by Zitou Itou & Albert Paule & Royaltyusrecords

Whispers of Eternity | No Copyright Instrumental 2025 | Original Music Track

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Whispers of Eternity

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Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW! Grab ur digital copy!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

... Maybe I'm putting too much emotion into it, well... that's how I am...

Until The End Of The World

nowyyorg ( Seasonal OptiMist )

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