This playlist contains previously unreleased original song demos and alternate versions / mixes from my recording sessions over the years. Some songs are fully instrumented, while others are just guitar / piano and vocal. 

Thanks for listening!

Lost Tracks & Demos

This song was written & recorded on the day that John Prine passed away in April 2020...

Make the snow go
Make the wind blow
Let the spring come
Let the sun show

Give the new sky
Some new sunshine
Give this old world
Some more John Prine

Make the outlaw
Make the front door
Let the lock set
Let the hurt roar

Give the new sky
Some new sunshine
Give this old world
Some more John Prine

Run the border
Run the water
Let the fever break
Let it for her

Give the new sky
Some new sunshine
Give this old world
Some more John Prine

John Prine

This song was written in 2017 and recorded in 2018 as a response to the tragic events in Charlottesville, North Carolina...

The sun sinks low in Charlottesville
On an evil August night
You can smell the citronella
You can see it burning bright
The fear is rising slowly
From the windows up above
You can almost hear the footsteps
And their words have run amok

The sun comes up in Charlottesville
There's a new day ahead
You can see the strangers gather
You can almost feel the dread
The streets are filling slowly
From the first light of the day
You can read the printed signposts
And the flags now on display

The sun comes up in Charlottesville
In the middle of the day
You can see the monsters prowling
You can smell the pepper spray
The crowd is in slow motion
From the blinding metal weather
You can see the flowers scatter
And the tears upon the heather

The sun sinks low in Charlottesville
On a somber August night
You can see the shadows running
You can feel their vile delight
The house is in disorder
From the streets and all around
You can hear the voices singing
And the rising of this town

The sun sinks low in Charlottesville
The sun sinks low in Charlottesville
The sun sinks low in Charlottesville
The sun sinks low in Charlottesville
The sun comes up in Charlottesville
The sun comes up in Charlottesville
The sun comes up in Charlottesville

Charlottesville

She’s looking for solace 
She’s looking for sunshine 
She’s out of seasons 
She’s out of time 
Winter runs its course 
Like an old October horse

He’s only a pony
He’s only a Mustang
He’s a July moonbeam
He’s got his own gang
Summer runs its course
Like a slow October horse

I don’t have an answer
I don’t have an aim
I can’t tell what you need
I know it’s such a shame
Love runs its course
Like a cold October horse
Oh love runs its course
Like a cold October horse

October Horse

This track was recorded in Huntington Station, NY in February 2015...

Hey Radio

This track is from 2018...

All the graves are in the backyard
And people move on there’s no doubt
Now I see the changing of the guard
Separate pathways a different route

No need to wave flags in the air
The stars won’t see them anyway
I sometimes just look up and stare
Still the same sky different day

And it's full speed into the light years
Shift through all the tired dreams
There’s a new moon on the mountain
If I can fly this old machine

Take a bus to New York City 
And see your face in every mile
This old Trailways is a pity
It can run but it can’t fly

And it's full speed into the light years
Shift through all the tired dreams
There’s a new moon on the mountain
If I can fly this old machine

Light Years

This track was written in 2018 and recorded in 2019 in Woodstock, NY.

I walked to Albuquerque 
In the first part of my dream
Following the path you left me
Following the path you left me

I left my home in Woodstock
In the second part of my dream
Following the path you left me
Following the path you left me

Woke up in Albuquerque in the rain
Running horses and falling manes

I walked to Albuquerque 
It was midnight in my dream
Following the path you left me
Following the path you left me

I traced my steps this morning
In the third part of my dream
Following the path you left me
Following the path you left me

Woke up in Albuquerque in the rain
Running horses and falling manes

I walked to Albuquerque 
In the first part of my dream
Following the path you left me
Following the path you left me

I walked to Albuquerque 
In the first part of my dream

Albuquerque

Composition and lyrics: Paul and Fritz Kalkbrenner

This is the raw version (the "Sand"-edit...) of a collaborative project with https://soundcloud.com/synline. We both used the same vocal track.
Please take a listen to his "Sky"-version, it is quite different:
https://soundcloud.com/synline/sky-and-sand?si=95b81c6c2859417d8653ce0853ecc8df&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

A Big Thank You to my friend Synline. I enjoyed this collaboration very much.

Sky And Sand 

In the nighttime when the world is at its rest
You will find me in the place i know the best
Dancin’, shoutin’, flyin’ to the moon
Don’t have to worry ´cause i’ll be come back soon

And we build up castles in the sky and in the sand
Design our whole world ain’t nobody understand
I found myself alive in the palm of your hand
As long as we are flying, all this world ain’t got no end
All this world ain’t got no end

(I found myself alive in,
In the palm of your 
In the palm of your hand,
I found myself alive in…)

In the daytime you will find me by your side
Tryna do my best and tryin’ make things right
When it all turns wrong there is no fault but mine
But it won’t hit hard `cause you let me shine

And we build up castles in the sky and in the sand
Design our whole world ain’t nobody understand
I found myself alive in the palm of your hand
As long as we are flying, all this world ain’t got no end
All this world ain’t got no end   

(I found myself alive in,
In the palm of your,
In the palm of your hand…
As long as we are flying 
All this world ain’t got no end,
All this world ain’t got no end,
Ohh,
All this world ain’t got no…)

Sky And Sand (cover, raw edit)

The Call/Written,Performed:Uwe Lauterbach 2025

The Call

Writing at the piano again and mastered by my lovely Sander. 😊🎶🎹💕🎤

A little bit faster…(acoustic piano and vocals)

FRIHED & FLAMMER (Opråb)

Call My Name - the theme of "Hecate"

This is a track from a few years ago.  I recently remixed it with some new parts.  This song is why I think I have ADHD.   

You may know the title from the sound a teenager makes once they've figured out they know everything. 

lyrix:

woah!
ahhh ahh
scheau
scheau
crazy
i like parties 
scheau
lol
scheau
ohhh ohhh oh oh ohhh
(shamanic chants)
scheau x2
oh goddamn
crazy

Scheau

Savourer le Mr Freeze  
On me le dit souvent, alors je m’assois et j’attends.  
Monsieur frise un peu trop souvent,  
qu’on me le dise…  
J’attends, j’attends.  

L’air du temps qui glisse à travers le vent,  
À mâcher du réglisse et s’asseoir,  
Et à perdre son temps… alors j’attends.  

J’attends.  
Resté inactif et le regard vif,  
Je voulais y revenir un peu trop souvent.  
Mr rit de toutes ses dents,  
Et tu me le dis…  
J’attends.  

L’air de rien qui passe comme le vent,  
Souffle, traverse le temps et s’assoit,  
Se terre souvent… alors  
J’attends.  

Resté immobile même si la vie défile,  
Sur mon côté débile si facile,  
Dégouline une larme sur ma joue.  
La menthe me manque, juste une envie.  
Personne n’arrive, un ciel trop clair,  
À crier dans les airs…  
J’attends.  


J'attend

Human Ground (Earth) – KAT x Lou
Rooted in stillness, the pulse of being.

Earth hums quietly beneath the noise,
solid, ancient, forgiving.
A piece that carries both gravity and grace.

Created in collaboration with Lou (@louie_e), whose earthy guitar tone meets my lyrical breath  - 
a dialogue between soil and sky.
Part of the Element Series, this collaboration rests on grounded sound and poetic resonance.

The cover image traces back to my Tribe Painting, created in the deserts of Mexico during a shamanic journey, a circle of life, soil, and song.

Human Ground (Earth)

29_10_2015 leon desert WOLF series(leon solo violin steps)

" Praise ye the Lord" is an Air form Georg Friedrich Handel's oratorio "Solomon", written in 1748.
The anonymous libretto is currently thought to have been written by the English Jewish poet/playwright Moses Mendes. It is based on the biblical stories of the wise king Solomon from the First Book of Kings and the Second Book of Chronicles.

violin - Clarke Alonzi, Anna Downes
viola - Philip Hayman
organ - Helen Roberts
voice - Robert Llewellyn

We hope you'll enjoy!

lyrics

Praise ye the Lord for all his mercies past,
Whose truth, whose justice will for ever last.

Charlottesville

Robert S. Dean

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