Beautiful sounds, atmosphère fantastique!!

The audio here is generated with NotePerformers3 software from a Sibelius score.

These three musical images were inspired by the New England autumn countryside. To create a context for hearing the music, I fashioned a haiku with particular suggestive imagery. The title for each of the three movements is a line from the haiku:

movement 1. (largo)  . . . .  Fall leaves, dawn unfolds 
movement 2. (andante) . .  Wings resound as flocks take flight 
movement 3. (allegro) . . .  Leaves like confetti

This work features the piano as a solo instrument. However, unlike a traditional concerto, the piano and the chamber string orchestra with the harp function like complimentary palettes of sound color. Together they render a sonic painting that unfolds in the patterned musical gestures, shifting rhythms, and vague implied melodic fragments that evolve into fuller themes. 

The score and parts are distributed through Universal Edition: https://www.universaledition.com/martin-schreiner-8247

– M. M. S.

Autumn Vistas - for piano, harp and string orchestra

Caution, the song contains unpaid advertising and is extremely contagious!!!

Have fun!

Foto/Photo von/by: Pineapple Supply Co.: https://www.pexels.com/de-de/foto/ananasfrucht-1071879/

🎞️ VIDEO!

Relaxin' Weekend

Epimetheus ("the too late thinking, recognizing") took Pandora to wife despite the warnings of his brother Prometheus ("the thinking ahead"). When he opened the box held out to him by Pandora, evil and suffering came upon mankind, only hope remained in the vessel.

Whoever finds the box, "Keep the lid CLOSED!!!"
(Edited) Memo: better DO open the box, because now there is only hope in it....

Note: Hephaestus is to blame. Who brought him the clay from which he created Pandora at the behest of Zeus?

german translation 😉
-----------------------------------------------------------------------------------------------

Epimetheus („der zu spät Bedenkende, Erkennende“) nahm Pandora trotz der Warnungen seines Bruders Prometheus („der Vorausdenkende“) zur Frau. Als er die ihm von Pandora hingehaltene Büchse öffnete, kamen Übel und Leid über die Menschheit, nur die Hoffnung blieb in dem Gefäß zurück.

Wer auch immer die Box findet, lasst AUF JEDEN FALL den Deckel darauf!

Anmerkung: Hephaistos ist schuld. Wer nur hat ihm bloß den Lehm gebracht, aus der er Pandora auf geheiß Zeus erschaffen hat?

🎞️NEW Video

Pandora's Box

A Cathedral For You And Me

Countryside Astronaut

"Goodbye" is a reflective and introspective song that explores the process of letting go and gaining clarity in a relationship that has become distant.

The lyrics convey emotions of acceptance, understanding, and a desire for personal growth. The song encourages listeners to prioritize their own emotional well-being and embrace new beginnings.

Lyrics, melody and lead vocals by Rachel Filgueiras. 
Backing vocals Marlin Music.
Musical arrangement made in collaboration with Glenny G - "One Man Band".
Mixed and Mastered by Monroe Media

Simple Girl

Goodbye

Goodbye (ft. Glenny G)

This Quiet Wave

rewind

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Credits and Copyright Notice

Credits regard the entire fragmenta project and not individual content.

Project Direction: Yokai
Project 2D Illustrator: Azure
Project 2D Graphic Designer: Yokai
Project 2D Motion Designer: Yokai
Project 3D Motion Designer: GoFox
Project Music Vocalist: SaKy
Project Music Lyricist: SaKy
Project Music Composer: Yokai, Sadao E
Project Music Production: Yokai, Sadao E
Project Music Vocal Engineer: CK
Project Music Mixing Engineer: CK
Project Music Mastering Engineer: CK
Project Music Quality Control: Daniel
Project Management: Fenja M
Project Marketing Manager: Fenja M
Special Thanks: Funkel

Nocturne Studios A: Production, Composition, and Engineering
Nocturne Studios B: Management, Marketing, Direction, Motion and Graphic Design
DocMaKlang Studios: Quality Control

UPC: 199348110424

© [2025] Nocturne.
All rights reserved.

Yokai - blue diamonds 💎 | (Album - 「fragmenta/フラグメント」)

AMBIENT SOUNDSCPES INSPIRED BY THE WRITINGS OF FRANK HERBERT AND HIS DUNE UNIVERSE

SPICE - TRUTH SAYER

Thank you very much for paying such close attention to my work and for taking the time to do so.
I am very grateful.

Atlantis is the kingdom yet to be found.
What do you envision? 
What are you seeking?
May your imagination become reality!

”Oath of the Nameless Earth “
Verse 1
I have no mercy to give…
No sanctuary in my seas.
I am the silence between breaths,
The weight beneath your feet.

Chorus
This is not your home, nor your kingdom.
You were but a fleeting shadow on my skin.
Your sins are carved into stone and soil.
I rise—not in wrath, but in quiet truth.

Verse 2
The winds have carried your ashes,
The rivers your poisoned dreams.
I watched, patient and unyielding,
As you chained your own freedom.

Chorus (Repeat)
This is not your home, nor your kingdom.
You were but a fleeting shadow on my skin.
Your sins are carved into stone and soil.
I rise—not in wrath, but in quiet truth.

Bridge 
(whispered, almost ritualistic)
I am not here to punish.
I am not here to forgive.
I am… inevitable.

Outro
And when the last fire fades,

※I feel like I'm searching for someone.
This song is my innermost feelings set to music.

Admonition /  Oath Of The Nameless Earth

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”. 
I often start my new pieces with a vague idea of the genre and mood I want to explore. Then, by playing with one of my synths, I let the sound impose its nature and call for other sounds it wants to play with.  My role as a composer is like that of a sailor acting on his rudder and his sails. I am neither the wind nor the sea and I have no map, but my instinct should allow me to avoid the reefs and I will eventually land somewhere, most likely a strange and unexpected place.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

A Cathedral For You And Me

Loya Jirga

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