Atmosphere lifts to somewhere else, love the Guitar and Vocal FX. 💎🙏💫

Cool track. Digging the (what sounds to me) mix of Eastern influence. Is that a koto at one point?

Great sound. Feels like you're travelling through an unexplored region. Everything you see and hear is beautifully designed. And nature.

Superbly crafted 🤍 thank you for making such lovely music

A Rom-Com on a celestial plane meets a reality in a Virginia grief group. 

Re: the chorus -- no shade intended, Ben Gibbard.

Influences: Ted Leo, Death Cab for Cutie, ColdPlay

To the Heavens

Allegro Moderato

First movement of a "SONATA OF MELODIES" 

Primo movimento di una "SONATA DELLE MELODIE"

MELODIE

Melodie (I)

Probably already knew this, but recently I discovered that if you hand me any sheet music (especially of music in the public domain), I'll most certainly make something bizarre out of it. Sorry, Mr. Bartók!

†ॐ

Based on "Betyárnóta (The Highway Robber)", from Gyermekeknek.
Music composed by Béla Bartók, based on a slovak folk tune.
Arrangemente by Thomas O'Higgins Horna
Produced at Kolima Forest Studios.
Cover photo by broadacre.

This track is not to be used to train AI.

the highway robber

Memories of an Imaginary Journey

NOTHING LASTS FOR HEATHER inst.

Live Reflexion#022

Image created by me.
https://www.deviantart.com/leehon/art/Cadre-960243974

Spicy Hogwash

Crime Of Passion,== Gene Jumper, ( cover ) Ricky Van Shelton

EIGHT JUDGEMENT DAYS A WEEK

Hope
TMS Music, Mix, and Mastering
MJ-Brewer-Rhythm Guitar (Acoustic)
TexMex Shaman-Lead Guitar & Mandolin
TexMex Shaman-Shakers
REKHA - IYERN [Fe] Lead Vocals  & Harmonies)
Mark Jackson-Lyrics & Arrangement

Music/Vocal Design & Arrangement (All Lead & Back Harmonies) by
 REKHA - IYERN [Fe]

Cover Art Design:
AI Generated by MJ-Brewer & Additional Graphics by 
REKHA - IYERN [Fe]

Hope - Lyrics by Mark Jackson

Well I hope someday that you know how it feels to be lost going nowhere
Well I hope someday that you know how it feels to see the people stare
I’ve been stripped of my pride, my heart opened wide
Lord knows what’s inside but I hope someday to find it
I must confess, I’ve been so stressed, my life is a mess
You know I don’t even seem to mind it

Well I hope someday somebody comes to save me, but I doubt they ever will
I hope someday somebody comes to save me, just take me away from here
I shouldn’t lie it’s so hard to try to say goodbye you know everybody needs a friend
It’s a crazy thing what the bad times can bring, a birds broken wings, it’ll never fly again

Well I hope someday that people will say that I did I did my very best
I hope someday that people will say I always, I always seem to make them laugh
Through sickness and health, poor times and wealth, each hand that I’m dealt, I always try to stay the same. Through thick and through thin I bounce back again, I lose then I win, and I’m always ready to play the game

Oh yeah, hoping things will be fine someday
Hoping things will be fine someday
Hoping things will be fine someday

Hope

Hope - w/TexMex Shaman & REKHA - IYERN [Fe]

Gilleanan Nan Sleamhnagan, “Lads of the Slides,” is   at full stride, leaning into the bright lift of a 12/8 slide set that moves before you know you’re moving with it. The melodies slip forward in quick, glancing lines, each one trading hands between fiddle and bouzouki like dancers weaving through a crowded floor. The group keeps the pulse light but steady, letting the tune gather its own momentum without ever rushing the tradition behind it. It’s a set built for motion, shaped by that familiar spark that rises when old steps and fresh energy meet.

A bright 12 over 8 lift from Dál Riata Còmhlan. Gilleanan Nan Sleamhnagan carries that quick sliding motion that moves you before you know it.
#adamrsweet #DálRíataCòmhlan #GilleananNanSleamhnagan



Gilleanan Nan Sleamhnagan (Lads of the Slides)

Gilleanan Nan Sleamhnagan

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”. 
I often start my new pieces with a vague idea of the genre and mood I want to explore. Then, by playing with one of my synths, I let the sound impose its nature and call for other sounds it wants to play with.  My role as a composer is like that of a sailor acting on his rudder and his sails. I am neither the wind nor the sea and I have no map, but my instinct should allow me to avoid the reefs and I will eventually land somewhere, most likely a strange and unexpected place.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

Memories of an Imaginary Journey

Loya Jirga

Recent comments

Scratch Kelly

Hega

Franck Charles

Magi©ian™ (Making music make a difference)

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