Puissant et magnifique! Merci beaucoup Loya🤍

Superbes arrangements electro, belle énergie 🦋

Great start….gotta admit this got me thinking

This music is very compelling--very much enjoying the urgency and lovely vocalization!!

I like what you write in your bio. I could relate to a lot of.  I think I will enjoy listening to your music.  🩵

It all sounds great, but this second part is spectacular - the vocals here are impeccable

Difficult for children to fall asleep the nights before Christmas....With the sampled voice of Ana, my granddaughter.....Merry Christmas to all

THE NIGHTS OF ADVENT.

Original Score inspired by the John Kessel novel The Moon and the Other

A Brief History of Anger

Sound diary of my one-month trip to South Korea (March-April 2023). Field recordings made in Seoul, Busan, Gyeongju, Jeju Island and on the Queen Jenuvia ferry on the Yellow Sea!
Journal sonore de mon voyage d'un mois en Corée du Sud (mars-avril 2023). Enregistrements de terrain réalisés à Seoul, Busan, Gyeongju, sur l'île de Jeju et sur le ferry Queen Jenuvia sur la Mer Jaune !
zuunzug.com/2023/10/14/coree-du-sud/

South Korea Sound Diary

Scenes from a teen's night

Audiopunxxx Return

Instrumental: Oleg Brnic
Vocals, Lyrics, Mix: Nadia Selvaggi
Sound effects: Pixabay
Preacher courtesy of Kammerin Hunt
*Voice of David Rockefeller thanking the media at a meeting of the Council on Foreign Relations, 1991
Photo: J. D. Rockefeller

“We are grateful to the Washington Post, the New York Times, Time Magazine and other great publications whose directors have attended our meetings and respected their promises of discretion for almost 40 years......It would have been impossible for us to develop our plan for the world if we had been subjected to the lights of publicity during those years. But, the world is more sophisticated and prepared to march towards a world government. The supernational sovereignty of an intellectual elite and world bankers is surely preferable to the national autodetermination practiced in past centuries.”
― David Rockefeller

Hidden Hand by Oleg Brnic & Nadia Selvaggi

Little Man: Guitars
Morten Jeamland : Music, all other instruments, mix & master

Tell my why

Cast of Characters:
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, vocals, lyrics, and seed idea 
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, mastering, and seed idea
Mistermark – @user-432503709 – Mark – organ, all instruments in the break (clavinet, bass, electronic drums), as well as production, editing, and mix
Llanpsych-- @llanpsych -- Tez – electric guitar
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass 
The Eclectic Collective -- composition

This song began its life when Ken came to us with a series of drum skeletons about half a year ago with the intent of starting several McDonald's themed songs that The Mysterious Decibel was writing for the group. Well MD had some life getting in the way and then decided to pursue another project full time, leaving us with four solid songs, but without vocals. Ken ended up supplying the solid lead vocals and harmonies you hear the whole way through, with original lyrics that he also wrote.
  But before any of that happened, we got this song together. Stephen was first up, coming up with the main guitar riffs that carry the whole way through. Josh responded quickly to the his guitar parts with some matching bass to go along with it. 
  About this time, Mark heard a funky break in there, and so installed every part of it all on his own, including the clavinet, organ, bass, and drums. Although, Ken is also still playing in the break, as well. When we had it pretty well set, Tez came along and added some fiery guitar to go along with Stephen's. 
  Once we had it in the can, we turned it over to Mark for his expert mix. Stephen mastered it for us, too, for the final, winning touch.
  This ended up being a satisfying product of The Eclectic Collective's teamwork. We hope you enjoyed listening to it as much as we enjoyed creating it.

Original Lyrics by K2 and The Three:

I built my library, by burning it to  the ground
I live my life, through all this singing sound
Can’t remember, what then we should’ve done
It’s up to you, now, you’re the chosen one

Scaling the riverbank
Scaling the riverbank
Scaling the riverbanks
Scaling the riverbanks

Till we reach solid ground
Pit for play dirt(pay dirt)
Muddy water all around
Sift the sandbox
There’s gold in them thar hills
Treasures lying
Skills to pay the bills

Hanging on and on
…. and I, can’t find my way up!

New to you, It’s goo to you
New to you, It’s goo to you
New to you!

Scaling the River Banks
Scale the riverbanks
Scaling the riverbanks till we reach solid ground
Scaling the riverbanks till we reach solid ground

Hanging  on and on
And I can’t find my way up!

Scale the River Banks
Scaling the riverbanks!

Scale the riverbanks!

Scaling The Riverbank (The Eclectic Collective)

method: recording an acoustic bass guitar, later time-stretching and adding further instruments and effects - has C major ever sounded less like C major?
narration: some say it's a positive when the rash eventually shows and is not hiding anymore
image: copyright jo richter, made using an illustration on an old ur cassette tape wrapping

poem / copyright jo richter:

those make choleric
and sulky lovers
who conceal despair

their unechoic
used longing hovers
in yesterday's air

like stale, prosaic
camouflage covers
on some bulky chair

still clotting the attic
smelling of septic
mothball aesthetics





bile

Video; https://youtu.be/HYT0eJPD5yU

Made in #Ableton (November 2024)

https://hega.bandcamp.com/album/soul-flight

Soul Flight

Into the Unknown (traveler's lament)

Thank you  for visiting my world, I'm eager to share! 
I 've been composing electronic music for more than 20 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.

My desire is to be a tiny part of the great admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

Scenes from a teen's night

Loya Jirga

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