great track..masterly production and arrangement..topp! 🎹🎸🥁😎

Dark and groovy‼️ This section is cool‼️

Hey hey!! Back with something fresh finally.
Really appreciate you listening. Supporting.
All feedback and real love. Always returned.
This is 92 Bpm. Laid back. Uplifting vibes.
Stated with the dope female chop, loop.
Built the  idea, theme, track around it.
Looking for singers. Dm...
Uploaded on 15/08/2025.

Never lonely

LA RISA QUE YA NO ESTA

Siempre es asi,vas bajando
A pudrirte con los gusanos 
Esas cosas hoy no son en vano 
El sueño es un sueño amargo...

Ese reproche volvio a tu lugar
Y lo cambia hasta temblar 
Cabalga en la noche lunática 
La risa que ya no está 

La lluvia llegó para mojarnos 
Espero que no nos parta un rayo 
Las noches son cómo un milagro 
Nos llevarán sin pedir algo a cambio..

Ese reproche volvio a tu lugar 
Y lo cambia hasta temblar 
Cabalga en la noche lunática 
La risa que ya no está 

Intr. C-D-F7/ C-F/ Em-Am-C-F7

LA RISA QUE YA NO ESTA

As we all patiently await good news from the voyages of I.S.S. Acquiescent

“Inspired by the Bieber SWAG record I wanted to revisit this anthem about mental health and create a new version. Due to my musical taste I added further instrumentation to the raw modern lo fi sound to build up texture and harmonic interest.” 

everything. reimagined. 

Its been a long time coming 
I can say this for myself
I only want what’s mine
A simple peace of mind
A simple place of mine, my own 
my own

I will treat it like the last time
On my way to the finish line 
I'm taking back what is mine
I’m not settling this time

I can feel it in my heartbeat
Once again walking down this street
I'm letting go of everything
Living and letting go of everything

Its been a long time coming and I know
I can feel this in myself, in myself I feel it
Sometimes I want to explode
Sometimes I feel I’ll implode
I’m moving on here’s my everything 
All that I’ve got to give

© heart house and the new kindness. 2025

Written, performed, recorded, produced and mixed by heart house and the new kindness. 
Mastered by DOLBY

everything. reimagined.

Magical (2009) Lost Tracks

melt

Executive producer BotNikStudio2, Bottna, Sweden.

CALLIOPE ON THE BEACH CRYING

September. ( 1995 ) Eddy Mango ( Eddy )

The shadows of childhood

Song from the rock opera Five Thousand Sasquatch

Jewelry Box With A Rock

I always liked Van Morrisons Music. This is my version of Brown Eyed Girl  2025 a special tribute 

TRIBUTE " Brown Eyed Girl " (Covered by Glenny G)

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”. 
I often start my new pieces with a vague idea of the genre and mood I want to explore. Then, by playing with one of my synths, I let the sound impose its nature and call for other sounds it wants to play with.  My role as a composer is like that of a sailor acting on his rudder and his sails. I am neither the wind nor the sea and I have no map, but my instinct should allow me to avoid the reefs and I will eventually land somewhere, most likely a strange and unexpected place.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

The shadows of childhood

Loya Jirga

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Steve Matthews

Steve Matthews

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