Mekka

Karantina Freestyles 2020(feat Liakos)

"Rêves Brisés"

dont get me wrong

TPC 267 "Heartless"

Color 20 | December 03.2022

I BE THE SAME
 I BE THE CHANGE
EITHER OR
IN WORDS 
WRITING THEM
MAKING THE ITEMS
OF LETTER FORMS
RECITING THEM
MOST THE TIME 
BORED
TOURED
WARPED
INDIVIDUAL
LAID TO LAWN
AND GROW
IN MY CENTRE
SINGULAR
GRAVITY COLLAPSE
HEAVENLY RESIDUAL
PERHAPS
JUST A LAPSE IN CONCENTRATION
CONVERSATION COMPENSATING
FOR THE CONVALESSING
THROUGH THE OPEN WINDOW
COULDN'T CLOSE
BROKEN LATCH
THOUGHTS AND ALL ESCAPING
EVADING THE FORM
I PAUSE AND STUTTER
BREAKING THE NORM
 IT'S ALL 
OR NOTHING OF NOTHING
THE MAKING OF SOMETHING
YOUR ASSUMPTIONS RIGHT
IT'S A SESSION OF SORTS
LIKE CIGARETTES AND BOOZE BOUGHT
STAYING HOME TONIGHT
MY VOICE
A CHOICE SELECTION
OF VINYL
THAT HIGHLIGHTS MOODS
TO IMPROVE OR DISPROVE
WHAT I CHOOSE
IS COMPLICATED
BUT I;'M FREE TO USE
LIKE A MUTILATED CORPSE
 ASSUMED EXHUMED TO EDUCATE
DEDICATE TO THOSE THAT WERE NEVER LAID
AND STILL ON DISPLAY TO DEMONSTRATE
THAT FATE IS ALL THE SAME
IT DOESN'T INNOVATE
OR CONTEMPLATE THE SCENES AT PLAY
AT ANY TIME YOU CAN STOP
AND CHANGE GO A DIFFERENT WAY
 REMEMBER THE LESSON
I'M BETTING
IT'S BETTER
TO STAY IN BED
AND LET THE WORLD
JUST PASS YOUR HEAD
SKIP A BEAT
....................
SLOWLY FORMING
DUST ON NEEDLES
JUMP QUICK
 BURNING BUILDINGS
OR MARCH HARE
FROM FUCKING BIG EAGLES
WHEN I'M INSPIRED
AND THAT'S THE TRICK
BUT JUST REPEAT
THE SPEACH FROM LAST WEEK
GOTTA DO SOMETHING DIFFERENT
QUIET
LISTEN
INSISTING I CAN HEAR
THE GRAVEL ON THE PATH
I'M MAKING DISTANCE
GOTTA BE STRONG 
PERSISTANT
STAND TALL
WHEN THE SHIPS LISTING
CHOOSE TO USE
THE WORDS 
FROM THE FEW THAT LOSE

The Few That Lose

I always look forward to the beginning of the year when this project comes around.  This year I used this piece as a study for a much larger work - specifically using it as a way to experiment with a complex scripting language I have built on top of the RTcmix (www.rtcmix.org) scripting language, MinC.
My scripts allow me to create algorithmic musical patterns in a large number of dimensions:  volume, pitch, sample selection, tempo, placement in a simulated room-space etc.  Each dimension can be moved about in via an algorithmic plug-in, for example, random choice, sequential access, fixed value, etc.
The Psychedelic Ice Machine uses three sets of ice sound samples I have recorded over the years.  The score loops, creating an ever-changing set of patterns.  The relationship between these is sometimes clear and sometimes obscured.

-------------------------------
More on this 575th weekly Disquiet Junto project — On Ice (The Assignment: Record the sound of ice in a glass and make something with it) — at: https://disquiet.com/0575/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0575-on-ice/

dont get me wrong

HaK

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