the groove and your voice combined, I say yeah!

death of love is like a funeral of the soul

TAXE NO MORE (Original)
It's a rant in my own way with this title Taken from "just Back To My Guitar" here is another way to play my guitars with this coda long enough ..4' 50 to be able to express myself. Please take the time to listen to it until the end if you stop on this title..   
on youtube too : https://youtu.be/7xErIvi40So?si=NH6I93jnBulH9qTb
I wish you a good time with my guitars.
Sacem Protect
All tracks are written, performed, mixed and mastered on Mac Power PC G4 by myself.Cubase 5,0
Dgé breton :Written and performed by Dgé breton/
Dge breton:/guitar, drum, bass keyboard, chant/
Strat guitar, Casio guitar MG .70>
 issu de ma back track « just Back To My Guitar » voilà une autre façon de jouer mes guitars avec cette coda assez longue ..4’ 50 pour pouvoir m’ exprimer. Merci de prendre le temps de l’ écouter  jusqu’ a la fin si vous vous arrêtez sur ce titre.. 
je vous souhaite un bon moment avec mes guitares.

Taxe No More

[Art Cover thanks to Jinie Ph of Pixels.]

Comatose State

Recorded in Modesto, Ca.   Featuring Alto saxophone solo. Gibson 335 Electric guitar solo. Roland Synthesizer Bass. Fender Electric Bass. Gibson L5 Electric Guitar Rhythm. String Quartet 1st & 2nd Violins, Viola, Cello, Bowed Acoustic Bass. Trap Drum set. Percussion Timbales, Cowbell, Tambourine. Zildjen Crash Cymbal, Djembe.

Lighthouse

Bewildered

Bioluminescence Pond

U-Tuesday Gig

https://youtu.be/tnQ8fm7YzmU

Ambient / Electronica / IDM / Balkan / Mediterranean
All these tracks are DAWless and LIVE recorded.
© All rights reserved

Oasis - Όαση >>> video

Dedicated to the memory of a dear friend whose “heart was a valley deep” and “mind was a mountain steep.”  There are many references in this song to the play “Waiting for Godot” by Samuel Beckett, which I directed in the 90’s. In that production my friend embodied the character of Estragon perfectly and taught the world something through his presence both on and off stage. His big heart, intelligence, and laughter forever lives my heart and the hearts of many.

This piece was created during a Fredericton Arts Alliance Residency. Guitar music composed and performed by Bryan McDaniel.

Mountain Among All Men

Where some may see wisdom and experience- I see cracks that must be relentlessly assaulted to preserve the last of beauty so that I may remain relevant
-21st C MAN

Ohhh
Muffle that drum (in the distance)
yea
Let the mourners come...and let them wear bands of black
upon their sleeves
refrain from idle speech
yea
turn down the shades
shut off the light
Ohhh
we're set to mourn deep into the night
and
Ohhh
the moon grew heavy with the weight of love but...
she's meant to hold it...
(yea) so she wears it like a grudge
and
she was chasing down the reaper
said she'd force him to dig a little deeper
and bring back her dead
and Ohhh
that moon's been fighting beauty
and she's losing...
so she calls it mutiny
forfeit all her assets to the victors
her younger sisters (yea)
so muffle that drum (in the distance) yea
let the mourners come and
let them wear bands of black upon their sleeves
refrain from idle speech yea
turn down the shades
shut off the light
gonna go on
and mourn all night

Fightin Beauty (amp)

"Killing Moon" JTSunrise cover of Echo and the Bunnymen 

Check out the Video on Instagram 

Released in 1984 as the lead single from their album "Ocean Rain," the song has since become one of the band's most beloved and iconic tracks. With its ethereal atmosphere and poetic lyrics, "Killing Moon" captures Echo and the Bunnymen's sound and left an indelible mark on the music landscape

Formed in Liverpool, England, in 1978, Echo and the Bunnymen quickly rose to prominence in the post-punk era with their unique blend of dark, introspective lyrics and melodic rock. The band was founded by Ian McCulloch (vocals), Will Sergeant (guitar), and Les Pattinson (bass), and were later joined by Pete de Freitas (drums). Their music drew inspiration from a variety of sources, including The Velvet Underground, David Bowie, and The Doors. Their sound is simultaneously moody and anthemic

Legend has it that their drummer, Pete de Freitas, named their drum machine "Echo" because he believed it would confuse their rivals. The idea was that whenever other bands would talk about Echo and the Bunnymen, they wouldn't know whether it referred to the band as a whole or just their drum machine. The song should be played to a drum machine for 1980s authenticity, 124 bpm

"Killing Moon" gained renewed attention in popular culture when it was prominently featured in the 2001 cult film "Donnie Darko." The song plays during a crucial sequence in the movie, adding a sense of mystery and intensity to the scene. Its inclusion in the film introduced a new generation to Echo and the Bunnymen and solidified "Killing Moon" as a timeless classic

Capo up a few frets to match your voice or play in open standard tuning to match original. YouTube links at end

[Verse 1]
   Em
Under blue moon I saw you
    C
So soon you'll take me
Em
Up in your arms too late to beg you
    C
Or cancel it though I know it must be
     Em
The killing time
    C
Unwillingly mine


[Chorus]
G    Cm
Fate
                 G   Cm
Up against your will
                        G   Cm
Through the thick and thin
                G   Cm
He will wait until
                      G   Cm  Em C
You give yourself to him


[Verse 2]
    Em
In starlit nights I saw you
    C
So cruelly you kissed me
      Em
Your lips a magic world
      C
Your sky all hung with jewels
     Em
The killing moon
      C
Will come too soon


[Chorus]
G    Cm
Fate
                 G   Cm
Up against your will
                        G   Cm
Through the thick and thin
                G   Cm
He will wait until
                      G   Cm
You give yourself to him


[Solo]
Bm A G Em
Bm A G Em
Bm A G Em
Bm A G D  Em C


[Verse 1]
   Em
Under blue moon I saw you
    C
So soon you'll take me
Em
Up in your arms too late to beg you
    C
Or cancel it though I know it must be
     Em
The killing time
    C
Unwillingly mine


[Chorus]
G    Cm
Fate
                 G   Cm
Up against your will
                        G   Cm
Through the thick and thin
                G   Cm
He will wait until
                      G   Cm
You give yourself to him

G    Cm
Fate
                 G   Cm
Up against your will
                        G   Cm
Through the thick and thin
                G   Cm
He will wait until
                      G   Cm
You give yourself to him

G    Cm
Fate
                 G   Cm
Up against your will
                        G   Cm
Through the thick and thin
                G   Cm
He will wait until
                      G   Cm
You give yourself to him
                      G   Cm
You give yourself to him

G    Cm
Fate
                 G   Cm
Up against your will
                        G   Cm
Through the thick and thin
                G   Cm
He will wait until
                      G   Cm
You give yourself to him
                      G   Cm
You give yourself to him

Original: https://youtu.be/LWz0JC7afNQ

Mac when he is older, still got the Mojo: https://youtu.be/8guh5hCamWA

Frank the Bunny: https://youtu.be/nw9YfZF48_U

KIling Moon

Killing Moon

This is another tune I worked on last week when I was kidnapped, er, when I collaborated with Josh and his band of maniacal musicians.    These guys GIT R DUN I tell you . This one evolved lots just in the few days we worked it up.  
This is June Bug

June Bug  - (Eclectic Collective)

[get off my]Blueberry Nights(free download,if you want!)

🎶🎶🎶***YO YO YO LETS GO***🎶🎶🎶

we’ll just refer to my recovery pieces as ‘the grumble series’ til I get my range back…whew…



🤟🏼Working on new patterns and techniques in composition, production, and performance of both instrumental(classical/acoustic guitar) and voice- pieces are built (loops and beats)..on BandLab @nyla_k00  and Soundtrap (new)

I have removed the (amp) tag for consistency in distribution- acoustic pieces I perform will be tagged as ‘acoustic’ (apologies for page reorganization)

TBH, I aspire to be a guitar 🎸 but I’ll settle for being able to play competently what I hear when I write...(one day, Alice...to the moon)

I study under Duncan L. Wood and am grateful for his guidance and patience. Most of my influences are Folk/Blues/Indie, but inspiration arrives in many forms so HT to Hip Hop, Rap, Classical, especially Chamber trios. Current tracks are first cuts and I may update them in the future with cleaner versions, thank you for listening as I learn.

Fightin Beauty (amp)

Nyla K

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