Wow ! Very nice and grooving . Like it a lot

You are already a star. Amazing vocals! Amazing song!

Funky track and brilliant soulful vocal👌🏿😎

fantastic vocals!!   powerful, soulful like Nina Simone and psychedelic like Grace Slick.   love love LOVE this.  🥰

raw earthy powerful piece Nyla is just you

Comme un appel

Maniacs

It Inflects As It Flows

modes of limited transposition, modes 3-7

Olivier's Toads

Budget's tight so I haven't been able to get studio time, but this is the demo I made at home for another Witches Junkies & Weirdos track I call They Don't Know!

They Don't  KNow (Demo)

Phil Chris sent me this song, which was little more than a beat and some chords. I then added some bass, guitar, piano, organ, and synth. Then, I sent it to Tez to work his magic on the board. he came up with two very distinct mixes. The first one, which I already posted, has two beats in it, so it sounds like a heartbeat, and it is very guitar heavy. This mix really focuses on the organ. It almost sounds like a different song, imo. I hope you all enjoy the remix.

The Shining - Llanpsych redrum mix (with Computart [Phil Chris])

I'm never gettin over
all the time I've been oppressed
and the longer that I sit here
the less
and less
and less   I digest
O
but I digress
and if I had lacked discretion or recognized this mess
I'd be smilin every day now
and gettin down
less and less
but I was blessed
cause no matter the final tally
or the measure of the test
I refuse to let it beat me
yea I confess
cause the longer that I sit here
the less
and less
and less
I'm feelin blessed
O
seems I'm never gonna (not be) depressed
yea
if I had to guess
but I'm damn sure that in the end
it'll be me in the end
yea
I'm never gettin over
all the times I've been oppressed
and the longer that I sit here
the less
and less
and less
cause ya know
it's the best I'm ever
gonna get

Never Gettin Over (amp)

This is a song that originated with JJ, who was kind enough to share it with Ken (K2 and the Three, and the K2 and the Four), Tez (Llanpsych), and me. I have to say that this was the most fun I've had on a song in a while, mainly because it allowed me to play out my Miles Davis fantasy that I've had brewing for the past 30 or so years. I like to imagine my guitar part as a trumpet part. The reason I'm able to do this is because of JJ's amazing modal keys parts. He's playing a major against a minor riff over an uncommitted bass line. That bass line happens to be rolling along over top of some highly innovative drumming by Ken. It sounds like water falling or someone tripping down the stairs to me. Perfect! After we had it all recorded, we sent it to my man in Manchester, Tez, who painstakingly put it together into a live sounding, balanced song. This was truly a team effort and one of which I'm extraordinary proud.  We all hope you dig it, as well.

In A Quiet Way  (Eclectic Collective)

Deaf To Depth

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

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https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

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Bandcamp

Sunset Bathing

Summer In The City 2

method: layering, sc-mastering: aurora seventy percent
narrative: understandings may vary, as they do
image: self-gimped, copyright jo richter

poem / copyright jo richter:

mercury mudra
vortex vimana
sarasvati-nadi
will flow again

mycellium mantra
tentacle tantra
ashvattha-tree
will grow again

mind mandala
aporic asana
transformative agni
will glow again

mercury mudra
vortex vimana
sarasvati-nadi
will flow again

occidental sanskrit

🎶🎶🎶***YO YO YO LETS GO***🎶🎶🎶

we’ll just refer to my recovery pieces as ‘the grumble series’ til I get my range back…whew…



🤟🏼Working on new patterns and techniques in composition, production, and performance of both instrumental(classical/acoustic guitar) and voice- pieces are built (loops and beats)..on BandLab @nyla_k00  and Soundtrap (new)

I have removed the (amp) tag for consistency in distribution- acoustic pieces I perform will be tagged as ‘acoustic’ (apologies for page reorganization)

TBH, I aspire to be a guitar 🎸 but I’ll settle for being able to play competently what I hear when I write...(one day, Alice...to the moon)

I study under Duncan L. Wood and am grateful for his guidance and patience. Most of my influences are Folk/Blues/Indie, but inspiration arrives in many forms so HT to Hip Hop, Rap, Classical, especially Chamber trios. Current tracks are first cuts and I may update them in the future with cleaner versions, thank you for listening as I learn.

Never Gettin Over (amp)

Nyla K

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Elwyn Smith

Magi©ian™ (Making music make a difference)

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