I potem / And After That (2019-2020)

for baritone, 6 sopranos, violin solo, oboe, bassoon, harpsichord, accordion, reciter and audio playback

Sebastian Szumski - baritone
Elżbieta Pikoń, Mariana Poltorak, Zuzanna Hwang, Anna Maria Balawender, Wiktoria Oleksińska, Olga Demeter - sopranos 
Artem Kozyra - violin solo
Katarzyna Mrozek - oboe
Denys Lysyi - bassoon
NengYi Chen - harpsichord
Wiesław Ochwat - accordion 
Aleksander Raczek - reciter

Kinga Głowacka - conductor 

Aneta Puławska - percussion
Łukasz Laxy - cellos
Michał Pawełek - celeste
(audio playback)

live recording

pic: artur kryvych

______

TO —

I heed not that my earthly lot 
Hath - little of Earth in it - 
That years of love have been forgot
In the hatred of a minute: - 
I mourn not that the desolate 
Are happier, sweet, than I,
But that you sorrow for my fate
Who am a passer by.

Edgar Poe

______

The clues is inexorably measuring the time [...] to the symbolical end [...] less [...] in a week [...] in two weeks [...] and in three weeks it will be [...] do you realize that today we meet each other for the [...] and it may be our last [...] we do not know what will happen, although [...] I am waiting longingly in the hope that [...] today may be [...] night [...] the last [...] let's try experience [...] haunts me since [...] such things are just stuck somewhere in my heart like a thorn and, unfortunately, they always work [...] forgive me for this decadence but I think it's all related to the end [...] apart from that, that's all is somewhere in this [...] and this music [...] somehow alone [...] with my eyes almost closed [...] I should actually say goodbye because [...] one more [...] one more [...] which is really [...] always something […] always something […] but maybe this time?

Excerpts from the last radio broadcast by Tomasz Beksiński.

i potem

untitled for tape (2021)

With time ...
With time, go, everything goes away
We forget the face and we forget the voice
The heart, when it stops, there is no need
To go further, just let it go and it's all right
 
With time ...
With time, go, everything goes away
The other whom we loved and searched under the rain
The other whom we guessed in the bend of a glance
Between the words, between the lines, and under the blush
Of an all made-up vow that is going to sleep […]  

[…] With time, go, everything's fine […]

  An excerpt from Léo Ferré  Avec le temps 

https://lyricstranslate.com/en/avec-le-temps-time.html-4  

Your world, your cinematic world is it based upon your childhood experience? What kind of relationship does it have with your childhood memories?  

Andrei Tarkovsky: Well it’s hard for me to talk about it since it was earlier when I considered childhood memories to be of a high value for creativity and for the people who can name themselves artists. Now I think that in general, anything that happens to a man, anything he goes through is ultimately a material for an artist. But still I’m convinced that childhood is the source of anything that an artist will be using in his creative work. I mean „using” in an emotional sense. It seems to me that a person who didn’t happen to have a childhood he could remember for the rest of his life can hardly create. That’s my impression.  

An excerpt from the interview with Andrei Tarkovsky.

https://www.youtube.com/watch?v=Z4EJYlRIEX8&t=162s

untitled for tape

for english horn, guitar and percussion.

Justyna Kusztal (ci), Zofia Marzec (chit), Aneta Puławska, Maksymilian Borawiak (perc), Anastasiia Vrublevska (cond).

pic: artur kryvych

pezzo arioso

for violin, viola and piano. 

Natalia Orszak (vln), Paweł Riess (vla), Aleksandra Płaczek (pf).

pic: Zdzisław Beksiński

trzy próby oddalenia

for clarinet, viola, percussion and piano

Kinga Puścizna (cl), Paweł Riess (vla), Maksymilian Borawiak (perc), Aleksandra Płaczek (pf)

Kinga Głowacka (cond)

pic: artur kryvych

quodlibet

no time to analyse

for 2 oboes, harpsichord (or piano) and cello

Katarzyna Mrozek, Kamil Kuc (ob)
NengYi Chen (pf)
Łukasz Laxy (vc)

pic: artur kryvych

Artur Kryvych

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