Light Dub

Mood Variant (The Remixes)

Red Room (Ki Pharaoh Basement Edit)

Close Counters - THE DON
Listen/Buy: https://closecounters.lnk.to/THEDON
Release Date: 7th December 2022
Socials / Streaming: linktr.ee/closecounters
Website / Merch: www.closecounters.com

THE DON

Stream/Buy

Contact

Contact (Karen Nyame KG Remix)

Jennifer Vanilla
Jennifer Pastoral (Love Injection Remix)
CAT#: LIR-010
Release Date: March 15 2024

Listen/Buy 12": loveinjection.lnk.to/JenniferPastoralRemixes

Written by Jennifer Vanilla & Brian Abelson
Remixed by Love Injection
A & B1 Additional Production by Love Injection (Barbie Bertisch & Paul Raffaele)
Keyboards by Toribio
Mixed by Dave Darlington at Bass Hit
Mastered by François K
Lacquer cut by SST
Distributed by !K7
Licensing/sync by Terrorbird

A & B2 © Sinderlyn Records, under license to Love Injection Records.
B1 © Love Injection 2023/2024
loveinjection.nyc

Jennifer Pastoral

A1. Jennifer Vanilla - Jennifer Pastoral (Love Injection's Earthly Mix)

Journey is available to pre-order now!
https://lnkfi.re/BondaxJourney

Journey (Kareem Ali Remix)

Deeper Sounds

That's a Promise

We Celebrate Us

Desolate Place (Find Me) [feat. Queen Sherine]

One of my fav' tracks from Cleo Sol's "Heaven" album <3
always thought of a broken-beat/uptempo edit on this one, so here you go !! Much respect to the queen for this one !

Golden Child (Tom's Refix - Dub)

Putting a fresh spin on two tracks from New Regency Orchestra’s standout debut album, Momoko Gill and Samtheman, step up to the plate on remix duties. Two exciting and innovative names rising out of London’s next generation of artists they’ve reimagined NRO’s Afro-Cuban jazz vibrancy in their own personal and distinctive way. Blurring the lines between remix and new production, Momoko turns ‘Para Los Papines’ into a meditative, transportive, percussive cut laced with her ethereal vocals, as Sam flips ‘Sambaroco’ into an Afro house styled groover with Caique and P Wavey on the mic.

London-based drummer/producer/songwriter and vocalist, Momoko Gill, provides the first of the remixes. With an explorative ear and a rejection for imitation, her unique style has seen her collaborating with artists including Matthew Herbert, Coby Sey, Tirzah and Alabaster DePlume. Nourished by elements of NRO’s take on David Amram’s ‘Para Los Papines’, Momoko’s clever sampling of the bass, percussion and horns melds this track into a new dimension. Drawing from a Buddhist myth, her lyrics and intimate voice provide a celestial, mythological touch to the remix.

Talking on the remix Momoko says: “I wanted to make something that feels more like a recontextualization of the original and a continuation of the conversation. Unlike the original which sounds looser and starts with the more jazzy orchestration, NRO’s version kicks straight into the vamp and has a more linear structure, where the orchestrated bits serve as a release of tension as well as a destination. I enhanced that by making a new line through sampling the double bass which, in retrospect, sounds almost like a line you’d hear in grime and used vocal sampling to drive the groove.”

Next up, Samtheman, co-founder of the label/collective Brighter Days Family, takes on ‘Sambaroco’. Sam’s genre-bending productions are both inspired by, and experimenting with, sounds from around the globe. Reworking the groove into an Afro house rhythm, Sam invites two emerging young artists with ties to Brighter Days Family, Caique and P Wavey, to take to the mic and add a new, vocal-led flavour to the remix. 

Sam mentions, “Together in the studio, we listened to the original version by Tito Puente, Caique came up with a phrase inspired by the name of the tune. “Ela me faz samba roco, Ela me faz samba loco…” Then the rest of the vocal parts started flowing. Continuing to use the name of the original for inspiration, P Wavey begins his verse with, “Sambaroco-ni, now everybody just follow me…” In my mind, the original is a salsa song that is about carnival, or a salsa interpretation of carnival, in particular Brazilian carnival hence the title of the song.”

More than just reworks, these tracks are conversations, between continents, cultures, and genres, through the forward-thinking lens of two of London’s rising stars.


New Regency Orchestra - Sambaroco (Samtheman Dub Mix Ft. Caique & P Wavey)

Running to You

Marcus Damon X Antony Ranz - The Truth

Coming as the first release on esteemed selector Melvo Baptiste’s new imprint The Remedy Project, Atlanta singer-songwriter Hadiya George delivers an exquisite remix package of debut single ‘Hot Flavor’. The follow-up release to her Radio 1 playlisted collaboration with Honey Dijon ‘Not About You’, and featuring on Horse Meat Disco’s critically acclaimed LP ‘Love & Dancing’, ‘Hot Flavor’ showcases Hadiya’s own musical influences, which range from Anderson. Paak to Ravyn Lenae. As well as the glossy, full-of-attitude original this release features two remixes, the first from godmode, the cult LA imprint who brought us Yaeji and Channel Tres, whose otherworldly, sultry groove give the cut a shimmering, dancefloor-ready feel. Up next, multi-instrumentalist, producer and brokenbeat pioneer Kaidi Tatham delivers his richly soulful, quietly hazy mix, as long expressive keys and swirling synths make for an irresistible re-work. Effortlessly cool, ultra-modern and enriched with soul, Hadiya George’s ‘Hot Flavor’ is a glistening preview of things to come on The Remedy Project.

Light Dub

BoyBleu ･ﾟ