Name: Deceived by DayFilth
Duration: 3 min 35 s
Description: Ever thought you knew someone and realize one day you didn’t know them at all?

Meaningful lyrics, great edm sound, unique vocals.. overall great track!

Lovely voice. Surreal & beautiful atmosphere

“Written at a time when there was great uncertainty, I wanted to highlight the very real mental health crisis and the people that support recovery. I wanted a simple message and I think this song both lyrically and musically captures what I was hoping to express”

A song about uncertainty and recovery - “Learning To Feel Again” 

Looking at you in this moment
In this moment

My coffee is cold and I've lost my focus
It's been one hell of a year for us

I'm feeling different than yesterday
I know down in my heart it's just a phase and this will change

I’m learning to feel again, I'm learning to feel

"Take off the pressure" 
Its getting better
She smiled at me in that way that I know she's thinking of me, my best interest
She's the best thing that happened to me

I’m learning to feel again, I'm learning to feel

© Heart House Records 2021

Written, performed, recorded, produced and mixed by Heart House Records
Mastered by DOLBY

Inspired by:
#OneRepublic #ThirdEyeBlind

YouTube: https://youtu.be/nkCpAGM8EHQ

Learning To Feel Again

P-line:
℗ Komponist         made by Gunnar Nanuk Studio-Music -- anwkan@outlook.de ---- www.gunnar-nanuk.de
℗ Produced by Gunnar Nanuk Studio-Music -- anwkan@outlook.de ---- www.gunnar-nanuk.de
℗ Sound mix by Gunnar Nanuk Studio-Music -- anwkan@outlook.de ---- www.gunnar-nanuk.de

P-line:
℗ Text, Lyrik          made by Marian Heuser----- info@marian-heuser.de ----http://www.marian-heuser.de

© Artwork made by Anna-Lisa Konrad  www.anna-lisakonrad.de



Hol den Pinsel und die Leinwand 
Komm, wir malen uns ein Weltbild 
Und das besteht dann nur aus Schwarz und Weiß 
Und wenn es fertig ist, dann lass uns darüber reden 
Doch nichts verändern und uns bloß nicht mehr bewegen 
Denn der Starrsinn dient dem Standpunkt zum Beweis 
Sag, wieviel Ecken hat nochmal ein Kreis? 

Prolog – aber Contra sagte die Wahrheit 
Prolog – aber Contra sagte die Wahrheit 
Prolog – aber Contra sagte die Wahrheit 
Prolog 

Schwereloses Treibgut 
Vom Menschsein befreit 
Schwimmt unterm Wasserspiegel 
Im steten Fluss der Zeit 

Reset – alles auf Anfang 
Denn das Gold ist unser Lohn 
Und gewonnen wie zerronnen 
Geht´s zurück zur Konfusion 

Und auf divers, diffusen Pfaden 
Im Wegenetz der Irrung 
Steht das Ich in Zerbrechlich 
Und das Wir in Verwirrung 

Du bist ratlos wie im Rathaus 
Und das Weltbild hängt schief 
Ich weiß nur, dass ich nicht weiß 
Wissen ist so relativ, tief 

Prolog – aber Contra sagte die Wahrheit 
Prolog – aber Contra sagte die Wahrheit 
Prolog – aber Contra sagte die Wahrheit 
Prolog 

Pro und Contra in Duellen 
Sie schlagen ein auf den Verstand 
Und senden ungeschärfte Wellen 
Projiziert auf Höhlenwand
 
Wir seh‘n Prozesse, Projektile 
Produkte und Probanden 
Proportionen und Programme 
Bis wir ganz sicher landen 
Zwischen wir haben’s fast geschafft 
Und nein, es wird sich niemals lohnen 
Wir führ‘n das Leben wie ‘nen Krieg 
Gegen die eigenen Emotionen 

Prolog – aber Contra sagte die Wahrheit 
Prolog – aber Contra sagte die Wahrheit 
Prolog – aber Contra sagte die Wahrheit 
Prolog 

Doch der Konter des Contras 
Er rollt Richtung Kontrast 
Contra Wachstum und Hass 
Contra Chance verpasst 

Contra wir ändern nichts 
Contra danke für die Show 
Contra wird schon nicht so schlimm 
Und Contra immer weiter so 
Contra immer weiter so 

Prolog – aber Contra sagte die Wahrheit 
Contra immer weiter so 
Prolog – aber Contra sagte die Wahrheit 
Contra immer weiter so 
Prolog – aber Contra sagte die Wahrheit 
Contra immer weiter so 
Prolog, Prolog     

      © Marian Heuser 2021

Prolog

Prolog  -    Gunnar Nanuk & Marian Heuser

THE GREEN BUTTERFLY from THE FOREST

Ever thought you knew someone and realize one day you didn’t know them at all?

Deceived

takechee

Philosophy

The Past

What an honor to add my acoustic guitars to this collaboration with ace electric guitarist, keyboardist, and producer Seagull, Soundcloud's Poet Laurette Peter, Soundcloud's Poet of the piano, Debra Buesking, and vocalists Clara, and Snowflake.  With this visionary and epic trilogy, we explore the human condition and the choices we must make that will determine our destiny as a race.  It is a longer work but a rewarding listen if taken as a whole, but can still be appreciated in smaller bites if time doesn't allow a nearly 16 minute commitment.  The first segment is "Lost" until 4:55, "Lament is from 4:56-10:14, and "Ghost of a Dragon" until the end.  
To experience the full impact of the "trilogy", one must see Seagull's superb and deeply moving film with "Next Choice" as the soundtrack; https://www.youtube.com/watch?v=XCA7MZSvEwI
Follow these fine artists:
Seagull @farout-music-studio
Debra @debra_buesking
Peter @user-264930040

Next Choice (Seagull, Peter, Debra Buesking, Snowflake, Clara, and David)

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

BUS - ANAM  edit of SK


in English 

:36 Won't you tell me where we will stop?
:41 So absorbed in your deep thoughts....
:46 I don't know your name, yet you lead my dreams
:51 In your hands I feel safe,  IT SEEMS

:57 The crowd hides you from my eyes
1:02 Someone calls the stop, stay,don't get off

1:08 There you are, towering over everyone like a mighty king

1:17 I glance back at you,
1:19 You look out the window
1:23 The city scroll by like an old art film
1:28 What music do you listen to?
1:31 Do you have someone waiting for you

1:35 Look at me...
1:38 do you not see me?
1:42 your eyes are sad..
1:44 maybe you miss me
1:47 All you'd have to do is turn around and you'd find me

oooooo


2:32 A few minutes and we'll arrive
2:35 A few minutes and it's goodbye
2:38 Wait, the seat next to me has opened up

2:43 Don't let me be alone!
2:46 Don't let me be alone!

2:48 Look at me and inhabit my night

2:54 Will I see you tomorrow?
2:56 ooo I could be your Queen of Sorrow
2:59 Let's let our reign last a few more stops tonight

3:04 Oooh a few minutes and we'll arrive
3:08 Only a few minutes until the last goodbye

3:15 Don't let me be alone!
3:18 Don't let me be alone!
3:20 Don't let me be alone!
3:23 Don't let me be alone, tonight

ooooooooo

in italian, 

BUS - ANAM modifica di SK


:36 Non mi dici dove ci fermeremo?
:41 Così assorto nei tuoi pensieri profondi....
:46 Non conosco il tuo nome, eppure guidi i miei sogni
:51 Nelle tue mani mi sento al sicuro, SEMBRA

:57 La folla ti nasconde ai miei occhi
1:02 Qualcuno chiama la fermata, resta, non scendere

1:08 Eccoti, torreggi su tutti come un potente re

1:17 Ti guardo indietro,
1:19 Guardi fuori dalla finestra
1:23 La città scorre come un vecchio film d'arte
1:28 Che musica ascolti?
1:31 C'è qualcuno che ti aspetta?

1:35 Guardami...
1:38 non mi vedi?
1:42 i tuoi occhi sono tristi..
1:44 forse ti manco
1:47 Tutto quello che devi fare è girarti e mi troverai

ooooo


2:32 Pochi minuti e arriveremo
2:35 Pochi minuti e arrivederci
2:38 Aspetta, il posto accanto al mio si è aperto

2:43 Non lasciarmi solo!
2:46 Non lasciarmi solo!

2:48 Guardami e abita la mia notte

2:54 Ci vediamo domani?
2:56 ooo potrei essere la tua Regina del Dolore
2:59 Lasciamo che il nostro regno duri ancora qualche fermata stanotte

3:04 Oooh pochi minuti e arriveremo
3:08 Mancano solo pochi minuti all'ultimo saluto

3:15 Non lasciarmi solo!
3:18 Non lasciarmi solo!
3:20 Non lasciarmi solo!
3:23 Non lasciarmi solo, stanotte

ooooooooo

Sk    Bus    (Testo di Anam Hermit)

Great track from "Ultraviolence"

Thank you for listening!

West Coast - Lana Del Rey (Radio Cover)

MODULAR / 2020
Music: Paploviante
free download

MODULAR - Paploviante

My YouTube has all the lyrics to my songs👍 Feedback & support is much appreciated❤️ stay tuned I will be posting more very soon!!

https://youtube.com/@dayfilth

Deceived

DayFilth

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