Late Night Synths And Strings

Digby Jones- under the sea

Tonbruket - Balloons

Mother funk Sunshine

Story
🎵 The Singing Mirror
High in the mountains of Arzulea, where the wind speaks in forgotten tongues and the trees whisper secrets of ages past, there existed a relic that no wise man dared name without shuddering: the Singing Mirror.
It was no ordinary mirror. Its surface reflected not faces, but melodies. Whoever approached it did not see their image, but heard a unique song, composed instantly by the mirror's soul. Each note revealed a hidden truth: a buried memory, a lie told, a wish never confessed.

🌑 The Legend of Laira
Laira, a young troubadour from the underground city of Eltur, had heard of the mirror in her grandmother's songs, who said it was forged by the gods of sound and silence. It was said that the mirror sang only once per person, and that its song could heal or destroy.
Driven by a night vision in which her voice broke before a black moon, Laira set out on her journey. She climbed impossible cliffs, crossed rivers that sang in water dialects, and finally reached the mirror's sanctuary: a crystal cavern suspended in the air by tree roots that never touched the ground.

🎶 The Mirror's Song
As she drew closer, the mirror began to vibrate. It emitted not light, but chords. The melody that emerged was a sweet lament, as if the mirror were crying for her. In each measure, Laira heard fragments of her life: her mentor's betrayal, the love she never confessed to her friend Kael, and the fear that had made her flee her destiny as Keeper of the Echoes.
But then, the music changed. It became ascending, luminous, as if the mirror were showing her not only what had been, but what could be. In a final chord, the mirror sang its true name: “Laira of the Seven Timbres, Voice of Rebirth.”

🌠 The Awakening
As the song ended, the mirror shattered into a thousand fragments that floated like stars. Each one embedded itself in the air, forming a constellation that only the singers could see. Laira descended from the mountain with a new voice: one that could reveal truths through song, as the mirror did.

🎶 Listen 💫 Share 💬 Comment  ➕📃🎧 Add to your playlists...  Because this journey is meaningless without you... Thank you for being here...   J. Bilbao

Sonic Universe

The Singing Mirror III

Classical Violin Compositions | Relaxing and Calming

The Alabaster Path - Classical Music

Simple

Le Brasier De Tristesse

Hymn to the Immortal Wind

Silent Flight, Sleeping Dawn (Remastered)

From the forthcoming Sinkane record "Mars"

Jeeper Creeper

Album out October 27th 2017
www.martinhayes.com

The Boy in the Gap

Originally conceived as a Royal Ballet-commissioned collaboration between composer Max Richter, choreographer Wayne McGregor and artist Julian Opie, Max Richter’s gorgeous score to ‘infra’ is deservedly given life of its own in this album-length release from FatCat’s instrumental/orchestral imprint 130701 Records.

The initial setting for ‘infra’ was as a ballet - written in autumn 2008 and premiered in November of the same year at The Royal Opera House in London – although here Richter’s score is given the full scope of a standalone new album. Expanded and extended from the original piece, ‘infra’ comprises music written for piano, electronics and string quintet, including the full performance score as well as material that has subsequently developed from the construction of the album – more a continued reference to the ballet than as a “studio album” in the strictest sense. The composition resonates with Max’s characteristic musical voice – majestic, involved textures; fluent and sweeping melodies; an enigmatic and inherently intellectual understanding of harmonic complexities that compels and mesmerizes.

Richter’s work on the ballet came initially from McGregor’s invitiation, a request for 25 minutes of music for his piece, inspired by T.S. Elliot’s ‘The Wasteland’ and named after the Latin term for ‘below’. This eventually became more collaborative as the project developed – Wayne would ask for Max to extend or alter certain passages of music in accordance with his own amendments to his choreography and concept, whilst logging the whole process for a BBC documentary (broadcast, along with the ballet in full, on BBC2 in November 2008). The dance performance was backed with digital images created by Julian Opie – observational scenes of street life, haunting and curiously balletic despite being of the everyday – and Max’s score is an appropriately close reference to the traveling theme:

“I started thinking about making a piece on the theme of journeys. Like a road movie. Or a traveler’s notebook. Or like the second unit in a film - when the scene has been played, and the image cuts away to the landscape going by. This started me thinking about Schubert's devastating and haunting "Winterreise" (Winter Journey), so I used some melodic material from Schubert as a found object in parts of my new piece.“

The recording of ‘infra’ took place in one day at London’s AIR Studios – recorded onto 2” tape, engineered by Nick Wollage and overseen by Max - before a return to the mixing studio (Max’s StudioKino and Trixx in Berlin) for Max’s typically intricate and lengthy process of crafting completed pieces from the recordings.

Infra

Infra 3

From the album Gentle Spirit by Jonathan Wilson.  Released on Bella Union 2011.

Desert Raven

The Debut Album "Nothing Is Still", out now on Ninja Tune.
Buy / Stream: https://leonvynehall.lnk.to/nisYo

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Nothing Is Still

Movements (Chapter III)

AIRPORT

Stars Are the Light

Flying

coming february on FILM recordings.
check our facebook site for updates on pre order.
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The Boy in the Gap

Martin Hayes Quartet

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