Ha Kékong

street work, closeup, rec device was 4 to 8 meters from the source

recorded on June 3rd of 2024,
in Tiohtià:ke (Montréal), at the intersection of Pie-IX boulevard and Ontario street.

Pie-IX / Ontario 3 (Raw)

Pie-IX / Ontario 1 (Raw)

This song was inspired by "The Cold Heart" (German: Das kalte Herz), a fairy tale written by Wilhelm Hauff. It was published in 1827 in a collection of fairy tales that take place within the narrative of The Spessart Inn.
Although written almost 200 years ago, the described conflicts of mankind are still up-to-date, maybe even more than before. Preferring status und prosperity over humanity is something which has become socially acceptable.

Special thanks for prelistening and precious ideas to my dear friend Gary Reeves!

Lyrics
Peter was in the charcoal business
never in peace with the live he was living
made a deal with the forest spirit
Three wishes and a new life given

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity
 
Inside your stone cold heart
You‘ve built a world of disregard

It did not play out like you were whishing for
glassworks went down and you needed much more
sold your heart to Dutch Mike to keep living
a heart of stone and the fortune you were given

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity

Inside your stone cold heart
You‘ve built a world of disregard

Flourishing business kept you going
but your smile was eternally frozen
when your drivers faded and you had murdered love
nothing left there but an empty heart

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity

Inside your stone cold heart
You‘ve built a world of disregard

Stone Cold Heart

Time For A Revolution -with AnandaTuk

Over Under on mother's apple pie will it satisfy? Ingredients: two parts Moog M32 ,three parts MicroFreak , one mix of piano, five parts Ableton drums, two parts Kyra, combine in Ableton Live 12 and cook for as much time as you like. Best served with assorted playlists.

Over Under

Syattica

Link to video where I tell the story behind the song : https://youtu.be/cilXaNM0IoI?si=IbBwc2wlxYTwoADH 


In Catholic school, whenever I misbehaved, the nuns used to pull my hair.
If I could go back in time and do it all again, I’d gab some clippers and shave my head bare.
I did eight years of hard time in Catholic school
I was never the kid who was considered cool
Eight straight years of Catholic School and somehow, I survived
Eight straight years of Catholic School.  Thank God I’m still alive  
My first-grade teacher was a nun, who if you’re penmanship was sloppy
She’d make you take all your books and stand there holding them in the back of the room.
She was like a witch except instead of a pointy hat she wore a habit
She carried a crucifix instead of broom.
I did eight years of hard time in Catholic School
I was never the kid who was considered cool
The cafeteria food tasted horrible, but I had to eat it
I had to wash it down with milk that was warm and sour
I’d try to fold my plate in half and throw it away, but the nuns would catch me and make me eat it
It’s like they had this secret food wasting detection superpower
Every year your birthday, it was customary for the kids in the recess yard,
To grab you and kick you and punch you for every year of your age.
I still have flashbacks of a girl with pointy hard black shoes kicking me really hard in my rib cage.
My fifth-grade teacher Sister Margaret she’d been teaching for way too long
It was time for her to retire but they let her teach another year and that was wrong
She had long grey whiskers growing out of her chin
She’d sit at her desk and trim them with of scissors and you sure as hell better not grin
She’d tell cautionary tales about innocent kids who got into cars strangers
She seemed to enjoy describing all the bloody graphic details of the danger.
I did eight years of hard time in Catholic school
I was never the kid who was considered cool
Eight straight years of Catholic School and somehow, I survived
Eight straight years of Catholic School.  Thank God I’m still alive

Catholic School

There was a country, there was a city, and there was a people, who were widely known for their wealth and powerful gods. But they angered their gods with their bad behavior, so the gods decided to wipe them off the face of the earth.
Yes, the story of Atlantis has many interpretations, just like this musical interpretation of what happened on that fateful day. To this day, there are many who believe that Atlantis actually existed in our world, but no one has been able to prove it with certainty.

What do you think? Did it really exist, or is it just a moral tale?
Regardless, the fairy tale is a story that gets the imagination flowing, and we hope this little piece gets your imagination flowing too.

We suffer no shortage of terrible and terrifying events for humanity, whether it is our earth that produces them, or that human souls have created and continue to create them in their dismal imperfection.

We who have pondered, talked and created are;

Strings, Piano, Flute etc - Dan-DT: https://soundcloud.com/dan-t-3
Lovely acoustic guitars - David D: https://soundcloud.com/david-dunhamuser589535203
Music, Mix & Production & track picture - Seagull: https://soundcloud.com/farout-music-studio

Atlantis - Dan-DT, David D & Seagull

Sundown

3/ De la folie jusqu’aux illuminations, les raccourcis abondent.

catalogue : muzakorderEP0015

recording(s) : fhauna

mastering : Jean-Patrice Rémillard

tuuf

Sun Rise

Cast of Characters:

Cgmaness – @user-419254289-15129531 – Chris – acoustic guitar, composition, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way using her original lyrics. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify, which you can find by clicking the link next to his name in the credits. 
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to here name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U

Better Not Say-Cg Maness/Nyla K/ Eclectic Collective

I did not use AI support at any stage in the creation of this piece.

When I started composing this piece in December, after buying Spitfire Originals Intimate Strings on sale, I had these thoughts: If this is what the future is going to look like, I didn't sign up for it. Although in my youth I read and watched a lot of SF films presenting both utopia and dystopia, I always preferred the bright future. However, what I see on TV, on YouTube and outside my window is starting to resemble the latter...

Despite this, I hope you like the piece at least a little bit

To make this track I used:
Ableton Live 11 Standard
Spitfire Originals Intimate Strings
Spitfire Originals Cinematic Percussion
Spitfire BBC SO Discover (free)
Soundpaint 1928 Vintage Steinway Grand Piano (free)
Arturia Augmented Voices
Arturia Augmented Mallets Play (free)
Strezov Sampling Afflatus Minimalist Violins Legato Freebie (free for Kontakt Player)

Beside plug-ins I used 3 samples:
Two from BBC Sample Library:
- Rioting - Riot in Belfast - with breaking glass, rubber bullets, distant cries and chants
- Chatter - Club atmosphere, busy mixed chatter at mealtime (mid-distance) - 1981 (1C25,reprocessed)
and from Freesample.org
Real War - Marines in Firefight Gunbattle (Raw audio) by qubodup

Picture in cover: Freepik

Future Perfect?

listen in it's proper order  at Sonic Structure and Silent Stretches https://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharinghttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

album coming soon to Bandcamp!


instruments and voices: Jeff Gardiner and jo richter (and one outside voice generated via magix hub and some further artefacts that just manifested during the process)
further reading: How Forests Thinl: www.anth.ucsb.edu/sites/secure.lsi…Introduction.pdf
modulation, arrangement and all that: jo richter @sonic-textures
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

whilst I was looking
for some kind of semblance
of something somewhere in the tangled undergrowth of
silent thoughts and bellow-voiced persuasions
that might be well described as somewhat sidewinded akin
to the kinesthetics of the barnacles and brambles and
cliffside-dangling while still clinging, perspiration hope
I met the transcendental hobo drifter
down in the scalar fields , tied with a rope
to roaming notions of delusion
and love and love and running from a mistress,
his or mine, known to be crow of crowleyan dimensions

endowed with much renown among the locals
for telling truth and spitting frogs
and hailing hail and splitting rocks
and all the while the transsedential drifter
ate from his open can of beans upon the pitted fire

and whispered ruthless, patient, cunning, sweet
on repeat:

[in the sonic version, the following
icaro is overlaid by a voice-
over explaining the term "icaro"]

„the tunnel of dances
the funnel of trances
the fuel for chances
the focus of tidal glances
paint eyes on your forehead
wide eyes on your forehead
so the jaguar knows
so the jaguar knows
that you are not dead
not asleep and not dead
not asleep and not dead yet.“

and all I heard and all I got and all I simply understood
was to hush that voice, that voice within my head
to hush that voice, that voice within my head

it was then I noticed, not without bewilderment
the wooden spoon in his left hand
a spoon not made of silver
not silver and not gold but wood
and it was then I very nearly understood

scalar fields pt 4: talons heels(reloaded)-with Sonic Structures and Silent Stretches

@netsu-music
@paqueta_que
@deezaro
@hoani-teano

• Varamudra •
FORMAT: MP3/WAV
LABEL: KOSA RECORDS
CAT. No.: KOSA204
RELEASE DATE: 01/10/25
GENRE: Chillrave/Downtempo/Organic House/Spiritual Deeptech
COVER DESIGN: Kosa.designs
BUY LINK : https://go.protonradio.com/r/rlb_y6lbQu770
BEATPORT : https://www.beatport.com/release/varamudra/5405165
BANDCAMP : kosamusica.bandcamp.com/album/varamudra

TRACKS :
Netsu, Mago (PL) • Varamudra • kośa
Netsu, Organic Sounds • Yumaha • kośa
Netsu, Mago (PL) • Varamudra • Paqueta Remix • kośa
Netsu, Mago (PL) • Varamudra • Hoani Teano Remix • kośa
Netsu, Organic Sounds • Yumaha • De:zarø Remix • kośa

Get it!

Netsu, Mago (PL) • Varamudra • kośa

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Syattica

The Fat Funker

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