Miniature for saxophone quartet.

Live recording performed by the Kebyart Ensemble at the Fundació Antoni Tàpies Museum on the occasion of the Mixtur Festival, 8 October 2021.

a song (2021) l Live Recording

For symphony orchestra.

Recording performed by the Brandenburgischen Staatsorchester on 2 November, 2020.

Program Notes:

noun: hoax; plural noun: hoaxes
fraud, imposture, delusion

“it sits in the center of the white castle but, at the same time, it is beyond the white castle, holding it in his hands and spinning it.”

a hoax (2020) for symphony orchestra l Live Recording

For six spatialized percussionists.

Program Notes:

'The Merope Nebula, NGC 1435 in the New General Catalogue, is a faint reflection nebula and suspected supernova remnant located in the Pleiades cluster. The nebula surrounds the star Merope (23 Tauri), after which it gets its name. It is the brightest reflection nebula in the Pleiades cluster and is also known as Tempel’s Nebula – it was discovered by the German astronomer Wilhelm Tempel from Venice, Italy on October 19, 1859.–  NGC 1435 covers an area of 30 arc minutes in size, which corresponds to a linear diameter of 4 light years. In the next several thousand years, the nebula – or what is left of it after the encounter with Merope, which is eroding the interstellar cloud– will move on past the star.'

NGC 1435 (2022) for six spatialized percussionists l Live Recording

near (2022) for Trio Accanto.
Live Recording. 'near' is a miniature written for and first performed by Trio Accanto on October 6th, 2022 in FABRA I COATS (Barcelona).

The premiere was part of the 11th edition of Festival Mixtur.


'[...]Llorarán los acólitos, las vírgenes de plomo,
los ángeles de cera.[...]'

'Te morirás primero', from 'Al final del agua', Elsa López

near (2022) for Trio Accanto l Live Recording

Recording performed by Trio Abstrakt. Impuls Academy 2021 - 25.08.2021.

ill-use (2021) for Trio Abstrakt l Live Recording

exiled in a pot (2023) for amplified sextet and objects.
Live recording, Ensemble Ascolta, Der Sommer in Stuttgart, Festival Neuer Musik (Musik der Jahrhunderte).
21st July 2023, Stuttgart.

exiled in a pot (2023) for amplified sextet and objects l Live Recording

for amplified Trio and objects

space junk was written for and first performed by Elisabeth Müller, Malin Sieberns and Olivia Palmer-Baker [Kollektiv Unruhe] on July 29th, 2023 in Halle für Kunst Steiermark, Graz (Austria) .

The premiere was part of the impuls 13th international Academy for Contemporary Music.

space junk (2023) for amplified trio and objects I Live Recording

ill-use III (2020/23) for 7 Soloists and Conductor.
Live recording, Ensemble PHACE and Nacho De Paz, Festival Contemporáneo, FIMC.
14.10.2023, Espacio la Granja, Tenerife.

ill-use III (2020/23) for 7 Soloists and Conductor l Live Recording

drift (2023) for electric guitar and amplified harpsichord.

Live Recording. Written for and first performed by Yaron Deutsch and Jean-Marie Cottet (Ensemble Court-Circuit) on September 10th, 2023 in Abbaye de Royaumont (France).

The premiere was part of the Académie Voix Nouvelles.

drift (2023) for electric guitar and harpsichord l Live Recording

landed on TOI-849b (2023) for Trio Catch.

Live Recording. 'landed on TOI-849b' is a miniature written for and first performed by Trio Catch on October 7th, 2023 in Fundació Orfeó Català-Palau de la Música Catalana (Barcelona).

The premiere was part of the 12th edition of Festival Mixtur.

https://exoplanets.nasa.gov/exoplanet-catalog/7643/toi-849-b/

landed on TOI-849b (2023) for Trio Catch l Live Recording

exiled in a pot (2023) for amplified sextet and objects.
Live recording, Ensemble Ilinx, Crescendo Music Festival.
26th May 2024, Berlin.

香る闇  [Fragrant Darkness] for solo shō is a piece written for and dedicated to Chatori Shimizu.

The title is inspired by Mushishi, a manga and anime series that tells stories about supernatural creatures known as Mushi. One such creature, Kairou, lures its victims into a dark tunnel with an alluring fragrance, condemning anyone who enters to eternally relive their life. This traps them in an endless loop, repeating over and over until the victim is completely consumed.

香る闇 (2024) for solo shō

I am made of broken wood (2024)

for Flute, Clarinet, Piano, Violin, Violoncello & Objects

Written for the Plural Ensemble.

Live Recording l International Music Festival of the Canary Islands. 
Conductor: Fabián Panisello.

12nd October 2024, Las Palmas de Gran Canaria.

I am made of broken wood (2024) for quintet and objects l Live Recording

For two Oboes and Double Bass.

Recording performed by Antje Thierbach, Özge Inci and Gabriel Takano.
First performed at Zoom+Focus, 10 February 2019.

Program Notes:

'Gyaling' (also gya ling, gya-ling, jahlin, jah-lin, jahling, jah-ling, rGya-gling) is a double reed instrument of Tibetan music. It is played in the Tibetan monasteries, especially during the puja, which is a daily practice of religious reverence, and the welcoming of lamas and rinpoches.

The instrument belongs to the family of kegeloboen, as well as the Indian shehnai and the Chinese suona. It's played always with circular breathing and produces a high, shrill sound. In the invocation rituals of Tibetan Buddhist monasteries, wind instruments always play in pairs.

red gyaling's road (2018) for two oboes and double bass

For piano trio.

Recording performed by Ensemble ilinx -Seugnhun Shin (piano), Theresa Park (violin) and Clara Eglhuber (cello)- on 4 December 2020.

José Luis Perdigón de Paz

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