psychedelic shit

Arthur Boyt  2015

HAV LYFE - THOWBACK

Limited release of 55 C27 tapes out on November 17th on Genot Centre → https://genot.bandcamp.com/album/feed-goals

Music by https://soundcloud.com/enchantedlands
Cover by https://soundcloud.com/galentipton
Layout by Krstn Klvk → http://krstnklkv.tumblr.com
Album teaser by h5io → https://vimeo.com/241931953

FEED GOALS by ENCHANTED LANDS is a of collection tracks of that can best be seen as assemblages, showing intricate weaving and arranging of sound materials. Her tracks form strange scenes or frames where just when the sound seems to settle down a turnover point is reached and a delicate change of balance results in a whole new plateau. Receiving cues from ASMR, impact blasts, and natural phenomena, these elements become sound ingredients that add microscopic texture, sensuality and depth to their complementary sounds. Moving beyond any high or low fidelity,  the nature of the sounds blend together into a space where compression artefacts, phone mic'ing and high-tech sound design mingle fluently. From weeping wind harps to whispered confessionals to immense trance reveries, the result is a sound that eludes itself and forces the ear to expect some curious inversion around every corner.

Released by Genot Centre 
http://facebook.com/genotcentre 
http://soundcloud.com/genotcentre

Enchanted Lands - All Silver And Shadows And Visions Of Things Not Seen (GEN017)

Basile3 - Malaise En Apparence (Refuse)

terrorriba - tsjiki tsjaka

See here for more info: https://www.aqnb.com/2019/07/12/jacob-samuel-joins-the-current-of-the-hardcore-continuum-with-memories-of-music-he-thought-existed-but-never-did-on-intimacy/

Jacob Samuel, 'Intimacy' (2019). Courtesy Serious Serious, Tallinn.

LXV 
Loss Function 
EP

8/7/19
lxvlxv.bandcamp.com

Swing

Kisling – Bom (feat. Benzokai) (SRS11)

Kisling – Random Plaza (SRS11)

Spotify - spoti.fi/2XzVBHx

Artists featured on this release are some of the people who shaped 
the current sound of IA,
inspired and helped the label to define its own direction.
The tracklist includes: Bokugo, B.yhzz, Chino Amobi, Ditchdog, Ephemeral Harms, Kry,
Lilly Kane, MM'99, Nuji

All proceeds from sales of this compilation goes to
The EDGE of Existence programme highlighting and protecting some of the most unique species on the planet, which are on the verge of extinction.

Photo by Lola Banet
Songs 1-8 mastered by Kamil at Cyrcular Mastering
Song 9 mastered by Nuji

Kry - Haven't U

Restorative Posture

Mein lieber Schieber sind die neuesten Livesets mit Controler,
haut ordentlichst rein;P

Happyhippy

______ __ ________ ‘Ad Cue’ __ _ ________ _ ___ ‘cadeu’. _______ _____ __ Berlin, _______ _ _______________ - __________ ___. __________ _ _____ / __________ __ ____________. __________ ____ _______ __ _ _____________________. __ ___-_____ un & de, _____ ___ _____ 2017 ___ 2018 ___ ___ ________ , _____ ____ ______ _____ __ _____ __________ __ __ _____ Hyperboloid Records, __ ________ ___________ Bias to Abyss __. __ ___ ___ _______ ________ ________ ___ ___ ____-______ _______ ____ ____ ____ __Temporary Titles in Fixed Media. Brand new album on Gin&Platonic. ____ _____ _______ ____ _____ ___ . Coming out next month!

G&P011 _______ __ 4 _____, ______Temporary Titles in Fixed Media _____ _ __ _____ ______ _____ 38 ______. _____ __________ ____ __ _________ - _____________. ____ _______ ______ - ___ _ ___ _ ________- Temporary Title 001. ____ ______ ________________ ______ __ ____ ______, ____ ________ ______ __ future, ________ _____ ____ __ ___, _________ __ present. ___ 002 ________, __________ _______ ____ _________ ______ _____. _________________ _____ 03 ___ inherent temporality. _________ __________ ________. ____ _________ __ __, 04 ________ ___ ___________ subjects to change.  

Produced by Ad Cue
soundcloud.com/ccaaddeeuu

Mastered by A.Fruit
soundcloud.com/annafruit

Artwork by Jiri Macku
jirimacku.tumblr.com

💧

Ad Cue - Temporary Title 005 (bonus track)

https://ericfrye.bandcamp.com/album/where-does-the-good-times-go

Where Does the Good Times Go

Bandcamp

Medley / Tumbleweed Etudes

@indigoblue97

All life on earth depends on oxygen from the air. We breathe it to live and live to breathe it. Air is a transparent symbol of the eternal youth of nature, a constant reminder of our vitality. To conquer the anxiety of life, we need to live in the breath of air.

It is time to let go of your fear and doubts. You must learn to embrace the darkness of your soul, for it is a light beacon of hope for humanity. Your soul wants to show itself in its truest form, strength, perseverance, courage and determination of spirit. In this lifetime your soul needs to cleanse and open its feelings for katharsis. This current physical lifetime offers you a new leaf, to be able to learn to balance obsolete, distorted behaviors.

Mastering by RO Zar
Artwork by jjjacob

The Breath of Air

indigoblue - No City Is Eternal

SKILL-SET, the debut EP from Naomi Mitra Ruby @user-145647686, reworks conceptions of self improvement. It's a playful and oblique take on the gamification and socialisation of work and ambition.

Download/Support: https://serious-serious.bandcamp.com/album/skill-set
As suggested by the artist, all proceedings go to The Okra Project.
https://www.theokraproject.com

“Go On Then” video by Reid Calvert
https://vimeo.com/396855375

SRS13

http://serious-serious.net/srs13

Naomi Mitra Ruby – Go On Then (SRS13)

* Announcing CANVAS007 *

Lugh - Re Munus (LP)

Format: Digital/Vinyl
Cat.No: CANVAS007
Release Date: 23rd of October 2020

Vinyl and Digital pre-order:
canvas-index.bandcamp.com/album/re-munus

‘
There is grief, exultation and relief inherent in belonging to community. Re Munus reflects on the tone of deep gravity with which the re munisation of the de munised is unravelling. The generations which dismantled their social contract, achieved immunity, revoked solidarity.

Severe circumstances foment collectivity, suffering and empathy, interrupting the ethereal dream of social weightlessness. Re Munus sketches sensations and observations during a time of reorientation, rediscovery of lived sensibility on a relational scale. An encounter with sensations which we had said defined us—the tangibility of which we had forgotten, believed to be confined to the past. There is tension between the physical withdrawal and lived intensity which permeates these works.
’ Lugh

Personal drift. There is a multitude of presences guiding you through this record as a listener, not without their own doubts as to where they are leading you. A murky social space. Time-compressed club experiences within layered acoustic dimensions; consolidated, captured and played back into the same space. I am sitting in several rooms simultaneously. Death metal screams in an Animal Crossing world modelled on our own.

The choral rush of ‘Million Dollar Cowboy’ from Lugh’s Hélico EP (2018) re-appears again in ‘Braises’ and ‘Free Fall’, deeper and re-figured. Sometimes the record also haunts itself—each element heard having been through a process so long and many-staged, it’s as though it has already lived.

These compositions hold within them a flawed attempt to communicate on every level. The desire of language as expressed through music—towards shared meaning. Paradoxically voiced and voiceless, it denies textual, verbal description, instead crying out through the cracks in forming its own liquid tongue. Clone choirs simultaneously rehearse in an open space below. A slow walk through this spectacle. It’s an anguished record as much as it is at times tranquil. The movement between voices detached and embodied becomes playful—often warping them far beyond recognisability.

Beautiful artefacts. Stomach churns in the face of a burnt-out horizon. Cantering & sneezing. Air is driven into the corners and creases of a gold-plated, reverberant structure. The neural network claps to keep itself in time. Gutter Synthesis organ lament; tears of the duffing oscillators. There are moments on this release when tensely divergent fragments are barely held together. The prominent human voice mixing with the heavily re-sampled voice—it’s an incredible lift. Superimposed night and day. Sonic creatures living within the material, sharing time and space. Tenderness and together-ness.

Michael Speers and Olan Monk

Music by Lugh O'Neill

Vocals on ‘Vertiginous Leap’ and 'Free Fall' performed by Marie Requa Gailey

Artwork, graphic and product designed by Zuzana Pabisova

Mastered by Ali Najafi

Underwater recordings from Zuzana Pabisova's underwater sports camera feature on 'El Rocio'

The ‘Gutter Synth’ designed by Tom Mudd features on 'Americans', 'Irony, Chastity, Obedience' and 'Index Veri'

@lu_gh

www.c-a-n-v-a-s.com

Re Munus

Buy DL/LP

Lugh - Irony, Chastity, Obedience

Molina - Fastfood Widow (Minais B waltzmix)

RM Francis is an artist living in Seattle who works with computer-generated sound. His most recent releases are A Taxonomy of Guffaws, on ETAT, and Nth White Dot, on Conditional. https://www.rmfrancis.net/

Jack Callahan is a composer and sound engineer based in New York. Since 2013 he has been primarily working under the moniker die Reihe, taken from the journal edited by Herbert Eimert and Karlheinz Stockhausen. He runs Bánh Mì Verlag, an imprint dedicated to contemporary experimental music and culture. His music has been called "unbelievably bad," "tiring," "unsurprising" and "boring," in one case all by the same person. https://en.wikipedia.org/wiki/Jack_Callahan_(musician)

Jeff Witscher is a musician who currently manages his own custodial and maintenance company Vincent’s Expert Cleaners in Portland, Or. He has recorded under many different names, Rene Hell perhaps being the most known. He focuses primarily on sound composition as well as video works for his live performances. Recent solo recordings include Approximately 1,000 Beers (2018), Fy Monkey Sisaj Kura (2017), Cob Music (2016), Bifurcating a Resounding No! (2014) and Vanilla Call Option (2013). https://en.wikipedia.org/wiki/Jeff_Witscher

In Every Single Person Has Some Muscle RM Francis reinterprets Jack Callahan and Jeff Witscher’s 2019 composition What Happens on Earth Stays on Earth as an abstract drama of entropy set in the uncanny valley of artificial speech. The six human voices of What Happens on Earth Stays on Earth have been replaced by machinic proxies synthesized from the speech of the original performers. Vestiges of the organic appear briefly to comment on their own retreat from the realm of the audible before withdrawing to the edges of speech, out of which their inchoate vocalizations obtrude intermittently on the unfolding narrative. Whereas the original work was indebted to Robert Ashley’s spoken operas, Every Single Person Has Some Muscle redeploys the iterative strategy of Alvin Lucier’s I Am Sitting in a Room in the domain of machine listening, in which the transcription errors of commercial dictation software replace acoustic reverberation as the means by which the human voice is eroded, yielding a compositional logic based on phonetic drift and semantic refraction. Featuring the voices of Josh Haringa, Daren Ho, Madalyn Merkey, Colleen O'Connor, Nihal Ramchandani, and Asha Sheshadri. Mastered by Jack Callahan.

Wayward in Limbo #88 – Francis/Callahan/Witscher

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   (%) emptiness is form (%)

“Today a young man on acid realised that all matter is merely energy condensed to a slow vibration – that we are one consciousness experiencing itself subjectively. There’s no such thing as death, life is only a dream, and we’re the imagination of ourselves. ”

'The prophet Bill Hicks' 


psychedelic shit

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