Among the fly ashes and flame’s fulcrum, the origin and destination's nuances are lost into shade's shaping. Meaningless are the relationships between indoor and outdoor world. A plural noise faces the expanse of embers.

Tra le ceneri volanti e il fulcro della fiamma, l’origine e la destinazione si riflettono smarrite nell’evolversi della sfumatura. Insignificanti i rapporti tra mondo interno ed esterno. Un suono plurale si affaccia sulla distesa di braci.

Focolai - Carlo Elia Praderio

0,00-0,40 : cozy bar atmosphere ; 0,24-2,08 : sea organ of Zadar ; 1,52-4,14 : traditional band playing for a wedding ; 3,32-5,37 : the locusts & the sea

Déroulé de la bande-son : 0,00-0,40 : ambiance cosy bar quartier historique ; 0,24-2,08 : orgue marin de Zadar ; 1,52-4,14 : groupe traditionnel inconnu jouant pour un mariage ; 3,32-5,37 : les cigales et la mer

thanks to the unknown band!

Zadar (Croatia), 16.07 to 19.07.2021 (montage)

aux déBris • (2021)
for chamber ensemble

Live, concert recording.

Festival Ensemble(s)2021
Ensemble MULTILATéRALE

September 10th, 2021
Pan Piper
Paris – France

In “aux déBris” I am interested in the exploration of defined points of convergence related to aspects of a-synchronicity, dis-continuity, and de-construction of sonic actions. Behavior, plasticity, and mechanic rigidity are in the epicenter of my artistic research while forging the embedded rhythmicities and temporalities of the sonic canvas of the piece. What I find particularly intriguing is the illusory hybridity between the human and non-human in an attempt to explore recursive, musical situations that become mechanical and electrified. Therefore, the piece is exploring the resulting perceptual complexities and multiplicities related to distorted and exhausting phenomena of repetition and re/de-construction. “aux déBris” is a piece for flute, clarinet, piano, harp, violin, and cello and is written for and heartily dedicated to the Yann Robin and the members of the MULTILATéRALE ensemble.

aux déBris, for chamber ensemble (2021)

Electronic composition, sounds created in Pure Data.

Shifting Sands (disquiet0570)

Stolen horizon for soprano saxophone and orchestra
Composition : Naoki Sakata

Live recording :  Nagoya Philharmonic Orchestra  507th Subscription Concert
10th Dec. 2022 | Aichi Art Theater Concert Hall
Performance : Kentaro Kawase (cond.), Kohei Ueno (S-sax.), Nagoya Philharmonic Orchestra

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« Stolen horizon » for soprano saxophone and orchestra (2022)

Gintas K Zoviet France first one

Tom Mills is an electronic musician based in London. In addition to his solo work he plays Theremin in the group Bobhowler with Alicia Gardener-Trejo and Andrew Woodhead and also played on the album ‘Improvisers Inside Electronics’ alongside Antonio Acunzo, Tony Hardie-Bick and N.O Moore.
credits
released February 3, 2023

Tom Mills: Electronics

Mastered by Rashad Becker at Clunk
Photograph by Tom Mills
Design by Earshots

EAR019 - Tom Mills - Material Structure [sample]

L'emprunte d'Encyclie

Euangelion

Hypnos for bass flute or tenor recorder and tape 
Written in 2018 and revised in 2020
Recording from the premiere of version for bass flute: 28.01.2023, Grusomhetens Teater, Oslo, Norway.
Alessandra Rombolá – bass flute, Martyna Kosecka - electronics, Michal Sykora – mix

Hypnos is a dream; Hypnos is a passage through the mosaic of memories and flashes of the closed eye state. It disputes the concepts of time flow, sleepiness, and variable points of focus. The piece is written in the Dastgāh-e Māhur Persian scale and explores certain harmonic states and motivic groups that are the characteristic components of a dream, my Persian dream.

Hypnos(2018, rev. 2020) for bass flute and tape

Interprété par l'ensemble Intercontemporain et élèves du CNSM le 30/01/2019

direction : Simon Proust

violon : Hae-Sun Kang
alto : Odile Auboin
violoncelle :Eric-Maria Couturier
Contrebasse : Nicolas Crosse
Accordéon : Ambre Vuillermoz
saxophone soprano : Rui Ozawa
clarinette : Martin Adamek
Trompette :Lucas Lipari-Mayer
Percussions : Samuel Favre

Hoquetus Mechanicus (2018-2019) pour ensemble de 9 musiciens et piano mécanique

Théo Merigeau

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