doom sludge

Since forming in 2010, Copenhagen's HEXIS has marked Denmark as a premiere source for amazing blackened hardcore. With new full-length ABALAM, the band clearly has no intention of slowing its consistently forward-thinking onslaught of dark, engrossing gems. This benchmark LP will be released by Wisconsin's HALO OF FLIES and French label MUSICFEARSATAN on January 11, 2014 with a special album release party planned in Hexis' hometown on that same day. Preorders begin December 13.

For a listening experience akin to consuming, all-encompassing darkness, Abalam is a fitting choice. Hexis on naming the record:
“The demon Abalam is a King of Hell and an assistant to Paimon. He takes possession of a human’s body to encourage the human to commit lust, he would defile humans during the possession and the only way they could escape was death.”

European fans will have the opportunity to see Hexis perform these wicked rituals live as the band will be touring heavily following the release of Abalam, which was recorded and mixed by Lewis Johns and Tony James at The Ranch Production House in England and mastered by Rob Gonnella and Nick Zampiello at New Alliance East.

Featuring artwork designed by Craig Murray, 1000 copies of Abalam will be pressed on 180gram vinyl and distributed by Halo of Flies in the US and MUSICFEARSATAN in Europe: 300 on clear grey, 700 on black.

Hexis abalam

Acoustic Wizard - Please Don't Sue Me Vol. 2 - 01 Vinum Sabbathi (Electric Wizard)

Original song: https://www.youtube.com/watch?v=39ZoBMCkN7I
The Artist: https://www.metal-archives.com/bands/Electric_Wizard/407
The Album: https://www.metal-archives.com/albums/Electric_Wizard/Come_My_Fanatics..../65194

Electric Wizard - Solarian 13

The Melvins - Civilized Worm

Stone Magnet (electric wizard cover)

Roll out the red carpet - ACID KING are breaking their ten year studio silence with a new, deliriously heavy album, Middle Of Nowhere, Center Of Everywhere.
 
On their fourth outing, the three-piece maintains the corrosive concoction at the heart of their identity, while simultaneously progressing. “I really wanted to add more depth and layers to our signature sound,” says Lori. “Everything still feels like riding a motorcycle on Quaaludes, but things have expanded. It was important that we didn’t write the same record over and over again. This is a little moodier. It happened organically that way.”
 
In order to achieve that goal, the musicians riffed away in their Bay Area practice space, and the good old fashioning jamming yielded eight artfully architected tracks bookended by an Intro and an Outro, fusing together a cohesive journey.
 
Middle Of Nowhere, Center Of Everywhere was recorded at both Sharkbite and Tiny Telephone Studios in San Francisco, mixed at Different Fur Studios and produced by ACID KING and Billy Anderson. Striking artwork from famed tattoo artist Tim Lehi (who has designed cover art for High On Fire, Earthless and Witch) provides a preliminary indication of the cosmic scope of the musical innards.
 
Certain pillars uphold the underground. Their influence pervades throughout future generations, shaping the sound, style, and spirit of artists for years to come. Such can be said of ACID KING, bubbling up from San Francisco in 1993 through a fog of revved up riffs, thunderous drums, and hypnotic vocal howl. This unholy triumvirate of visionary, vocalist, and guitarist Lori S, drummer Joey Osbourne, and bassist Mark Lamb existed before terms like “stoner rock” and “doom metal” entered the musical lexicon.
 
They unleashed three EPs and three full-length albums, starting with Zoroaster in 1995, the 1999 full-length Busse Woods, and culminating on 2005’s Acid King III. Their seismic chemistry transfixed audiences everywhere from high-profile festivals such as Hellfest and Roadburn to now iconic shows alongside peers such as Sleep and Mystick Krewe of Clearlight. As personal lives became busier, they focused on a handful of packed local shows and special appearances overseas during the next decade. Song ideas volleyed back in forth, but 2013 saw them hunker down and flesh out the vision for what would become their next offering. ACID KING returns to its throne with 2015’s full-length Middle Of Nowhere Center Of Everywhere.
 
ACID KING are doing things on their own terms, letting their personal ethos continue to drive the music…“We never played this music for popularity,” Lori S. exclaims. “There are no rules. We do everything how we want to. Acid King has always been driven by that.”

Acid King: Silent Pictures

Track four off Belzebong's "Sonic Scapes & Weedy Grooves."


Belzebong - Acid Funeral

finding time v1 50 bpm

prod. https://soundcloud.com/tyrhael

be there, be there for me
we share things importantly
where we have no more despair
you’ve been awfully quiet
thanks for coming by and
taking what you wanted
taking us for granted

oh, oh-oh, oh

be there (prod. paradosso)

Belzebong - Names Of The Devil

Electric Wizard - Mountains Of Mars

Electric Wizard (2006 Reissue)

Mountains Of Mars

Turn off your mind (original by Electric Wizard)

TRACKLIST:

AUDIO GUTTER - CHIRAL
CAUSA - MONOTONE
ALIX PEREZ - DEEP SIX
ITCHY ROBOT - RAW
CARTRIDGE - TRIPPY MANE
NEMATODES - BARE BONES
BURIAL x ZOMBY - SWEETZ (ARCHAIC EDIT)
PARROTICE - FRIED
PARROTICE - BLEAKER VIP
CHRISPY CHRIZ - SCATTERED
ISDED - MILK (PARROTICE REMIX)
KATCH - AUTOMATIC
KATCH - RAGE
GANJA WHITE NIGHT - BUBBLEGUM (LIFECYCLE REMIX)
REQUAKE - DUBTHING (LIFECYCLE REMIX)
WOLFGANG GARTNER - FOREVER (16BIT REMIX)
MIGOS - PIPE IT UP (BLEEP BLOOP REMIX)
REVAZZ - SQUID SIREN
UM.. - DO IT FOR THE KIDS
PARROTICE - LESION
PARROTICE - SKITTISH
PARROTICE - FRACTURES
PARROTICE - TWINGE
NEMATODES - DOOMED
ELECTRIC WIZARD - RETURN TRIP
CURSED - ARCHITECTS OF TROUBLED SLEEP
ZIMBU - CAFFEINE CONTENT
CORPORATE - LEVEL 2
GRAMZ - WO FLIP
TERRENCE + PHILLIP - DNB RELIGION
HALOGENIX - BLEJ
HYBRIS - CABIN PRESSURE
PROXIMA - LOGFUNK
KUNG - YOU SHOULD
HYBRIS - eWASTE
BJORK - HYPERBALLAD (PARROTICE FLIP)

Electric Wizard - Mountains Of Mars

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