Name: Pale Fountains - Be thankful for what you got Demo - Pink Studios, Ullet Road, Liverpool 1987 by Ken Moss
Duration: 3 min 49 s
Description: This demo of the William DeVaughn penned song, later covered by Love, was recorded shortly before The Pale Fountains became Shack. It was recorded in the same pre-Zilch sessions as "John Kline", "Emergency" and "Realisation", at Pink Studios, Ullet Road, Liverpool in 1987 with Dave 'Dix' Dickie at the controls.

This is beautiful and never even knew this existed 👏👏👏👏👏

someone else

from the debut self-titled album by High Tides (Warren Kroll & Steve Lutes), out summer 2015 on Rad Cult

High Tides' remix of "Eruption" originally from the 2014 TOBACCO album "Ultima II Massage" out on Ghostly.  

High Tides at http://www.facebook.com/hightidesvibes

High Tides - Eruption (High Tides Version)

From the Brokeback LP 'Looks at the Bird'

Name's Winston, Friends Call Me James (Brokeback with Laetitia Sadier)


Botany, 'Dimming Awe, The Light is Raw' out September 18th on Western Vinyl

Bandcamp: https://botany.bandcamp.com/album/dimming-awe-the-light-is-raw
iTunes: hyperurl.co/qzgj6u

Botany:
Artist Page westernvinyl.com/artists/botany
Facebook www.facebook.com/BotanyMusic
Twitter twitter.com/botanymusic

Under the Botany moniker, Spencer Stephenson creates rich psychological and emotional experiences through audio. When he started creating his own music at age 15, he was enamored with Four Tet, Stars of the Lid, Madlib, and Dilla. In his late teens, he went through a heavy period of discovery with Psychedelic rock, Krautrock, and Brit-folk. "I started imitating a lot of those forms in my own music, sampling them sometimes, recording from scratch sometimes, but really just trying to bridge a gap between those worlds and sample-based hip hop, and I’m still trying."

On his latest effort Dimming Awe, the Light is Raw, the 27-year-old producer and composer continues dissolving the borders between his disparate-yet-beloved psych, hip hop, and ambient influences. Unlike his debut LP Lava Diviner, which peaked and valley-ed through a narrative arc, Dimming Awe focuses on the artist's ever-unfolding, present state of mind. As a former jazz student, spiritual/free jazz philosophy regarding what he calls “emergent” music has increasingly become a guiding light when he creates. "The more emergent I let my music be when I'm making it, the more I like the result, it feels like a truer reflection. I feel like I am getting closer to doing that with computer-made music," he says. "This album is a document of what I do, not a statement in any explicit way. I feel like I'm moving closer to a jazz underpinning that I've always felt, philosophically more than aesthetically…making music feels more like exhaling as I grow older.”

Botany - "Raw Light Overture"

Pulp Live @ Reading Festival (full performance)

Penguin Cafe's critically acclaimed second studio album, released 17th February 2014. 
The Red Book is the culmination of two years work that has seen Arthur Jeffes - son of original composer and Penguin Cafe Orchestra founder Simon Jeffes - investigate whole new areas of sound and vibrancy, alongside his eclectic collection of musicians and characters, marking an ambitious extension from their debut ‘A Matter of Life’ (2011).

The catalyst for the new recording came about when Jeffes worked on a project with the International Space Orchestra and NASA Ames in 2012, out of which came the pieces Aurora and 1420, which have since been beamed into space as part of NASA’s Kepler project. These touchstones marked a satellitic beginning for a new album, a collection of songs that return to earth to undertake a rich, cross-continental, musical journey.

The Red Book (FINAL MASTERED)

1420

Josephine Foster - 'Child of God'

Taken from the new album 'Blood Rushing' - Released 17/09/2012

Buy from Fire Records

Josephine Foster - Child of God

Framed Space: Selected Works 2014-2017

Two Chord Wake

Taken from the 'Large Pies' EP on Cup of Tea records 

Mr Scruff 'Mexicanos'

This demo of the William DeVaughn penned song, later covered by Love, was recorded shortly before The Pale Fountains became Shack. It was recorded in the same pre-Zilch sessions as "John Kline", "Emergency" and "Realisation", at Pink Studios, Ullet Road, Liverpool in 1987 with Dave 'Dix' Dickie at the controls.

Pale Fountains - Be thankful for what you got Demo - Pink Studios, Ullet Road, Liverpool 1987

Ken Moss

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