Great rhythms ……. Love the drama and thoughtful, surprising songwriting - fab stuff!

So beautiful and dynamic at the same time! Impressive work!

Amazing Sound,the percussion is out of this world!!🤖

very interesting play with sounds, otherworldly to say the least, somewhat unsettling yet at the same time the sensation has a comforting/safe effect to it.. interesting combination

FIX TODAY (JunkHeap (c) Apr 05 2021 / Remixed/fixed Aug 2023)

Youtube video:  https://www.youtube.com/watch?v=yxCJ314-GTg

Time travelling from this place,
I'd like to step through a gate.
Launched into space and time,
everything motionless; emotionless.

If today was my last day in this place,
that you and I lay to waste,
the tears would well up in my eyes, 
saying goodbye.

I go forward in time,
to see if we get it right.
Fix today. 
Not tomorrow.
Fix today. 

All I can send back is a brief message 
from the other dim, a text.  
No way to return.
I see the world burning.
Chaos and melting.
Just one little message. 
One little message.
I know, I know.

Fix today.
I hope we change
our destructive ways.
Fix today.
I hope we change.

Fix Today

iron sweet..ritmo concept  minimal experimental world

Metalsweet

Psychedelia | Music by Martin Reed | Music & Lyrics by REKHA IYERN FE

Psychedelia - Music by Martin Reed

Listen to the amazing music of Rekha Here https://soundcloud.com/rekha-iyern-fe 

Psychedelia - Music & Lyrics by REKHA IYERN FE


Here is the Official Video :) https://youtu.be/lqtrRmZeSYA

Intro:
Oh-Oo
Wo-Oo-Oh
Ah...

Beautiful kaleidoscope
Suddenly appears before me
In front of my eyes
In my head
Beautiful Kaleidoscope

Of colour
Bold, bright and blue
Oh, so good

I'm floating
I, I am
In the sky
So high above I go
In my psychedelia
Oh, Yeah-Yeah
Hey, Eh-Eh

Purple, Red and Blue
Colours so pure, so pure
I'm goin' outta my head
Pleasantly I escape

To what's comin'
What's comin' ahead
In the clouds
In the misty light

Wo-Oo-Wo
Wo-Oo-Wo-Ho
Oh-Oh-Oh
Oh-Oh-Oh-Oh
Yeah-Yeah
Beautiful psychedelia
Hmn, the colours
Of the rays
Ah-Huh, Oh-Ooh, Oh-Ho

Cover Art Design: Photo & Graphics by REKHA IYERN FE

Music by Martin Reed in the UK
Music/Vocals Mixed & Mastered by REKHA IYERN FE RECORDS IN CANADA

Psychedelia M1 Basic AIFF REKHA IYERN FE -1.1db

Released by:
REKHA IYERN FE RECORDS CANADA & MARTIN REED
P-line:
℗ REKHA IYERN FE RECORDS CANADA/REKHA SONG PUBLISHING & MARTIN REED
Show less

Psychedelia | Music by Martin Reed | Music & Lyrics by REKHA IYERN [Fe] | Psychedelic ROCK

Thanks to everyone who listened to this track
If only messages were always sent from unknown territory. 
Have you received it yet? 
I'm sure you'll have an important send.
 Listen carefully.

Signal from a Dream

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

Video available at: 
https://www.youtube.com/watch?v=5wRP806bHKU
If you like, please subscribe to my channel.

Life may seem to lead along one road, however there are so many crossroads and points where the road deviates and takes us in a different direction. This song starts by identifiying that there is "One road out of Babylon". Later on the songs points out that there is "one more road" and possibly so many more.
Produced and engineered: Phil Bowen 
Music and lyrics: Phil Bowen 
All instruments (including: Fender strat, slide and acoustic guitar, keyboards, lead and backing vocals): Phil Bowen
Lyrics: 
“Well, there’s one road out of Babylon”,
the preacher said to me.
“Yeh there’s one road for the righteous
who can pay through purgatory.”

“There’s one road out of Babylon”,
well, I heard the preacher say.
“One road for the blameless,
I can show you the way.”

Some time we can cross the line
and feel we come apart
and sometime we can’t see the signs.
Life seems like an abstract art.

“One more road out of Babylon
for the blind and cannot see
and the road’s so dark to find your way,
it goes on endlessly.”

Outro
“One road out of Babylon
One road for you and me
One road out of Babylon
On road for you and me
One road for you and me.”

One thousand miles from Texas

One road out of Babylon

One Road Out Of Babylon

Music, lyrics and song : Jens - Joel
Instruments : Jens - Joel and Magnushttps://open.spotify.com/track/2BUNaqIZY1ZjGcnp6ltGxs?si=5d77c63bb3744ded

In The Desert

Album (2018) : "Révérence, études tenuto & marcato"
* En écoute sur : vincentthomasrey.com/

(© All rights reserved - Blockchain Bitcoin technology)

- Arabesques Célestes (Étude I)
- Le Jardin Des Muses (Étude II)
- Invierto & Invitero (Étude III)
- Ibis Rouge (Étude IV)
- L'Épreuve Du Temps (Étude V)
- Soleil D'Hiver (Étude VI)
- Les Rameaux De L'Espoir (Étude VII)

Études pour piano & danse classique (Tenuto & Marcato).

Pochette : Vincent Thomas Rey

Révérence

Compressed Air

Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Sepia Tone

Sepia Tone by Jason Mowry & Carlos Vivanco

drums, samples, synth- lady of fire poetry (Tanisha Jackland)

Digital Mystics

They conjure up
Numbers from
the sacred air like
alpha shamans always do
saging poetics and
placing their hands
on the mouse of
your spine
just a page away
from nirvana
they say it would heal you
the old incantations
of an ancient
magic speaking to you
in tongues with clicks
layered in keyboard divination
they are here to say
you can illuminate
the world with love
laughing with your bellies...

Digital Mystics (With Love) ❤️

I'm glad you found my music.
I've always wanted to express the music deep in my heart.
My music is music that overflows from the album jacket.
My music will light up a projector of your memories.
It's like finding your old album!
And above all, I hope I can make you all happy.

Signal from a Dream

fu-fu

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