Sisyphean Deicidal Rampage

Paul Amlehn - Compositional system and strategies, catalyst texts and vocals for music composition, production
Christoph de Babalon - Electronics
David Lynch - Still image from his series Twin Peaks: The Return

Glastonbury Grove (Between Two Worlds)

Paul Amlehn - Text, vocals, arrangement, production
Eraldo Bernocchi - Synthesizer, treatments and effects on Paul Amlehn's voice, vocal sculpting
Brian Eno - Vocals, vocal manipulations, production
David Byrne - Vocals, vocal manipulations, production
Grimes - Vocals, vocal effects, synthesizers, engineering, production
Trent Reznor - Vocals, vocal manipulations, synthesizer, engineering, production
Atticus Ross - Synthesizer, vocal manipulations, engineering, production
Alan Moulder - Synthesizer, vocal manipulations, engineering, production

This composition utilizes sonic elements from three previously existing compositions from the albums "My Life In the Bush of Ghosts" by David Byrne and Brian Eno, "Ghosts I-IV" by Nine Inch Nails, and "Miss Anthropocene" by Grimes, as well as new material created by Eraldo Bernocchi and myself.

"Music for Beings on Other Worlds" is a series I began working on in 2021. Each sonic composition is designed for a specific exoplanet, and the hypothetical beings that live on that particular world.

This composition for the speculative race that lives on the blanet designated "M51-ULS-1b."

A "blanet" is a member of a hypothetical class of exoplanets that directly orbit black holes.

Blanets are fundamentally similar to other planets; they have enough mass to be rounded by their own gravity, but are not massive enough to start thermonuclear fusion and become stars. In 2019, a team of astronomers and exoplanetologists showed that there is a safe zone around a supermassive black hole that could harbor thousands of blanets in orbit around it.

The team led by Keiichi Wada of Kagoshima University in Japan has given this name to black hole planets. The word is a portmanteau of "black hole" and "planet."

M51-ULS-1b is an unconfirmed extragalactic blanet in Messier 51a (also known as "The Whirlpool Galaxy"). Although its status is as yet unconfirmed, evidence was recently discovered which supports its existence.

Music for Beings on Other Worlds: M51-ULS-1b

Track #3 del álbum 'El Invierno', publicado en 2025.

Alnocys - música
Ana Vojnov - voces
Gabriel Schubert - mezcla, mastering
Morbía - foto y diseño

El Invierno

Bosquímana (ft. Ana Vojnov)

Track #5 del álbum 'El Invierno', publicado en 2025.

Alnocys - música
Gabriel Schubert - mezcla, mastering
Morbía - foto y diseño

El invierno

Feedback Madness
Track 1, "From This", 01:04, Soma Lyra 8 + Soma COSMOS + PulDeFilt
Track 2, "Feedback Madness", 02:15, PulDeFilt
Track 3, "Wander", 02:41, Soma Lyra 8 + Soma COSMOS
Track 4, "Uncover", 03:21, Soma Enner + Soma Lyra 8 + Soma COSMOS + PulDeFilt
Track 5, "Leaving", 02:00, PulDeFilt + Soma Lyra 8 + Soma COSMOS


Dates:
26-Oct-2025 (inception), 30-Oct-2025 (finalised), 30-Oct-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/feedback-madness

Description:

Following up an idea on feed back loops, looper cross amplitude modulation with my software based digital modular synthesiser, PulDeFilt; plus analogue synthesisers: Soma Enner, Soma Lyra 8 and Soma COSMOS.


Track 1, "From This", 01:04, Soma Lyra 8 + Soma COSMOS + PulDeFilt:
**************
Records a short Soma Lyra 8 performance, two motifs introduced and recorded into Loops 1 and 2, ready to use in Track 2.


Track 2, "Feedback Madness", 02:15, PulDeFilt:
**************
*(1). This is where is all began. Having recorded two short 11 and 12 second samples from the Soma Lyra 8 from track 1 into loops 1 and 2, it was time to experiment with loops 1 and 2 amplitude modulating (AM) each other.

I wanted to explore the possibilities of dynamic assignment of multiple looper outputs to cross amplitude modulate each other. So I decided to start simple and just cross link only two looper outputs.

The audio signals from looper 1 and looper 2 where then multiplied together, i.e. amplitude modulation. Now to add some spice, after amplitude modulation, this was fed into a delay+feedback+gain block and added back to the looper 1 AM input. This delay was necessary as a technical matter but then later proved to be a useful timbral tool by playing the delay times according to a prescribed discrete set of delay times (as assigned to 8 midi note pads, along with the feed back gain assigned to a rotary encoder of the midi instrument again played by the performer. The discrete delay time tuning was determined by ear, old school style, play one delay time, write that down, play the next delay time that sounded right, write it down and continue, then assign to the tuning library.

Since the original audio from the Lyra 8 was feed into the Soma COSMOS for reverb, no reverb VST was necessary in the digital modular synthesiser, PulDeFilt.


Track 3, "Wander", 02:41, Soma Lyra 8 + Soma COSMOS
**************
A purely Soma Lyra 8 performance.


Track 4, "Uncover", 03:21, Soma Enner + Soma Lyra 8 + Soma COSMOS + PulDeFilt
**************
Here the Soma Lyra 8 played a dual role, firstly as the delay+distortion for the Soma Enner performance and secondly, the Lyra 8 played in it's own right. This was then feed into the Soma COSMOS to layer in and out various motifs and play the Blur and Drift dials. PulDeFilt was used here purely as a mixing console and to layer up performances.


Track 5, "Leaving", 02:00, PulDeFilt + Soma Lyra 8 + Soma COSMOS
**************
After all the hyper activity, a calming finale. PulDeFilt was used to play a pulse oscillator drone through a single delay+feedback block then off to a band pass filter, adjusting the centre frequency dynamically during the performance. This provided the backing for the Soma Lyra 8 performance. The Lyra 8 audio was passed through to the COSMOS for a touch of reverb.

Feedback Madness

Seeds of Evil

Filigree - Industrial Arts - 09 Matricide

5th track of 11 from album Psychodisinfection Against Antireality in live at home improvised collaboration with Psihodezinfekcija.
Psihodezinfekcija - irons, feedbacks, sterilization of perception, Antireality - frequency generations, feedbacks, annihilation of dualism.

download full albums:
http://www.noisewiki.com/wiki/index.php?title=Antireality

Psihodezinfekcija & Antireality - Projekcijas Sekcija

Paul Amlehn - Compositional Process and Strategies, Catalyst Texts and Vocals for Music, Production
Leo Abrahams - Guitar, Effects, Programming
David Lynch - Visual Art

On An Unknown Beach

Paul Amlehn - Compositional Strategy, Catalyst Texts and Vocals for Music, Production
Mally Harpaz - Harmonium, Vibraphone, Cymbal Percussion
David Lynch - Visual Art

Song of the Stellar Circuits

A one-man experimental music project influenced by industrial and noise elements.

Seeds of Evil

Aprīļa Sniegs

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