Global Funk

Ibibio Sound Machine are set to release their debut LP through Soundway Records. Fronted by British / Nigerian vocalist Eno Williams, they combine elements of West African highlife, disco, post-punk & psychedelic electro soul. Preceded by the pulsating first single 'Let's Dance', ‘Ibibio Sound Machine’ will be released 17th March.

Folk stories, recounted to Eno by her family as a child in her mother's South-Eastern Nigerian Ibibio language form the creative lyrical fabric of the album. A large dose of electronic elements and an approach as influenced by London as much as by West Africa, give the vocals and guitar lines space to breath without being overwhelmed.

From the banging sub-bass of 'Lets Dance' to the spiritual, gospel-tinged notes of the album's opening track 'Voice of the Bird', the band have turned in a dynamic and, at times, beautiful take on modern afro-soul music.

The 8-piece live band made their official live debut at this year's Transmusicales in France and will be a name to look out for in 2014

Pre-order

Ibibio Sound Machine - The Talking Fish (Asem Usem Iyak)

Russ - I'm Gonna Make You Love Me (Prod. Russ)

Release Date (12inch Single on White-Colored Vinyl): 02/24/2015

iTunes: http://bit.ly/1CbS8wv
Amazon: http://amzn.to/17EuXlu
Bandcamp: http://bit.ly/1IJwrbw
Ubiquity: http://bit.ly/1Icy5p9
Spotify: http://spoti.fi/1JiSRn4

Bosq returns with none other than songstress extraordinaire Nicole Willis on the single “Bad For Me” with a killer house remix on the flip by the infamous Soul Clap crew.

Tracklist
A1. Bad For Me
A2. Bad For Me (Late Night Dub)
B1. Bad For Me (Soul Clap Remix)

Buy on Bandcamp

Bosq ft. Nicole Willis "Bad For Me (Late Night Dub)"

Welcome to Laus Deo Jazz! We're thrilled to present our second playlist, showcasing the invigorating sounds of 'FUNK' gospel music. If you’ve ever felt the rhythm of a spirited groove resonating with your soul, then you'll understand the transformative power funk can bring to gospel music. Our channel is dedicated to spreading joy and lifting spirits with a fusion of jazz, soul and gospel vibes that are sure to make you want to dance.

At Laus Deo Jazz, we believe that music is one of the most powerful forms of worship. This playlist not only highlights the catchy beats of funk music but also serves as a vessel for heartfelt expressions of faith. From energetic male and female vocal performances to soul-healing rhythms, our selection aims to touch your spirit while inviting you to engage in worship. Each track is carefully curated to ensure that you experience a profound connection with the themes of Christianity and the teachings of Jesus Christ.

As you dive into our gospel playlist, you'll find a perfect blend of #gospelmusic and #funk that speaks to a diverse audience. Whether you’re looking for something relaxing to ease your mind or uplifting tunes to energize your day, this collection has you covered. Embrace the infectious energy of our #christiangospel and let the vibrant melodies remind you of the joyful praise that comes from understanding that #jesusisking.

As you listen, we encourage you to share your thoughts in the comments. Your feedback means the world to us and inspires us to create even more dynamic playlists in the future. At Laus Deo Jazz, our mission is to bring you the very best in #worshipmusic and #christianmusic, ensuring that each moment spent with us is filled with divine inspiration and joy.

Thank you for joining us on this musical journey! God bless you, and we hope you continue to enjoy the unparalleled experience of Laus Deo Jazz Gospel Music. Remember, every beat is a celebration, and every note is a testament to faith, love, and community. Let's keep the funk alive together!

Thank you for supporting Laus Deo Jazz Gospel Music! We pray you are blessed by the music, and we look forward to sharing more uplifting sounds with you in the future. God bless you!

Feel that Rhythm

From the album "Celestial Strut". Nearly two years after his debut album, Bosq Y Orquestra De Madera, burst onto the scene with its varied rhythms and moods, Bosq is unleashing another batch of music for the dancefloor.

Bosq ft. Kuyen: Found Your Love

Whopping great end of the night re-work made with the original multi-track parts. 

now available along with more gems here...https://ronbasejam.bandcamp.com

Long Train

We felt in love with this sweet & sensual by Elia Y Elisabeth. A masterpiece guiding you to summer, a road trip carried by their angel voices. Totally seduced by the sound & production of this album, we enjoyed reworking this track, to give it punch with respect to the original songs. 
We’re sure most of the loop & beats here will definitely stick in your head ! This reworks are a present we do to share how much this album is good and too infamous. De nada ! 
-------------------------------------------------------------------------
Nous sommes clairement tombés amoureux de cet album plein d’insouciance, de légèreté et de sensualité. “Elia Y Elisabeth” nous emportent sur la route de vacances, nous charment avec leurs voix angélique. Conquis aussi par l’ambiance latine, le son et la superbe production de cet album, nous avons pris plaisir à retravailler ces morceaux, sans vouloir en perdre l’essence ni la dénaturer , mais leur donner un nouveau “punch”, trouver “la” boucle parfaite pour l’avoir en tête. Ces “reworks” vous sont offerts pour remettre au goût du jour cet opus trop peu connu. De Nada !

supported by TSUGI
mastered by @djvas
artwork © Alice Dufay 

Allegria Part I (Souleance Rework)

"GIVE IT TO YOU" Out April 11th exclusiv to JunoDownload on Midnight Riot Records alongside 3 other disco jams! 

LISTEN TO AND ADD TO YOUR SPOTIFY PLAYLIST: 
https://open.spotify.com/track/25pzB8OzTFEfS4Eab1tunm

TRAXSOURCE: http://www.traxsource.com/title/606150/give-it-to-you

Review:
"You can always rely on the Midnight Riot label to pick up a party. Seriously they'd get people dancing in a morgue. Here label favourite Ziggy Phunk turns in four sweet and tasty reworks of obscure 80s dance cuts. "Give It To You" is a soft focus helium-voiced disco cut that puts The Bee Gees to shame, "Some Kinda Lover" is nearly seven minutes of tight and sharp 80s electro-soul, "Sneak Preview" is a shiny filtered pop gem that bears more than a passing resemblance to early Madonna, and "Stand Up" is a sped up celebration of guitars and trumpets".

// AMORE

Ziggy Phunk - Give It To You [MIDNIGHT RIOT RECORDS]

Supercuts S1

MR Given Raw - Boogie Magic

sampler snippet version (full length is 8.35 min.) - low quality mp3 @ 96k - AVAILABLE ON JUNO DOWNLOAD  : http://www.junodownload.com/products/i-dont-want-this-groove-to-ever-ends/1882977-02/ 
and included on the new LTJ XPERIENCE's IRMA CD available on juno records : http://www.juno.co.uk/ppps/products/450438-01.htm

https://www.youtube.com/watch?v=kdyjtJ9x_Y8

ltj - I don't want this groove to ever end - hot groovy 001

Australian Dave Mathmos, the master of smooth, soulful Disco Edits is a long time Too Slow To Disco recording artist and compagnon.
He recently returned for TSTD EDITS 15 with a limited 7!!! track double 10 Inch E.P.! But Dave Mathmos also was the artist of the first real TSTD EDITS EP, volume 03, the now legendary and completely sold out 2 tracker from 2019.
The E.P. (600 copies in yellow vinyl) sold out in a minute and up until today it is the most sought after release we ever did, with several million plays on the spotifyyoutubeapples.... Original copies are already selling for more than 50 Euros on discogs.
We got so many requests for a repress, we finally decided to do it

Your Love (Contemporary Soul remix)

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Castelo (Version 1)

2000 Blacks Got To Be Free

2000 Blacks Got to Be Free (Edit) [feat. Roy Ayers]

The Souljazz Orchestra - Sky High

Felony / Rile 'Em Up

Felony

Mèdaho

Mr. Diva

Leksa compte secondaire (utilisé pour upload, saturation sur le compte principal)

Got into Radio in 1980. Music collector/historian/enthusiast/expert. Always looking for new music !

The Souljazz Orchestra - Sky High

LEKSOMYL

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