Working with music this Sunday 28th of November 11am to 1pm.

🔺Special Guest🔻🧙Artist and sounder,
creative genius/goddess
the Aideen Barry @aideenbarry talking about her new art work! #oblivion

@aislinglyonsmusic @riitmusic @stephenshannon @installtechireland @itmadublin @musnetirl

A shout out to @othervoiceslive happy 20th anniversary can’t wait to see and hear the bands in Kerry this weekend! 🎉

Make sure to listen to this months show as its a good one😎

Edited by the class @rnnlwlr 😎

#workingwithmusic #aideenbarry #dublindigitalradio #tipperary #cork #clare #artist #oblivion #orhervoices

Working With Music- 28- Nov-2021

The Merchant duo of Al and Harry step up for Loose Connections 001 and I couldn't think of a more fitting start for this series. These guys walk the musical spectrum daily digging deep into all things World Music and beyond, which really does show in this carefully selected 2 hour delight of a mix. With a residency on @balamii radio and a raft of other guest mixes, edits played by our favourite dj's on international stages, regular party slots in The Jago in Dalston and beyond these lads are worth keeping an eye on!

Loose Connections 001 - Merchant

Keinemusik Radio Show by RY X (DJ) 18.04.2025

Manuel Darquart & DJ City - 18 May 2025

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

Episode 409 of Circoloco Radio with Kirollus

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Circoloco Radio 409 - Kirollus

Dusk to Dawn

IDs

Cousin - Fifth Wall
On a Nimbus - Priori
Boulevards - Sly5thAve ft. Denitia
The Heartbeat (100bpm version) - FreeJay
Life Cycle - Syz
Angular Momentum - Sensual Physics
Dan Kye - Raro
Facta - In Bloom
Fortunes - Energy
Gayance - Moon Rising (10 years) feat. Judith Little D.
Octo Octa - Come Here Let’s Commune
Ian Pooley - Kids Play
Adam Port/Stereo MCs - Changes (Jimpster Remix)
Klein Sage & Joey G ii - Folks Not Guys (Local Artist Disco Cub)
Quantic - Motivic Retrograde
Roma - Let It Go (feat. Julie Dexter Titonton & Tejada Remix)

In Pain and Insane with Wild Pride 2025

The third edition of my annual all night long show in one of Irelands best underground club space - Yamamori Tengu. It's always a joy and pleasure to play for such an incredible open minded crowd in a dark, hazy basement with a great sound system. Recorded live taking you on a 4 hour journey of raw disco, house, jazz and sounds from around the world.

Thank you to everyone who helped sell out the show and danced and shouted. To the promoters - Emma who put the trust in and the amazing staff behind this amazing establishment x

What a joy it is to be able to play records for people, bliss………

Ricky x

Ricky Chong All Night Long Live @ Yamamori Tengu - Dublin 2025

Audio from https://youtu.be/GlSdvgirznU?feature=shared

Dusk to Dawn

LIAL

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