Interesting track with a particular flavor, it almost sounds like a lost late 60s psychedelic tape by Hendrix :-)

I do like how you've managed to create this guitar sound, particularly here - sells the sound really well.

Congratulations on using generative tracks.  Very interesting.

Interestingly weird.  Like autechre or something.

An interesting generative track. Personally I would like a bit more in dynamic variation in the sounds in the "background" (if you know what I mean).

Great guitar patch - glad you made it and used it.

Sound design wise the guitar track is impressive. The track itself is a bit hard to follow for me.

One Synth Challenge #163: Cardinal by DISTRHO

I just released two ambient electronic tracks under my real name, Julien Guillot, on No Slack Records "Seasons 2022 (S/S)" compilation.

“Seasons 2022 (S/S)” is No Slack Records’ 5th installment of the biannual “Seasons” compilation series. For this year’s Spring/Summer release, artists from France, Japan, South Korea, Seattle, Toronto came together. The result is a whimsical electronic journey weaving analog ambience, heady bass and modular jams.

Jeremy Blake, a seattle based producer and musician, starts off the compilation with a somber electro-acoustic track. Then Japanese composer and contemporary artist Pollypraha (Takeyuki Hakozaki) retains the calmness flow with his ambient modular composition.

The third and seventh tracks are by French producer Julien Guillot aka Stazma. The tracks are like etudes in modular synthesis. The fourth track continues the experimental nature with “M0rph” by Livigesh, a South Korean producer and artist.

“Neverending Unrelenting Goodtimes” by Tornoto based electronic producer Dark Tapes takes the compilation into a dimension where it feels like one is in a traveling spaceship looking out the window.
Then the compilation continues with a heady bass track “MDTES101” by Seoul based producer Jeongjeon. The compilation closes with Flower Manson’s psychedelically leaning track “Grn.5”

Seasons 2022 (S/S)

Julien Guillot - Under a Strong Wind

KVR Audio OSC #163 entry.
All sounds are made with one instance of Cardinal by DISTRHO.

Broken Card

This track made for the  KVR One Synth Challenge #163 using only sounds made by the Modular Synth Cardinal. All FX and mastering done with Cardinal FX as well.

Tracks:


Bass 1: Cardinal Synth, Host MIDI, LifeFormModular  Additive Vibration, VCV ADSR, BogAudio OFFSET, VCV VCA, BogAudio VCF, BogAudio PEQ, Host Audio

Bass 2: Cardinal Synth, Host MIDI, BogAudio XCO, VCV ADSR, BogAudio OFFSET, VCV VCA, BogAudio VCF, BogAudio PEQ, Host Audio

Harpischord: Cardinal Synth, Host MIDI, Bacon Music KarPlusStrongPoly, VCV ADSR, BogAudio OFFSET, VCV VCA, BogAudio VCF, stocaudio delay, BogAudio PEQ, Host Audio

Strings: Cardinal Synth, Host MIDI, Befaco evenVCO, VCV ADSR, BogAudio OFFSET, VCV VCA, BogAudio VCF, stocaudio delay, BogAudio PEQ, Host Audio

Reed: Cardinal Synth, Host MIDI, Audible Instruments macro oscillator 2 VCV ADSR, BogAudio OFFSET, VCV VCA, BogAudio VCF, stocaudio delay, BogAudio PEQ, Host Audio

Flute: Cardinal Synth, Host MIDI, VCV Cloud Generator, VCV ADSR, BogAudio OFFSET, VCV VCA, ChowDSP Werner Filter, Host Audio

Buss: Reverb: Cardinal FX, Host Audio, Valley Plateau

Master: Cardinal FX, Host Audio, 2 * BogAudio PEQ, RackWindows TAPE, BogAudio Pressor, 2 * Rackwindows RASP, CF PEAK, BogAudio LMTR

LUFS: -15.2
DR: 12

Modular Baroque - OSC #163 - Cardinal Modular

KVR One Synth Challenge #163. This track was generated using the Cardinal modular synth plug-in.

Aether Oar

Yellow Or Not

ZioMau - Yellow Or Not

Synth Track created for KVR OSC-163 using the Cardinal Synth
The Process: 4 Generative Tracks, with Bass Track and Lead Track added.

DAW: Studio One
Tracks: 7
Plugins used: Presonus Fat Channel, Red Light Dustrict, Ampire, Binaural Pan, Room Reverb, Pro EQ, Limiter
Klanghelm IVG12

FrankH-The Distance and the Peace

9 Zebralette, OTT, You Wa Shock, Bitwig convolution, Bitwig Limiter, TDR Nova. DAW: Bitwig OSC #191 Zebralette

The curious zebra

55ish instances of zebralette using Reaper 6.83

OTT, ReaLimit, LoudMax, TSOM's B&S, Supermassive Valhalla, Raum, A1TriggerGate, ReEQ, TDR Kotelnikov, Replika, Reaverb, A1StereoControl

LUFS-I = 11.1

The last 7 minutes are very slow ambient which isn't popular in OSC and of course it's long. Feel free to skip if that's a problem for you, although just to be clear, I love it. 

Thank you Jas (white noise), TSOM (cymbals), Exponent (exophase!) for sound design help.

OSC191 Forgotten Dream (Zebralette 6th)

Entry for One Synth Challenge 191 - U-he Zebralette 2

Made in Reaper using 39 instances of Zebralette 2 for 15 voice-split single layer instruments.
No 3rd party noises of any kind were involved. 
Light clean-up duties were performed at track level by TDR Nova.
A touch of snipping done by GClip and Flux Bittersweet on the drum.
Some delay was provided by HY-Delay 4 
Reverberation courtesy of U-he Protoverb and Valhalla Supermassive, 
with a little help from their friends:  HOFA System Pan, TDR Nova, A1 Stereo Control and JS Mixer.
Somewhat reluctantly living on the master bus are TDR Kotelnikov, A1 Stereo Control, Limiter No6, and Flux Bittersweet.

Looking At You

Progetto per un call for works per flauto e fixed media, abbandonato per difficoltà e dubbi riguardo la partitura del flauto. 
2 contrabassi, tape delay, e flauto (canale destro, tongue ram).


Project for a call for works for flute and fixed media, abandoned due to difficulties and doubts about the flute score. 
2 double basses, tape delay, and flute (right channel, tongue ram).

FIRST-Tongue Ram [disquiet0697]

Disquiet Junto Project 0698: Second Third
The Assignment: Record the second third of a trio.

I chose a track randomly from the lines thread last week and ended up with @xhg 's field recording (https://soundcloud.com/xhg/disquiet0697-sunday-morning-gardening).  All the sounds I used for the beat came from xhg's recording and I tried to take cues from it as well.  For example, I tried to match the steps in the middle section for the pace, 109BPM.  I used a resonator set to G# because the bell heard in the last third of the recording is roughly a G#.

Look what I Found in the Garden (Disquiet0698) (feat. xhg)

Moons of S (Buchla)

:: Live experimental eurorack composition limited to a few modules ::

George Crumb

:: getting close to Buchla territory here with Plaits at least to my ears :: Live take to 2 track, little heavy on the verb ::

Plaits Short Random

Experimental Monday

Join the challenge by going here: https://shorturl.at/bhBFQ

FrankH-The Distance and the Peace

FrankH

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