great elec piano sound- has that touch of distortion

@vert-hex:  Vert! thanks so much for the thoughtful comments. The arrangement did take some time.

Some cool effects. Feels anxious. Which i think is the story youre telling. Not easy-listening, but thought provoking.

Troubled music from an aching soul. Musically it's not my thing but still it touches me. You're making contact. Isn't it great what music can do? Besides this.... Your Wurlitzer electric piano sounds so much more convincing then most dull sample libraries do. You nailed the Wurlitzer!

The EP, brass and pad and wah rhythm really draw me in. Very nice what those do together. The echoey percs push me away. A somewhat odd experience. This here hint of orient is very nice, btw.

a very curious song.  could be a good soundtrack to the search.  I hope they're found.

I am totally getting FSOL vibes here so +1 just for this!

I enjoyed this.  A little mysterious kind of vibe to it....

Nice, searching arpeggiation, and conversation with the other elements

I'm digging the sounds you've got here as well as the various motifs. I feel like I want it to develop a bit more, but that's simply because I hear potential.

Favorite KVR One Synth OSC 169 Songs

I just released two ambient electronic tracks under my real name, Julien Guillot, on No Slack Records "Seasons 2022 (S/S)" compilation.

“Seasons 2022 (S/S)” is No Slack Records’ 5th installment of the biannual “Seasons” compilation series. For this year’s Spring/Summer release, artists from France, Japan, South Korea, Seattle, Toronto came together. The result is a whimsical electronic journey weaving analog ambience, heady bass and modular jams.

Jeremy Blake, a seattle based producer and musician, starts off the compilation with a somber electro-acoustic track. Then Japanese composer and contemporary artist Pollypraha (Takeyuki Hakozaki) retains the calmness flow with his ambient modular composition.

The third and seventh tracks are by French producer Julien Guillot aka Stazma. The tracks are like etudes in modular synthesis. The fourth track continues the experimental nature with “M0rph” by Livigesh, a South Korean producer and artist.

“Neverending Unrelenting Goodtimes” by Tornoto based electronic producer Dark Tapes takes the compilation into a dimension where it feels like one is in a traveling spaceship looking out the window.
Then the compilation continues with a heady bass track “MDTES101” by Seoul based producer Jeongjeon. The compilation closes with Flower Manson’s psychedelically leaning track “Grn.5”

Seasons 2022 (S/S)

Julien Guillot - Under a Strong Wind

Hello all,
This is my 2nd participation in OSC! To be honest, i had a lot of fun working on this one using (and exploring at the same time) kHs ONE synth by Kilohearts. 

You can use any sound from my presets in your future tracks.
All sounds were created using only kHs ONE by Kilohearts from scratch. No samples are used.
Khs Reverb is used on some channels. The rest of DSPs / effects are Absolutely Native (Renoise).
You have the right to use any sound/preset in your future submissions, tracks or anything else. They are FREE.
*Kilohearts and KVR can include my presets pack \ and-or my bank in their download packs without my permission.
*keeping the full name of the pack*
*This track will be released on my label (MEDIEVIL-MUSIC)
Majed Salih 2023© KL
https://linktr.ee/medievilmusic
License: CC BY-NC-ND 3.0

Download the project file & presets here :
https://drive.google.com/file/d/1ZM77tMugJMl1v0sDZ2oBcHYM0_E1qh7t/view


This track was made in Renoise DAW
For non Renoise users: please download the Renoise DAW from the official site : https://www.renoise.com 
Run the DAW in demo mode (or just purchase this Masterpiece!), and open my project file Majed Salih - SemitOne (OSC169 - kHs One).xrns
*You will need kHs One and Khs reverb installed on your PC. They are Free on https://kilohearts.com

Explication:
Drums & Stuff : 24 Instances
FX : 11 instances
Synth : 21 instances
Total : 56

Master channel line : HPF > Gainer > Mixer EQ > Bus Compressor > Gainer > HPF > Exciter >  EQ10 > LPF> Maximizer. (Renoise native)
Effects used on send channels : Khs Reverb

https://youtu.be/SsjAB7y3w4U
Cheers

Majedsalih2023

SemitOne

Majed Salih - SemitOne (OSC 169)

Time for a cheesy synthpop track. 
My submission for the One Synth Challenge No. 169, using kHs ONE as only sound source. All kHs plugins permitted.

DAW: Zrythm 1.0.0-beta.4.6.3 on Archlinux

33 instances of KHs ONE

Used kHs plugins (all freeware):
kHs-3-Band EQ
kHs Compressor
kHs Reverb
kHs Distortion
kHs Dual Delay
kHs Ring Mod
kHs Trance Gate

Further plugins (all free and open source):
clean-machine
LSP Parametric EQ
ZaMultiCompX2
Dragonfly Hall Reverb
airwindows Cabs
airwindows Slew2
ZaMaximX2
LSP Sidechain Compressor
Zrythm Highpass Filter

Master Bus:
LSP Parametric EQ
clean-machine
PeakEater
x42-dpl
EBU R128 Meter

Bouncing Hertz

ZioMau - Wet Shoes

I  HATE

【peter:H】【OSC169】I HATE

Here is my track for this month:

Track created for KVR One Synth Challelge OSC-169 using kilohearts kHsONE VST Synth.

kHsONE Tracks: x9

DAW: Presonus Studio One
VSTs: 
Presonus, Fat Channel, Pro EQ Room Reverb, Analog Delay, Beat Delay, Binaural Pan, Limiter
Melda: MTremolo, MSpectral Pan, MSaturator
Klanghelm IVG12

kHs Effects use only on percussion send:
Delay, Filter, Bitcrush, Dual Delay, Pitch Shift, Formant, 3 Band EQ, Limiter

FrankH - For Absent Friends; The Search

Made with 59 instances of kHs ONE. I wanted to create something evocative of taking my kids to see the sunrise for the first time. It is an incredible experience. The sheer power of the light and warmth hitting them was amazing to see. A true balance of beauty and power. I hope you enjoy  the tune.

Spotify: https://distrokid.com/hyperfollow/mmghost/analog-sunrise

Analog Sunrise

9 Zebralette, OTT, You Wa Shock, Bitwig convolution, Bitwig Limiter, TDR Nova. DAW: Bitwig OSC #191 Zebralette

The curious zebra

55ish instances of zebralette using Reaper 6.83

OTT, ReaLimit, LoudMax, TSOM's B&S, Supermassive Valhalla, Raum, A1TriggerGate, ReEQ, TDR Kotelnikov, Replika, Reaverb, A1StereoControl

LUFS-I = 11.1

The last 7 minutes are very slow ambient which isn't popular in OSC and of course it's long. Feel free to skip if that's a problem for you, although just to be clear, I love it. 

Thank you Jas (white noise), TSOM (cymbals), Exponent (exophase!) for sound design help.

OSC191 Forgotten Dream (Zebralette 6th)

Entry for One Synth Challenge 191 - U-he Zebralette 2

Made in Reaper using 39 instances of Zebralette 2 for 15 voice-split single layer instruments.
No 3rd party noises of any kind were involved. 
Light clean-up duties were performed at track level by TDR Nova.
A touch of snipping done by GClip and Flux Bittersweet on the drum.
Some delay was provided by HY-Delay 4 
Reverberation courtesy of U-he Protoverb and Valhalla Supermassive, 
with a little help from their friends:  HOFA System Pan, TDR Nova, A1 Stereo Control and JS Mixer.
Somewhat reluctantly living on the master bus are TDR Kotelnikov, A1 Stereo Control, Limiter No6, and Flux Bittersweet.

Looking At You

Progetto per un call for works per flauto e fixed media, abbandonato per difficoltà e dubbi riguardo la partitura del flauto. 
2 contrabassi, tape delay, e flauto (canale destro, tongue ram).


Project for a call for works for flute and fixed media, abandoned due to difficulties and doubts about the flute score. 
2 double basses, tape delay, and flute (right channel, tongue ram).

FIRST-Tongue Ram [disquiet0697]

Disquiet Junto Project 0698: Second Third
The Assignment: Record the second third of a trio.

I chose a track randomly from the lines thread last week and ended up with @xhg 's field recording (https://soundcloud.com/xhg/disquiet0697-sunday-morning-gardening).  All the sounds I used for the beat came from xhg's recording and I tried to take cues from it as well.  For example, I tried to match the steps in the middle section for the pace, 109BPM.  I used a resonator set to G# because the bell heard in the last third of the recording is roughly a G#.

Look what I Found in the Garden (Disquiet0698) (feat. xhg)

Moons of S (Buchla)

:: Live experimental eurorack composition limited to a few modules ::

George Crumb

:: getting close to Buchla territory here with Plaits at least to my ears :: Live take to 2 track, little heavy on the verb ::

Plaits Short Random

Experimental Monday

I have no degree in audio engineering but I learned through watching YouTube. I participate in the KVR One Synth Challenge. My first OSC was 169 which started on March 2023.

FrankH - For Absent Friends; The Search

FrankH

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