Name: FrankH - South Ponto Bounce by FrankH in One Synth Challenge #125: T-Force Alpha Plus 2 by Mastrcode Music
Duration: 2 min 22 s
Description: Synth Track for OSC125, using T-Force Alpha 2 VST synth.

This part is little cluttered. Not sure which instrumnet should be leading the track. Overall it is nice one.

Calm and relaxing piece with a little of improvisation. I like the stage and mix quality but don't forget about headroom. There is too much msical elements in the end that compete for attention.

Nice relaxing stuff you make with the synth sounds. I like the pads and the lead sounds, good luck in the challenge:)

Interesting melodies. Relaxing song. Feels a bit too improv, not very directed.

personally i would have liked a bit more connection between these sections. i always nitpick on transitions, feel free to disagree.

Fun bouncy track! I like the sounds, and the mix gives them all space. It feels loose, but that's no doubt the improv style you're going for!

One Synth Challenge #125: T-Force Alpha Plus 2 by Mastrcode Music

9 Zebralette, OTT, You Wa Shock, Bitwig convolution, Bitwig Limiter, TDR Nova. DAW: Bitwig OSC #191 Zebralette

Spring Goose - The curious zebra

55ish instances of zebralette using Reaper 6.83

OTT, ReaLimit, LoudMax, TSOM's B&S, Supermassive Valhalla, Raum, A1TriggerGate, ReEQ, TDR Kotelnikov, Replika, Reaverb, A1StereoControl

LUFS-I = 11.1

The last 7 minutes are very slow ambient which isn't popular in OSC and of course it's long. Feel free to skip if that's a problem for you, although just to be clear, I love it. 

Thank you Jas (white noise), TSOM (cymbals), Exponent (exophase!) for sound design help.

OSC191 Forgotten Dream (Zebralette 6th)

Entry for One Synth Challenge 191 - U-he Zebralette 2

Made in Reaper using 39 instances of Zebralette 2 for 15 voice-split single layer instruments.
No 3rd party noises of any kind were involved. 
Light clean-up duties were performed at track level by TDR Nova.
A touch of snipping done by GClip and Flux Bittersweet on the drum.
Some delay was provided by HY-Delay 4 
Reverberation courtesy of U-he Protoverb and Valhalla Supermassive, 
with a little help from their friends:  HOFA System Pan, TDR Nova, A1 Stereo Control and JS Mixer.
Somewhat reluctantly living on the master bus are TDR Kotelnikov, A1 Stereo Control, Limiter No6, and Flux Bittersweet.

Looking At You

Progetto per un call for works per flauto e fixed media, abbandonato per difficoltà e dubbi riguardo la partitura del flauto. 
2 contrabassi, tape delay, e flauto (canale destro, tongue ram).


Project for a call for works for flute and fixed media, abandoned due to difficulties and doubts about the flute score. 
2 double basses, tape delay, and flute (right channel, tongue ram).

FIRST-Tongue Ram [disquiet0697]

Disquiet Junto Project 0698: Second Third
The Assignment: Record the second third of a trio.

I chose a track randomly from the lines thread last week and ended up with @xhg 's field recording (https://soundcloud.com/xhg/disquiet0697-sunday-morning-gardening).  All the sounds I used for the beat came from xhg's recording and I tried to take cues from it as well.  For example, I tried to match the steps in the middle section for the pace, 109BPM.  I used a resonator set to G# because the bell heard in the last third of the recording is roughly a G#.

Look what I Found in the Garden (Disquiet0698) (feat. xhg)

A slow, laid-back funk groove with jazzy sax, clavinet, deep fender jazz bass, and abstract synth textures.
Smooth, atmospheric, and slightly cinematic — the kind of track that lives between a modal jam and a chill-out or lounge beat.

Performed by DD - clavinet, electric bass, abstract synth, drum program.
With Miguel Yanover - Tenor saxophone

For this @disquiet challenge:
https://llllllll.co/t/disquiet-junto-project-0720-one-from-two/

Golpe de Suerte - disquiet0720

An electronic sequence created using Pure Data with additional reverb and delay to produce two  levels, one with prominent sharp sounds and the other a fuzzy background with the impression of increased distance.

More on the 725th weekly Disquiet Junto project, Rack It — The Assignment: Change the “focus” of a track as it plays — at https://disquiet.com/0725/.

Sharp and Fuzzy (disquiet0725)

Moons of S (Buchla)

:: Live experimental eurorack composition limited to a few modules ::

George Crumb

Made for KVR OSC #125
FL Studio 20.0.5
13 instances of T-Force Alpha

DAW FX's:
3x Fruity parametric EQ 2
4x Maximus

Other FX's:
1x VST zOne Amplio 2
1x OrilRiver

Statistics:
Integrated loudness -14,7 LUFS
Max momentary loudness -9,1 LUFS
Max short-tem loudness -11,0 LUFS
Loudnes range 11,5 LU
True peak L -0.56db
True peak R -0.56db
DC offset L +0%
DC offset R +0%

Can't Stop Time (T-Force Alpha)

3lu5iv3 - 7859

OSC125

Psychorchestra

This is the track I made for the contest OSC no 125 by KVR. 
Rank : 7/25.

Image by Tracy Lundgren of Pixabay

Diaseïs - Sooner or Later (OSC #125)

This is my submission for KVRAudio's One Synth Challenge #125. I have used 11 instances of T-Force Alpha Plus 2 VST to create this track. FX used for the track composed mainly of built-in FX from the VST itself (except for the few 3rd party free VSTs). Details of the FX list given in the OSC thread in KVRAudio forum.

Celebration EP

Disco Damsel

:: getting close to Buchla territory here with Plaits at least to my ears :: Live take to 2 track, little heavy on the verb ::

Plaits Short Random

Synth Track for OSC125, using T-Force Alpha 2 VST synth.

FrankH - South Ponto Bounce

Join the challenge by going here: https://shorturl.at/bhBFQ

FrankH - South Ponto Bounce

FrankH

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