9 Zebralette, OTT, You Wa Shock, Bitwig convolution, Bitwig Limiter, TDR Nova. DAW: Bitwig OSC #191 Zebralette

The curious zebra

55ish instances of zebralette using Reaper 6.83

OTT, ReaLimit, LoudMax, TSOM's B&S, Supermassive Valhalla, Raum, A1TriggerGate, ReEQ, TDR Kotelnikov, Replika, Reaverb, A1StereoControl

LUFS-I = 11.1

The last 7 minutes are very slow ambient which isn't popular in OSC and of course it's long. Feel free to skip if that's a problem for you, although just to be clear, I love it. 

Thank you Jas (white noise), TSOM (cymbals), Exponent (exophase!) for sound design help.

OSC191 Forgotten Dream (Zebralette 6th)

Entry for One Synth Challenge 191 - U-he Zebralette 2

Made in Reaper using 39 instances of Zebralette 2 for 15 voice-split single layer instruments.
No 3rd party noises of any kind were involved. 
Light clean-up duties were performed at track level by TDR Nova.
A touch of snipping done by GClip and Flux Bittersweet on the drum.
Some delay was provided by HY-Delay 4 
Reverberation courtesy of U-he Protoverb and Valhalla Supermassive, 
with a little help from their friends:  HOFA System Pan, TDR Nova, A1 Stereo Control and JS Mixer.
Somewhat reluctantly living on the master bus are TDR Kotelnikov, A1 Stereo Control, Limiter No6, and Flux Bittersweet.

Looking At You

Progetto per un call for works per flauto e fixed media, abbandonato per difficoltà e dubbi riguardo la partitura del flauto. 
2 contrabassi, tape delay, e flauto (canale destro, tongue ram).


Project for a call for works for flute and fixed media, abandoned due to difficulties and doubts about the flute score. 
2 double basses, tape delay, and flute (right channel, tongue ram).

FIRST-Tongue Ram [disquiet0697]

Disquiet Junto Project 0698: Second Third
The Assignment: Record the second third of a trio.

I chose a track randomly from the lines thread last week and ended up with @xhg 's field recording (https://soundcloud.com/xhg/disquiet0697-sunday-morning-gardening).  All the sounds I used for the beat came from xhg's recording and I tried to take cues from it as well.  For example, I tried to match the steps in the middle section for the pace, 109BPM.  I used a resonator set to G# because the bell heard in the last third of the recording is roughly a G#.

Look what I Found in the Garden (Disquiet0698) (feat. xhg)

A track created for the Disquiet(0717) challenge. I've been wanting to do a piece centered around the text; "from the foregoing it can readily be seen", for some time. This project provided the inspiration and vehicle for this idea.

Track 1: Guitar
Track 2: Guitar Resampled

Track3: ipad synth Sunrizer
Track 4: ipad synth Monolit

Track 5: Voice reading of various permutations of the text

 More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/.



from the foregoing(Disquiet0717)

A slow, laid-back funk groove with jazzy sax, clavinet, deep fender jazz bass, and abstract synth textures.
Smooth, atmospheric, and slightly cinematic — the kind of track that lives between a modal jam and a chill-out or lounge beat.

Performed by DD - clavinet, electric bass, abstract synth, drum program.
With Miguel Yanover - Tenor saxophone

For this @disquiet challenge:
https://llllllll.co/t/disquiet-junto-project-0720-one-from-two/

Golpe de Suerte - disquiet0720

Moons of S (Buchla)

:: Live experimental eurorack composition limited to a few modules ::

George Crumb

:: getting close to Buchla territory here with Plaits at least to my ears :: Live take to 2 track, little heavy on the verb ::

from the foregoing(Disquiet0717)

FrankH

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