excellent! love this experimental free jazz vibe

Disquiet Junto Project 0714: Remix Yourself

The Assignment: Rework your own music as if someone else had.

Step 1: Think of a musician whose remix work you appreciate.

Step 2: Select a track of your own.

Step 3: Remix the track in Step 2 as if you were the musician in Step 1.

Deadline: Monday, September 8, 2025, 11:59pm (that is: just before midnight) wherever you are.

Details: disquiet.com/0714

Disquiet Junto Project 0714: Remix Yourself

9 Zebralette, OTT, You Wa Shock, Bitwig convolution, Bitwig Limiter, TDR Nova. DAW: Bitwig OSC #191 Zebralette

The curious zebra

55ish instances of zebralette using Reaper 6.83

OTT, ReaLimit, LoudMax, TSOM's B&S, Supermassive Valhalla, Raum, A1TriggerGate, ReEQ, TDR Kotelnikov, Replika, Reaverb, A1StereoControl

LUFS-I = 11.1

The last 7 minutes are very slow ambient which isn't popular in OSC and of course it's long. Feel free to skip if that's a problem for you, although just to be clear, I love it. 

Thank you Jas (white noise), TSOM (cymbals), Exponent (exophase!) for sound design help.

OSC191 Forgotten Dream (Zebralette 6th)

Entry for One Synth Challenge 191 - U-he Zebralette 2

Made in Reaper using 39 instances of Zebralette 2 for 15 voice-split single layer instruments.
No 3rd party noises of any kind were involved. 
Light clean-up duties were performed at track level by TDR Nova.
A touch of snipping done by GClip and Flux Bittersweet on the drum.
Some delay was provided by HY-Delay 4 
Reverberation courtesy of U-he Protoverb and Valhalla Supermassive, 
with a little help from their friends:  HOFA System Pan, TDR Nova, A1 Stereo Control and JS Mixer.
Somewhat reluctantly living on the master bus are TDR Kotelnikov, A1 Stereo Control, Limiter No6, and Flux Bittersweet.

Looking At You

Progetto per un call for works per flauto e fixed media, abbandonato per difficoltà e dubbi riguardo la partitura del flauto. 
2 contrabassi, tape delay, e flauto (canale destro, tongue ram).


Project for a call for works for flute and fixed media, abandoned due to difficulties and doubts about the flute score. 
2 double basses, tape delay, and flute (right channel, tongue ram).

FIRST-Tongue Ram [disquiet0697]

Disquiet Junto Project 0698: Second Third
The Assignment: Record the second third of a trio.

I chose a track randomly from the lines thread last week and ended up with @xhg 's field recording (https://soundcloud.com/xhg/disquiet0697-sunday-morning-gardening).  All the sounds I used for the beat came from xhg's recording and I tried to take cues from it as well.  For example, I tried to match the steps in the middle section for the pace, 109BPM.  I used a resonator set to G# because the bell heard in the last third of the recording is roughly a G#.

Look what I Found in the Garden (Disquiet0698) (feat. xhg)

"And that's how I returned drone music to its rightful place in the discotheque."

Disquiet Junto 714 dared me to take a song I'd made before and create a remix from someone else's perspective. I had the idea to start with a lovely drone I did when I first got the vintage rackmount Yamaha TX-802. I didn't have any particular remix artist in mind for this, just more or less gave myself permission to play and explore and try to transform a monotonal piece into something you can dance to. 

In addition to the Yamaha, this piece features the rich bass of a Moog Minitaur and the irresistible bump of a Roland TR-08 drum machine.

More on the 714th weekly Disquiet Junto project, Remix Yourself — The Assignment: Rework your own music as if someone else had — at disquiet.com/0714/.

Drone in F (Club Mix) (disquiet0714)

More on the 714th weekly Disquiet Junto project, Remix Yourself — The Assignment: Rework your own music as if someone else had — at https://disquiet.com/0714/.

disquiet0714 - 060

Bytecode Love [disquiet0714]

Low End Hypothesis(aeremix)3 --disquiet0714

I pulled in a recording of a jam oriented free jazz trio I had around 1990. I remixed the jam on my ipad using Koala sampler app. 

More on the 714th weekly Disquiet Junto project, Remix Yourself — The Assignment: Rework your own music as if someone else had — at https://disquiet.com/0714/.

KTG Yerba Mate Session Remix Disquiet(0714)

A slow, laid-back funk groove with jazzy sax, clavinet, deep fender jazz bass, and abstract synth textures.
Smooth, atmospheric, and slightly cinematic — the kind of track that lives between a modal jam and a chill-out or lounge beat.

Performed by DD - clavinet, electric bass, abstract synth, drum program.
With Miguel Yanover - Tenor saxophone

For this @disquiet challenge:
https://llllllll.co/t/disquiet-junto-project-0720-one-from-two/

Golpe de Suerte - disquiet0720

Moons of S (Buchla)

:: Live experimental eurorack composition limited to a few modules ::

George Crumb

:: getting close to Buchla territory here with Plaits at least to my ears :: Live take to 2 track, little heavy on the verb ::

Plaits Short Random

Experimental Monday

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

KTG Yerba Mate Session Remix Disquiet(0714)

FrankH

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