Sample track from the up-coming EP “One question though: How do you deal with Temperamental gear in live situation”
5) Something Big: (slight return): A further exploration of Charlotte Hatherley song (Hendrix style)

5) Something big (slight return)

Sample track from the up-coming EP “One question though: How do you deal with Temperamental gear in live situation”
4) The sad ballad Pecos Bill: is dedicated to the American play-write Sam shepard who passed away in late July 2017

4) The sad ballad of Pecos Bill

Sample track from the up-coming EP “One question though: How do you deal with Temperamental gear in live situation”
3) The return of the son of Splattercell: David Torn is one of my favourite guitarist and I wanted to reconstitute this Sonic collage tradition he introduced in the eighties

3) The return of the son of splattercell

Sample track from the up-coming EP “One question though: How do you deal with Temperamental gear in live situation”
2) Something big middle8: Written by Charlotte Hatherley. My two nieces introduced me to this artist and I’ve become a fan since

2) Something big middle8

Sample track from the up-coming EP “One question though: How do you deal with Temperamental gear in live situation”
1) O.A.C (Open Air Cathedral): One of my Bucket list thing to do is to trek to the Yorkshire countryside (UK) and visit as many Churches in this part of the world.

1) O.A.C (Open Air Cathedral)

Fantasia is a work exploring the geographical/physical experience of a sound travelling in and out from 3 different units (the cimbalom, the solo viola & contrabass soloists and the string ensemble) all that treated by a computer quasi splattering/fragmenting harmonic frames that would not complement some lyrical statements but break them “live” like a “light seen thru the contrapuntal web of broken mirrors”.
Fantasia is part of an Opera I am meant to write (providing solicited fund) 
about Lemmy (yes folks, you read it well -the Motörhead bass player-) Lemmy Kilmister coming back on earth as a hired hand Soul Chaser rounding up on rambling #ill-repute-rock-misfits to be processed in that South Californian prison camp call “The purgatoire”. 
The working title is The Savage Years

Fantasia for Cimbalom, Strings & Electronic

Fantasia (cimbalom,solo viola, solo contrabasse, String ensemble & Electronics)

Spaced cowboys on 'lude for Chamber orchestra 
1/1/1/1 - 1/1/1/0  *Percussion  Harp  Strings

Spaced cowboys on ‘ludes. This piece is part of a tetralogy reflecting on us as citizen, reacting with outrage, brutality and despondency at being left behind by our respective country economic boom and the nefarious effect of globalisation tainting our sociological, cultural and emotional consciousness.
The “Global Village” values that we strived for in the 80 turned us into unforgiving, mean spirited/parochial entities. 
The working title for this suite is “Give this man a fiddle while Rome burns”

Spaced cowboys on 'lude is dedicated to Richard Grant (Great writer about the Real America) 
'It takes sometime someone from the outer to make us see our inner'

Spaced cowboy on 'lude

Spaced cowboys on 'ludes

Windows & Canopies consists of an electric vibraphone, a Max msp audio and sound manipulative programme and myself (Phil). It might expand to something else later, but I am just happy to leave this as a trio exploring the many capabilities of interaction between electro- acoustic instrument & computerised electronics.
Any information: tphonikmusic@aol.com or with tweeter @muttertraum