First Track of the upcoming "Atlantic Bar" Tape by Walls & Birds to be released on Sunday the 29th of September.
Get the full Tape here or send an email to wallsandbirds@googlemail.com
https://wallsandbirds.bandcamp.com/album/atlantic-bar

Nothing At All   [Single Edit]

Excerpt from the memorial concert "440cps", performed and recorded live on Buchla 200e by Kai Niggemann for the annual commemoration of the deportation and subsequent murdering of 440 patients of the psychiatric clinic by the German Nazis in 1940-41.

440cps (excerpt)

See music video here: https://vimeo.com/manage/videos/724238480

The music & video are part of the installation "Becoming indigenous to place" by Lucie Schroeder and Britney Always which is inspired by Robin Wall Kimmerer.

Best is to listen to it with headphones.

Exhibited at "Carbonale" group exhibition, Galerie 21 im Vorwerk-Stift Hamburg, June 2022.

I'll be your goosebumps

You’d be forgiven for not knowing the newest addition to the slowly expanding Claremont 56 roster. You see, there’s been no recorded output from German combo Bambi Davidson since the release of their largely overlooked “minimal post-rock” debut album, El Faco, in 2000. Until now, that is.

Following the release of their debut set, founder members Robin van Velzen (guitar/vocals) and Hans Christian Fuss (drums) became frustrated with their lot. Bored with “rocking out” as a two-piece, they decided to start inviting other musicians to join them on stage. That meant that each performance was unique, with new tunes – often improvised on the spot – being developed for, or at, every gig.

It’s an approach that frequently paid dividends. One particular collaborative gig, with Mountaineer) and Sofia Fuss, went so well that both were asked to become permanent members of the band.

into the studio to record a new album, some 15 years after they’d recorded their debut. As you’d expect with a new line-up, things are a bit different this time round. Whereas El Flaco was a stripped-back affair with most tracks featuring just guitar, drums and vocals, Bambi Davidson features additional bass, electronics and keys provided by Frank and Sophia. The result is an expansive but atmospheric album built around sensual, undulating production.

Often magical and always immersive, the six tracks that make up Bambi Davidson are delightfully contrary. While pleasingly accessible and capable of inducing broad smiles on on each listen. This is particularly true of “Foxhunting” – reminiscent of fellow Claremont 56 with Van Velzen’s weary, emotional vocals riding a wave of vibrant colours. Hazy, intoxicating and evocative, it sounds like a horizontal anthem in the making.

There are plenty of other highlights, too, from the hypnotic, pitched-down dub-disco-meets- touchy-feely rhythms and stargazing chords of “Hubble”, the four-piece’s most intergalactic cut yet. Give it time, and we guarantee that you’ll fall in love with Bambi Davidson as much as we have.

Brunswick

"Sighs Over Sunday" from "Lambarene Schweitzer", 1993. 
(Ceddia/Night & Day)

Francis Bebey - Sighs Over Sunday

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I'll be your goosebumps

Britney Always

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