how the hell did you come up with the title ? another gem

it's a beautiful thing to translate what you see into music 🎶 🙌🏾💯🫵🏾

great piano intro and progression cool🔥✊🔥✊🔥✊💥⭐💥⭐💥⭐💥✨💯✨⚘👏🏼👏🏼👏🏼

Lovely Track ~ ~ & Love that Snare Tone Jeffrey !! :-)

Related tracks: Digitized Horizon

Here's another one of the demos I made with Garageband in 2016.

Alone  (Demo 2016)

Sinister Serenade begins with a haunting minor feel, immediately setting a tone of melancholy and quiet despair. The track features a combination of electric guitar, ukulele, subbass, claps, choral pads, Rhodes piano, and additional piano layers, creating a rich but sorrowful soundscape.

At a tempo of 105.63 BPM and in 4/4 time, the track moves steadily, evoking the image of walking through cold, rain-soaked streets of New York on an autumn night. The third section of the piece introduces a cool arpeggiated guitar figure, panned to create a sense of movement and depth. Although the track maintains a single, melancholy emotion throughout, a shift in the middle introduces a hint of something more sinister, with subtle magical harmonies lifting the mood before returning to the somber melody.

The longing melody, which bookends the track, reinforces the feeling of solitude and contemplation, making Sinister Serenade an ideal choice for cinematic scenes that require a blend of sadness, quiet tension, and a touch of the supernatural.

Sinister Serenade

Cosmic Daydream

There Goes Henry

------------------------------------------------------------------------
YouTube: https://youtu.be/oNJl2vR3dFo?si=owR-oASIR0hgO5KQ
Spotify: https://open.spotify.com/intl-de/track/2YLsws0BSKPgc8h8kZhm3f?si=659c733417cd4699
Amazon: https://amazon.de/music/player/albums/B0DPR996BF?marketplaceId=A1PA6795UKMFR9&musicTerritory=DE&ref=dm_sh_QCsbdddXT2xLmpcU1npfNL8z8
Apple: https://music.apple.com/de/album/fl%C3%BCgel-aus-schatten-single/1784235044
------------------------------------------------------------------------
Lyrik: (The English translation is below the German lyrics)

Durch verschlung'ne Labyrinthe
(ziehen wir)
Ziehen wir mit müden Schritten
(ziehen wir, ziehen wir)
Graue Wolken, stumme Wächter
Thronen über uns'rer Mitte
(über uns'rer Mitte)

Doch tief in uns'rem Herzen
(tief in uns'rem Herzen)
Glimmt ein Licht das niemals verlischt
(niemals verlischt)

Wir fliegen weiter
Durch jeden Sturm
(durch jeden Sturm)
Was uns einst zerbrach
Wird heute Kraft
Gemeinsam heben wir uns empor
Über Schatten und Nacht

Türen fallen zu, Stürme toben
Nichts bleibt greifbar, alles verändert sich
(nichts ist beständig)
Doch wer Hoffnung trägt im Herzen
Findet Wege, wird lebendig
(wird lebendig)

In der dunkelsten der Stunden
(dunkelsten der Stunden)

Als die Flügel uns zerbrachen
(Flügel uns zerbrachen)

Hab' ich deine Stimme gefunden
Die mich trägt bis zum Erwachen

Wir fliegen höher
Als je zuvor
(als je zuvor)
Verbindet nun
Gemeinsam schreiben wir uns're Zukunft neu
Mit Zuversicht und Mut

Und aus den Schatten
wachsen Flügel
(wachsen Flügel)
Die uns tragen durch die Zeit
(durch die Zeit)
Bis in die Ewigkeit


English translation:
Through winding labyrinths
(we move)
We move with tired steps
(we move, we move)
Gray clouds, silent sentinels
Throne above our midst
(above our midst)

But deep within our hearts
(deep within our hearts)
Glows a light that never goes out
(never goes out)

We will fly on
Through every storm
(through every storm)
What once broke us
Today becomes strength
Together we lift ourselves up
Beyond shadows and night

Doors close, storms rage
Nothing remains, everything changes
(nothing is constant)
But those who carry hope in their hearts
Find ways, come alive
(come alive)

In the darkest of hours
(darkest of hours)

When us the wings broke
(the wings broke)

I found your voice
That carries me until awakening

We fly higher
Than ever before
(than ever before)
Now we connect
Together we rewrite our future
With confidence and courage

And out of the shadows
we grow wings
(we grow wings)
That carry us through time
(through time)
Into eternity

Flügel aus Schatten

GRIEVING HEART


Grieving heart – I took the part of a dog lost in the woods
Grieving heart – tethered to the bushes and crying out all I could
I shed the pain, sheltered the shame and moved from where I stoodTo where suffering is just a word, to fly is for the birds and what I understood
My grieving heart wasn’t doing me any good



Grieving heart – it’s time to start beating like you should
Grieving heart – pounded into submission by making it on foot
I took the blame, got rid of the chains that kept me from living right
I took stock of it all, stopped it from a fall and saw within my sight, my grieving heart said enough with this fight


Grieving heart, grieving heart, grieving heart, grieving heart


You’ve got a lot of nerve, to put me on that curve and take me so off course
Now I’m back with a plan, you’re not gonna stand in the way of my force
My grieving heart said to feel no remorse
Grieving heart, grieving heart, grieving heart, grieving heart

Grieving Heart

Peace

Brand new track by STA and the last for 2024. Enjoy this instrumental Synthwave retrowave track and wishing u a great Happy New Year!

Taken from my upcoming full length synthwave album (2025) that will be called "Ultraviolet Cosmos".

Youtube: https://youtu.be/dVYJo3nVTPw

#2025 #happynewyear #Digitizedhorizon #synthwave #retrowave #synthwave
#retrowave
#outrun
#darkwave
#cyberpunk
#80s
#80sMusic
#retrowavemusic
#synthwavemusic
#newretrowave
#futurefunk
#synthwavebeats
#retrowavevibes
#synthwavemusic
#retrowavemusic
#synthwave2024
#synthwavemix
#synthwaveradio
#synthwaveforgamers
#synthwaveforstudy
#synthwavedriving
#synthwavecyberpunk
#retrowavemovies
#bestsynthwave
#newsynthwave
#synthwaverelax
#synthwaveworkout

Digitized Horizon

I hope your new Year will be full of opportunities, and that you'll miss just a few ;)
Happy New Year!

Guitar by Gideon.

I Hope That I Don't Fall In Love With You (Tom Waits - Giddy And Rob Jam)

Mats Demotape

Alla dagar. ( 1994 ) Eddy Mango - Margareta Theorin ( Eddy )

Composition and Sampling collage by Synline.

Let's Talk About Love

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

This is the only live-recorded ballad I can put up here from the first album of Stytz Syndicate.
Line Up:
Stytz                             : guitar/leadvocals
Michael Roth                : harmonicas/vocals
Günther Reger             : saxophone/vocals
Claus Wengenmayr     : keyboards/vocals
Benno Richter              : bass
Jörg Schäfer                : drums
Lyrics                            : Pee Gee
Album Cover-Painting : Joachim Scheffler

Many people in the audience that night became teary-eyed hearing this song. 
The band gave it their absolute best and Stytz sang with heartbreaking intensity.

Thinkin´of the years we spent
Together...you and me
Goin´thru a constant change of ups and downs
I remember when we fell in love
A world full of colors surrounding us
We were happy all the time

It´s so hard to bear when words get in the way
So hard to bear when nothing`s left to say
So hard to say ...I´m sorry, it´s too late
I just fail to understand why
Our love´s come to an end

So afraid of losin you
I made a big mistake
But I know I have to realize
The feelings are gone
I can never change your mind
You made your own decision
Tryin´to find a way 
Leadin` back to yourself

It´s so hard to bear when words get in the way
So hard to bear when nothing´s left to say
So hard to say...I´m sorry it´s too late
I just fail to understand why
Our love´s come to an end

Our Love´s Come To An End ,  Stytz Syndicate

DRUMAX PROJECT proudly present track 60 ... nomen est omen :-)
@joerxworx > Composition, Instruments, Arrangement, Alto Saxophone
@docfritz > Rhythm Design, High Energy Drums & Ethnic Percussion, Artwork
© 2025 by joerxworx and docfritz / DRUMAX PROJECT

DRUMAX // THE SIXTIETH

special thanks for their acapella to : Ashes and Dreams
Additional voice " On sight"  thanks to :  Deadbitctrosa.....

Lyrics : 
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

You got jump-scared so bad in your waking hours
You thought you were seeing stars
The truth sure likes to sneak up on you

Gonna see it, gonna see it, gonna see it, gonna see it
Gonna hear it, hear it
Only when you’re not listening

Gonna hear it, gonna hear it, gonna hear it, gonna hear it
Gonna see it, see it
Only when you’re not looking

It’s the same from Winnipeg to California
Punishing your intuition in the corner
It’s the same from Winnipeg to California
Punishing our intuition in the corner

The clue stuck to the bottom of a shoe
The mud trail she tracked through the living room
Told you what you already knew

The truth
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

THE TRUTH. 🎧. Feat  Ashes and Dreams

Recording sessions from 09-03-2025 - 19-03-2025
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
Read 🎹🎹🎹  FOR THE CURIOUS
What did I play this with?
A very complex VST to use, but truly amazing... once you understand the method. You also need a very good ear.
DISCOVER THIS INSTRUMENT  (🇫🇷 🇬🇧): www.semantic-danielou.com/fr/ 
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork : Pier WILL
- Acknowledgements : Ableton-AKG-Arturia-Audacity-Cantabile-Focusrite
  Korg-M-Audio-MSI-Sony-SoundCloud-Teac-Techniks-Yamaha.
________________________________________________________________________


#Ambient #Movies #Experimental

░░curiosity░░

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

These songs are from the heart.  A human heart.  I love this platform for finding new experimental work. So much awesome work here and wonderful people. My songs can be downloaded at https://jeffreygeorge.bandcamp.com/

There Goes Henry

Jeffrey George

Recent comments

Blackbird

Donna Dior

user281981355 JOE D

Jeffrey George

Related tracks