Nice flip bro. Killer switch up. Well done

UA456: XFA - III [LP] Ambiente & Glitch, Experimental Electronic Music.
Dark Energy Bright Motion. 22 Tracks Inc.
The release took place on 10/10/2022. whoever you like, do not forget to support and like. add an unusual atmosphere to your daily routine. when listening it, your can be energized!) and thought processes!)
https://www.junodownload.com/products/xfa-iii-lp/5392295-02/
https://www.beatport.com/release/iii-lp/3590439
https://open.spotify.com/album/5nANDNgLHblCyQApIGCPSi

Releases By XFA on Universe:Axiom [Glitch\IDM\Ambiente\Experimental]
playlist on spotify https://open.spotify.com/playlist/2KGgNCRAYsRRRf6ClKknhz

XFA - TRL.ND.RRR release by label [Universe:Axiom]
buy&grab tracks in wav\mp3
https://www.beatport.com/release/trl-nd-rrr-lp/2812366
https://www.junodownload.com/products/xfa-trl-nd-rrr-lp/4406022-02/
https://www.amazon.com/TRL-ND-RRR-LP-XFA/dp/B0834JS2KG/ref=sr_1_1
https://music.apple.com/us/album/trl-nd-rrr-lp/1492881049
listen album online\stream
https://vk.com/music/album/-2000577059_6577059_055774f2ee4af03d80
https://play.google.com/store/music/album/XFA_TRL_ND_RRR_LP?id=Bobfbyzvnaw4az5tzelg6idofh4
https://music.yandex.ru/album/9710567
https://open.spotify.com/album/4JqRlsoUeoxPXgomAxj1cY
https://www.deezer.com/ru/album/125038032
https://www.youtube.com/playlist?list=OLAK5uy_mI9khIp81Chk1VWVmEI_I0kO17vXbTvDk

XFA.MMXVIII.X.I.GRS.MNK
buy&grab tracks in wav\mp3
https://www.beatport.com/release/mmxviii-x-i-grs-mnk/2848237
https://www.junodownload.com/products/xfa-mmxviii-x-i-grs-mnk/4459402-02/
https://www.amazon.com/MMXVIII-X-I-GRS-MNK-Original-Mix/dp/B084F4QXM2/ref=sr_1_3
https://music.apple.com/us/album/mmxviii-x-i-grs-mnk-single/1497441884
listen album online\stream
https://vk.com/music/album/-2000836558_6836558
https://music.yandex.ru/album/10045092/track/63244235
https://open.spotify.com/album/73YPMgTy3aCgkEggdFj5LZ
https://www.deezer.com/ru/album/130777812
https://www.youtube.com/watch?v=918FVzeJVaY

XFA.XCSS.DSRS
buy&grab tracks in wav\mp3
https://www.beatport.com/release/xcss-dsrs-lp/2983092
https://www.junodownload.com/search/?q%5Ball%5D%5B%5D=XCSS.DSRS&solrorder=relevancy
https://www.amazon.com/XCSS-DSRS-Lp-XFA/dp/B0893L5YNJ/ref=sr_1_1
https://music.apple.com/us/album/xcss-dsrs-lp/1514436272

XFA.MMXX.IV.VIII.SLPVR
buy&grab tracks in wav\mp3
https://www.beatport.com/release/mmxx-iv-viii-slpvr/3093486
https://www.junodownload.com/products/xfa-mmxx-iv-viii-slpvr/4740033-02/
https://www.amazon.com/MMXX-IV-VIII-SLPVR-Original-Mix/dp/B08GYQ125N/ref=sr_1_1
https://music.apple.com/us/album/mmxx-iv-viii-slpvr/1527840783

MMXXIXXXXVNVR

Lossless

Cette pièce est née d’une prise de son réalisée près de Fontainebleau la nuit, le long d’un lac. Je pense que c’est mon meilleur concert de musique spatialisée. Les batraciens enveloppaient, dilataient l’espace, y composaient des mélodies aux rythmiques insaisissables. Jusqu’à ce moment où une voiture est passée en trombe. Cataclysme motorisé, bruit vif et blanc, affaissant le lieu, le moment, les chants.

A propos de la présence de Noam Chomsky, voici une piste :
« I suppose frogs pay no attention to being frogs. They take it for granted. What interests a frog are differences among frogs. From our point of view they are more or less the same, from their point of view they are all radically different. »
Noam Chomasky

-------------

Prises de son réalisées entre 2019 et 2022 près de Fontainebleau, au Moulin, ainsi qu’en Bretagne près de Pont Château. 

Interviews en ligne de Noam Chomsky
Modèle de l’abbateuse : Komatsu 951

Fini de composer en Avril 2022.

Frogs

248 The Truth Teaching


The whole package of samples is randomly arranged into 15 tracks several times.

Each track has a chain of effects that works in real time. Random S&H velocity and depth parameters are assigned to the parameters of the five LFOs.

They control the parameters of the effects as well as the increasing volume.

In such an environment, despite the presence of all samples, not every sound gets a chance to sound, and the resonator and granulator change the sound beyond recognition.

fonbient.ru
fonbient.bandcamp.com
vk.com/fonbient
t.me/fonbient




Suchovik Sergey - Experiment 4 - Random Volume / Granula / Feedback effects

Pariah Rebel - #265

Marco Lucchi : electric organ and tape

9 febbraio 2023

questa è la mia personale interpretazione del "Four organs" di Steve Reich .. non la considero una versione definitiva, ma giusto un primo approccio, un tentativo .. se qualcuno è interessato a condividere con me il piacere di lavorare su quel bellissimo pezzo mi faccia sapere .. sono ben accetti sia rielaborazioni che parti vocali o strumentali da aggiungere .. su Bandcamp, in forma di 'bonus track', trovate anche il brano originale
https://marcolucchi.bandcamp.com/album/notre-dame

***

Four Organs is composed exclusively of the gradual augmentation (lengthening) of individual tones within a single (dominant 11th) chord. The tones within the chord gradually extend out like a sort of horizontal bar graph in time. As the chord stretches out, slowly resolving to the tonic A and then gradually changing back to the dominant E, a sort of slow-motion music is created. The maracas lay down a steady time grid of even eighth-notes throughout, enabling the performers to play together while mentally counting up to as much as 256 beats on a given cycle of sustained tones.


Four Organs is the only piece I am aware of that is composed exclusively of the gradual augmentation of individual tones within a single chord. From the beginning to the end there are no changes of pitch or timbre; all changes are rhythmic and simply consist of gradually increasing durations. This process of augmentation was suggested by the enormous elongation of individual tenor notes in Organum as composed by Perotin and others in the twelfth and thirteenth centuries in Paris at Notre Dame Cathedral. Tenor notes that in the original chant may have been equivalent to our quarter- or half-notes can take several pages of tied whole-notes when augmented by Perotin or Leonin.


Four Organs was composed in January 1970. It was first performed at the Guggenheim Museum in New York City by myself and members of my own ensemble later that same year. It also turned out to be one of my first pieces to be heard by a large concert-going public when Michael Tilson Thomas invited me to perform it with him and members of the Boston Symphony Orchestra in Boston in 1971 and at Carnegie Hall in 1973, where it provoked a riot.


—Steve Reich

248 The Truth Teaching

Sir-Yu

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