Faiz Ahmed Faiz

Abida Parveen - Tujh Lab Ki Sifat Lal e Badakhshan

Artist - Ustad Abdullah
Instrument - Shehnaee
Raag - Puriya Kaliyan (Thaat Maarva)

Created & Produced by: Saif Samejo

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Ustad Abdullah - Shehnaee - Puriya Kaliyan - Lahooti Live Session

E-Taranum Noor Jehan) Faiz Ahmed Faiz

Tina Sani 

Aap ki yaad aatee rahee raat bhar
Chashm-e-nam muskaratee rahee raat bhar
The night was haunted by your memories
And my teary eyes smiled all night long

Raat bhar dard ki shamma jaltee rahee
Gham ki lau thartharatee rahee raat bhar
The candles of pain kept the night awake
And the flames of sadness kept flickering all night long

Bansuri ki surilee suhanee sada
Yaad ban ban kay aatee rahi raat bhar
Ah, the sweet soulful yearning of the flute
Kept tugging at my memories all night long

Yaad kay chaand dil mein utartay rahay
Chandni jagmagatee rahi raat bhar
As the moons of a memory would set in my heart
The moonlight kept shining like a beacon all night long

Koi dewaana galiyon mein phirta raha
Koi aawaz aati rahi raat bhar
A forelorn lover kept wandering the streets
And a voice could well be heard all night long

“Aap ki yaad aati rahi raat bhar”
Chaandni dil dukhaati rahi raat bhar
The night was haunted by your memories
And the moonlights made my heart bleed all night long

Gaah jalti hui, gaah bujhti hui
shamm-e-gham jhilmilaati rahi raat bhar
Restlessly, it flickered at times, at times it didn’t
The flame of sadness kept shining all night long

Koi khushboo badalti rahi pairahan
koi tasveer gaati rahi raat bhar
A fragrance kept changing its body all night
And a portrait kept singing all night long

Phir sabaa saaya-e-shaakh-e-gul ke talay
koi qissa sunaati rahi raat bhar
And again, in the shades of blossomed tree
A gentle breeze narrated some tales  all night long

Jo na aaya use koi zanjeer-e-dar
har sadaa par bulaati rahi raat bhar
The chains of the courtyard, with every call,
Sought him, who did not turn up, all night long

Ek ummeed se dil behalta raha
Ek tamanna sataati rahi raat bhar
A hope kept my heart at bay
And a desire kept burning within all night long



Aap Ki Yaad Aati Rahi Raat Bhar Chandani ( Tina Sani ) - Faiz Ahmed Faiz

Besides their message of love and harmony, Shah’s poetry and music compositions have always been popular among Sindh’s old and young.

The tradition of Faqirs singing at the shrine is 300-year old. They sing Shah’s verses to the accompaniment of Tambooro (a variation of an Arabic stringed instrument, invented by Shah Latif) almost round the clock.

There are 80 Faqirs who sing in 14 groups with each group assigned a day or a night.

A singing session usually starts with Sur Kalyan, opening chapter of Shah jo Risalo, the anthology of Shah Latif, flowed by other Surs, according to time of the day and season.

In monsoon, Sur Sarang (the rain raga) is sung and on the 14th night of a lunar month, Sur Khambhat is sung. Shah addresses moon in Sur Khambhat as he praises the beauty of his beloved and narrates the pain of separation.

In the middle of the session comes Sur Suhni with a particular prayer called Suhni ji Dua.

The popular Sur Rano is sung at late night and the session comes ends with Sur Marui early in the morning.

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A collection of Faiz Ahmed Faiz's ghazals, sung /recited by artists such as Noor Jehan, Mehdi Hasan, Iqbal Bano, Nayyara Noor, Tina Sani, Farida Khanum and Faiz himself.

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