Dave Jackson and the Cathedral Mountaineers perform a sweet guitar and keyboard led lament - 'My airship's aloft. Beneath, only drop.' 

Airship

Jekyll and Hyde style drug fiend dances through Victorian London, accompanied by his pet Ape and wielding his dragon-headed cane.
'I dance a polka through the London fog - high on my serum like some two-dicked dog.'

Dragon - Headed Cane

Ride the wild endless tide. Greet the sun at each turning. Gazing down on the stars. Staring up at the sea. Take the Palliative Kiss. Ride the wild endless tide.

No more ceilings or floors. Stretching out in your fever.
Lost in time lost in space. Breathing Sedative Bliss.
Greet the dark at each turn. Ride the wild endless tide.

Wild Endless Tide

The Big 'O' meets the Velvets inspired Profane song, reimagined with the Cathedral Mountain Choir - 'For where she walks the pavement talks in tongues beneath her feet.'

Perfect Girl.

'Where are the elfin girls - Bacardi Breezers. Where now their sticky smiles - eyebrow tweezers.' 

Ladyfriend

Dave Jackson and the Cathedral Mountaineers reinvent a Benny Profane classic. 'Like a stiff on the tide, he washed in with his halo of flies.'  

Devil Laughing

'It is not salt I wish to burn, but my beloved's head to turn.' 
Having seduced the Mother by stealing her Mojo hand, a Saltspell Man swaps their first born for a Changeling girl.

Saltspell Man

The new album 'Red Fin Sunset' contains six new songs and five re-imagined ‘covers’ of Benny Profane classics, all stripped back to the atmospheric, two guitars, no drums mood of the previous album but making wider use of heavenly choir and keyboard textures to create a more expansive sound. The songs give prominent place to vocals and continue in the storytelling vein of yore: 