Gabber Modus Operandi - PUXXXIMAXXX (2021 Reissue)
Cat. Nr: DN018
Format: LP (splatter)/ DL
Remastered & incl. 3 exclusive bonus tracks - first time on vinyl!
Release Date: 19 March 2021
Buy / stream: dansenoire.ffm.to/PUXXXIMAXXX

You could call Gabber Modus Operandi’s PUXXXIMAXXX LP a ‘scene-defining’ record. That’s except there’s no real ‘scene’ to speak of where the DIY electronic duo come from, deep in the belly of the neo-colonial beast of Bali—an island province of Indonesia where tourism is its biggest industry, mainstream house and techno its musical staple. “Bali is like an Australian backyard for some people,” jokes Ican Harem about the capital of Denpasar where they both live, just a four-hour flight from Perth. “It’s basically like when you go to Ibiza. Those are the sounds, that’s the kind of the people, that’s how they dress up, that’s how they dance.”

Otherwise known by the project’s GMO initialism, Harem and DJ Kasimyn (aka Aditya Surya Taruna) first released PUXXXIMAXXX on influential Yogyakarta label Yes No Wave in 2018, before performing the Javan capital’s Nusasonic festival that same year. It takes its title from their original name that is a play on an unmentionable curse word, and it’s the result of a clusterfuck of influences that blew up with access to the internet in Indonesia, enabled by cheap Chinese smartphones in the mid-2010s. “Now, all the content that we posted in social media basically came from this layer,” says Kas about this new medium for cultural expression across the country’s diverse and disconnected archipelago—a girl in a remote village dances on Tik Tok, construction workers play act while on the job. “This is like the amazing channel where they make their own content. They make these absurd jokes—like, local jokes. They just celebrate it. I don’t think they think about making content. They just want to record shit, but it’s kind of an explosion of this amazing and beautiful thing; of people crossing the Island and then showing them, ‘Oh, basically behind my house, there is a traditional party where people get possessed by a tiger’.”
From the derivative metal, punk and rock influences of the country’s first ‘indie explosion’ to the ‘lowbrow’ pop and local dance music hybrids of funkot and dangdut koplo, PUXXXIMAXXX is a brilliantly chaotic pastiche. It references breakcore and gabber while framed by traditional gamelan pentatonic scales. There’s the high-pitched trumpet opener of Sangkakala I and the ritualistic beat and looped vocal samples of Hey Nafsu, along with a fascinating montage of the Javanese jathilan possession dance for their wildly popular Dosa Besar music video. “If you think we’re doing ritualistic stuff, or playing gamelan, we’re not,” adds Kas. “We are around that area but at the same time, we also listen to Prodigy.”

GMO’s speculative Indonesian rave is infectious. It’s been dubbed ‘post-alay’ by the duo in tribute to the cheesy cultural phenomenon of the suburban teenager and has since caught on worldwide. Follow-up EP HOXXXYA was released on Shanghai label SVBKVLT in 2019, earning the band slots at CTM Berlin, Kampala’s Nyege Nyege Festival and performances in China with Asian Dope Boys. This is a level of recognition that’s well-deserved for a sound that snubs the western canon in favour of a hybrid post-colonial sound that’s pure imagination. “We just kind of like suck that energy that, actually people kind of enjoy their identity,” says Kas. “Especially the people not from the big city, because people from big cities, they always want to have confirmation from the West. Like, ‘I would love to play techno, and then play in Berghain in Berlin and LA’, that kind of stuff. But there is a layer that people don’t give a shit about that, they just want to have fun.”

Remastered by Beau Thomas
Design by Teknovoid & Niels Wehrspann
PUXXXIMAXX was originally released by Yes No Wave

@gabbermodusoperandi

PUXXXIMAXXX (2021 Reissue)

buy / stream

Gabber Modus Operandi - Dosa Besar

Wench - Sexorcist

grimes - genesis ( slowed )

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

Gabber Modus Operandi - Larung [digital only]

STOCKHOLM SYNDROME • LINGUA IGNOTA / KRISTIN HAYTER

A walk alone at night

[There is nothing as calming as the gentle growls of an old vehicle]

NightCrawler

RORSCHACH

artwork by chronik000
https://x.com/CHRONlK
https://www.instagram.com/chronik000/

bandcamp: https://themetaroom.bandcamp.com/track/wisp-synthesis

bandcamp

wisp synthesis

So my niggas bitching talking about go back in the kitchen
Instead of beating his ass, I shut up and listen
He said my duty as a woman is to come home and bake, 
So can have something made when he gets off the game
then I said “okay”
I said “ all right bet”
So then I went in the kitchen and then I cooked up some meth
So here’s the lesson today
So you can be set
I’m gonna get in this kitchen 
And Teach you how to make meth
And teach you how to make meth
You’re gonna take the cold medicine and extract the pseudoephedrine
Gonna mix the iodine with some shit that is flammable 
He wanna stay at home wife, but can’t afford a table
And teach you how to make meth
Teach you how to make meth
He want a stay at home wife but can’t afford a bed
And don’t forget you need to have the sulfuric acid
And if you did the shit right it should smell like burnt plastic

Hes in the living room chair asking why it’s taking so long
Well damn my nigga I’m just cutting it with fentanyl 
He has the nerve to ask what I bring to the table
And got mad when I put down some drugs that are fatal
And now he on some bullshit about weaponized incompetence 
Time to burn and crystallize it; 
don’t forget your mask
This is like an episode of breaking bad
I’m hoping after this shit that he will break my back
Now he coming in the kitchen and he all mad
Screaming yelling and hollering “WHAT THE FUCK IS THAT”
“What do you mean my nigga? I’m doing what you asked??”
Not run to the store and get some tiny Ziploc bags

HOUSEWIFE FROM HELL: WEAPONIZED INCOMPETENCE

rosalía - lux

Taken from SBKT029: Gabber Modus Operandi - HOXXXYA
Release date: 16th August 2019

For the 29th release on SVBKVLT we are excited to present ‘HOXXXYA’, a new album from Indonesia’s Gabber Modus Operandi. Artwork by Asian Dope Boys’ Chen Tianzhuo, mastered by Raphael Valensi

‘For this album, we owe a lot to the metal/noise scene and to the small rapidly growing rave crew in Denpasar, while at the same time a ton of influence strongly came from all the sounds blasting out from our banjar (neighborhood) community, the loudest spirits of Dangdut Koplo and Indonesian happy hardcore, to gamelan sounds and everything in between.’
– Gabber Modus Operandi

HOXXXYA

Gabber Modus Operandi - Trance Adiluhunxxx

Agradecimentos: 

-Guilherme, obrigado por singularmente ter me tirado da era flop. Inacreditável.

-Papai, obrigado por ter roubado um computador do lixão para eu poder fazer música.

tudo pode mudar, me desculpe tenho perfeccionismo terminal🦫

mixagem. nossa como eu odeio ela.

masterização nossa nova grande inimiga.

toca no YT (com spoilers): https://youtube.com/@glandulaoxidante7743?si=I4ZDPvoJ1rxUEotn

toca no twt (alerta de barbaridades extremas, cine opera, brasileirinhas, irmãos dotados AAKKAKAK):
https://x.com/Knivesandglands?t=Z5Un1SkERh2FlCeMXyxXFg&s=09

NightCrawler

Glandula Oxidante<3

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