Untitled Playlist

Marwa Loud - Bad boy // Slowed + Reverbed

𝕃𝕪𝕣𝕚𝕔𝕤

ℍ𝕖𝕪, 𝕨𝕠𝕞𝕒𝕟
ℍ𝕖𝕪, 𝕨𝕠𝕞𝕒𝕟
ℍ𝕖𝕪, 𝕨𝕠𝕞𝕒𝕟
𝕃𝕖𝕥 𝕞𝕖 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟
𝕀 𝕔𝕒𝕟 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟
𝕃𝕖𝕥 𝕞𝕖 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟
𝕀 𝕔𝕒𝕟 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟
𝕎𝕙𝕒𝕥 𝕪𝕠𝕦 𝕟𝕖𝕖𝕕?
𝕊𝕙𝕖 𝕘𝕚𝕧𝕖 𝕥𝕖𝕟𝕗𝕠𝕝𝕕, 𝕔𝕠𝕞𝕖 𝕙𝕖𝕣𝕖, 𝕡𝕒𝕡𝕒, 𝕡𝕝𝕒𝕟𝕥 𝕪𝕠𝕦𝕣 𝕤𝕖𝕖𝕕
𝕊𝕙𝕖 𝕔𝕒𝕟 𝕘𝕣𝕠𝕨 𝕚𝕥 𝕗𝕣𝕠𝕞 𝕙𝕖𝕣 𝕨𝕠𝕞𝕓, 𝕒 𝕗𝕒𝕞𝕚𝕝𝕪
ℙ𝕣𝕠𝕧𝕚𝕕𝕖 𝕝𝕠𝕧𝕚𝕟' 𝕠𝕧𝕖𝕣𝕝𝕠𝕠𝕜𝕖𝕕 𝕒𝕟𝕕 𝕦𝕟𝕒𝕡𝕡𝕣𝕖𝕔𝕚𝕒𝕥𝕖𝕕, 𝕪𝕠𝕦 𝕤𝕖𝕖
𝕐𝕠𝕦 𝕔𝕒𝕟 𝕣𝕖𝕔𝕚𝕡𝕣𝕠𝕔𝕒𝕥𝕖
𝕀 𝕘𝕠𝕥 𝕕𝕖𝕝𝕚𝕔𝕚𝕠𝕦𝕤 𝕥𝕒𝕤𝕥𝕖
𝕐𝕠𝕦 𝕟𝕖𝕖𝕕 𝕒 𝕨𝕠𝕞𝕒𝕟'𝕤 𝕥𝕠𝕦𝕔𝕙 𝕚𝕟 𝕪𝕠𝕦𝕣 𝕡𝕝𝕒𝕔𝕖
𝕁𝕦𝕤𝕥 𝕡𝕣𝕠𝕥𝕖𝕔𝕥 𝕙𝕖𝕣 𝕒𝕟𝕕 𝕜𝕖𝕖𝕡 𝕙𝕖𝕣 𝕤𝕒𝕗𝕖
𝔹𝕒𝕓𝕪, 𝕨𝕠𝕣𝕤𝕙𝕚𝕡 𝕞𝕪 𝕙𝕚𝕡𝕤 𝕒𝕟𝕕 𝕨𝕒𝕚𝕤𝕥
𝕊𝕠 𝕗𝕖𝕞𝕚𝕟𝕚𝕟𝕖 𝕨𝕚𝕥𝕙 𝕘𝕣𝕒𝕔𝕖
𝕀 𝕥𝕠𝕦𝕔𝕙 𝕪𝕠𝕦𝕣 𝕤𝕠𝕦𝕝 𝕨𝕙𝕖𝕟 𝕪𝕠𝕦 𝕙𝕖𝕒𝕣 𝕞𝕖 𝕤𝕒𝕪
"𝔹𝕠𝕪, 𝕝𝕖𝕥 𝕞𝕖 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟"
𝕃𝕖𝕥 𝕞𝕖 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟
𝕀 𝕔𝕒𝕟 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟
𝕃𝕖𝕥 𝕞𝕖 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟
𝕀 𝕔𝕒𝕟 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟
𝕀 𝕔𝕒𝕟 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕝𝕒𝕕𝕪, 𝕀'𝕞 𝕒 𝕨𝕠𝕞𝕒𝕟
𝕀'𝕞 𝕒 𝕞𝕠𝕥𝕙𝕖𝕣𝕗𝕦𝕔𝕜𝕖𝕣 𝕓𝕦𝕥 𝕥𝕙𝕖𝕪 𝕘𝕠𝕥 𝕒 𝕡𝕣𝕠𝕓𝕝𝕖𝕞
ℙ𝕦𝕥 𝕤𝕠𝕞𝕖 𝕓𝕒𝕓𝕚𝕖𝕤 𝕚𝕟 𝕪𝕠𝕦𝕣 𝕝𝕚𝕗𝕖 𝕒𝕟𝕕 𝕥𝕒𝕜𝕖 𝕒𝕨𝕒𝕪 𝕥𝕙𝕖 𝕕𝕣𝕒𝕞𝕒
ℙ𝕦𝕥 𝕥𝕙𝕒𝕥 𝕡𝕒𝕡𝕖𝕣 𝕚𝕟 𝕥𝕙𝕖 𝕡𝕚𝕔𝕥𝕦𝕣𝕖, 𝕝𝕚𝕜𝕖 𝕒 𝕕𝕚𝕠𝕣𝕒𝕞𝕒
𝔾𝕠𝕥𝕥𝕒 𝕗𝕒𝕔𝕖 𝕒 𝕝𝕠𝕥 𝕡𝕖𝕠𝕡𝕝𝕖 𝕥𝕙𝕒𝕥 𝕒𝕣𝕖 𝕠𝕡𝕡𝕠𝕤𝕚𝕥𝕖
'ℂ𝕒𝕦𝕤𝕖 𝕥𝕙𝕖 𝕨𝕠𝕣𝕝𝕕 𝕥𝕠𝕝𝕕 𝕞𝕖 𝕨𝕖 𝕒𝕚𝕟'𝕥 𝕘𝕠𝕥 𝕥𝕙𝕒𝕥 𝕔𝕠𝕞𝕞𝕠𝕟 𝕤𝕖𝕟𝕤𝕖
𝔾𝕠𝕥𝕥𝕒 𝕡𝕣𝕠𝕧𝕖 𝕚𝕥 𝕥𝕠 𝕞𝕪𝕤𝕖𝕝𝕗 𝕥𝕙𝕒𝕥 𝕀'𝕞 𝕠𝕟 𝕥𝕠𝕡 𝕠𝕗 𝕤𝕙𝕚𝕥
𝔸𝕟𝕕 𝕪𝕠𝕦 𝕨𝕚𝕝𝕝 𝕟𝕖𝕧𝕖𝕣 𝕜𝕟𝕠𝕨 𝕒 𝔾𝕠𝕕, 𝕨𝕚𝕥𝕙𝕠𝕦𝕥 𝕒 𝔾𝕠𝕕𝕕𝕖𝕤𝕤
𝔸𝕤 𝕙𝕠𝕟𝕖𝕤𝕥 𝕒𝕤 𝕗𝕦𝕔𝕜𝕚𝕟' 𝕙𝕠𝕟𝕖𝕤𝕥 𝕘𝕖𝕥
𝔸𝕟𝕕 𝕀 𝕔𝕠𝕦𝕝𝕕 𝕓𝕖 𝕠𝕟 𝕖𝕧𝕖𝕣𝕪𝕥𝕙𝕚𝕟𝕘
𝕀 𝕞𝕖𝕒𝕟 𝕀 𝕔𝕠𝕦𝕝𝕕 𝕓𝕖 𝕥𝕙𝕖 𝕝𝕖𝕒𝕕𝕖𝕣, 𝕙𝕖𝕒𝕕 𝕠𝕗 𝕒𝕝𝕝 𝕥𝕙𝕖 𝕤𝕥𝕒𝕥𝕖𝕤
𝕀 𝕔𝕠𝕦𝕝𝕕 𝕤𝕞𝕚𝕝𝕖 𝕒𝕟𝕕 𝕛𝕚𝕘𝕘𝕝𝕖 𝕚𝕥 '𝕥𝕚𝕝 𝕙𝕚𝕤 𝕡𝕠𝕔𝕜𝕖𝕥𝕤 𝕖𝕞𝕡𝕥𝕪
𝕀 𝕔𝕠𝕦𝕝𝕕 𝕓𝕖 𝕥𝕙𝕖 ℂ𝔼𝕆, 𝕛𝕦𝕤𝕥 𝕝𝕠𝕠𝕜 𝕒𝕥 ℝ𝕠𝕓𝕪𝕟 𝔽𝕖𝕟𝕥𝕪
𝔸𝕟𝕕 𝕀'𝕞𝕒 𝕓𝕖 𝕥𝕙𝕖𝕣𝕖 𝕗𝕠𝕣 𝕪𝕠𝕦 '𝕔𝕒𝕦𝕤𝕖 𝕪𝕠𝕦 𝕠𝕟 𝕞𝕪 𝕥𝕖𝕒𝕞, 𝕘𝕚𝕣𝕝
𝔻𝕠𝕟'𝕥 𝕖𝕧𝕖𝕣 𝕥𝕙𝕚𝕟𝕜 𝕪𝕠𝕦 𝕒𝕚𝕟'𝕥 𝕙𝕖𝕝𝕝𝕒 𝕥𝕙𝕖𝕤𝕖 𝕟𝕚𝕘𝕘𝕒𝕤 𝕕𝕣𝕖𝕒𝕞 𝕘𝕚𝕣𝕝
𝕋𝕙𝕖𝕪 𝕨𝕒𝕟𝕟𝕒 𝕡𝕚𝕥 𝕦𝕤 𝕒𝕘𝕒𝕚𝕟𝕤𝕥 𝕖𝕒𝕔𝕙 𝕠𝕥𝕙𝕖𝕣 𝕨𝕙𝕖𝕟 𝕨𝕖 𝕤𝕦𝕔𝕔𝕖𝕖𝕕𝕚𝕟' 𝕗𝕠𝕣 𝕟𝕠 𝕣𝕖𝕒𝕤𝕠𝕟𝕤
𝕋𝕙𝕖𝕪 𝕨𝕒𝕟𝕟𝕒 𝕤𝕖𝕖 𝕦𝕤 𝕖𝕟𝕕 𝕦𝕡 𝕝𝕚𝕜𝕖 𝕨𝕖 ℝ𝕖𝕘𝕚𝕟𝕒 𝕠𝕟 𝕄𝕖𝕒𝕟 𝔾𝕚𝕣𝕝𝕤
ℙ𝕣𝕚𝕟𝕔𝕖𝕤𝕤 𝕠𝕣 𝕢𝕦𝕖𝕖𝕟, 𝕥𝕠𝕞𝕓𝕠𝕪 𝕠𝕣 𝕜𝕚𝕟𝕘 (𝕪𝕖𝕒𝕙)
𝕐𝕠𝕦'𝕧𝕖 𝕙𝕖𝕒𝕣𝕕 𝕒 𝕝𝕠𝕥, 𝕪𝕠𝕦'𝕧𝕖 𝕟𝕖𝕧𝕖𝕣 𝕤𝕖𝕖𝕟 (𝕟𝕒𝕙)
𝕄𝕠𝕥𝕙𝕖𝕣 𝔼𝕒𝕣𝕥𝕙, 𝕄𝕠𝕥𝕙𝕖𝕣 𝕄𝕒𝕣𝕪 𝕣𝕚𝕤𝕖 𝕥𝕠 𝕥𝕙𝕖 𝕥𝕠𝕡
𝔻𝕚𝕧𝕚𝕟𝕖 𝕗𝕖𝕞𝕚𝕟𝕚𝕟𝕖, 𝕀'𝕞 𝕗𝕖𝕞𝕚𝕟𝕚𝕟𝕖 (𝕨𝕙𝕪?)
𝕎𝕠𝕞𝕒𝕟 (𝕕𝕒𝕕𝕕𝕪)
𝕃𝕖𝕥 𝕞𝕖 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟 (𝕝𝕖𝕥 𝕞𝕖 𝕓𝕖 𝕪𝕠𝕦𝕣)
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟 (𝕀 𝕟𝕖𝕖𝕕 𝕥𝕠 𝕓𝕖 𝕪𝕠𝕦𝕣) (𝕕𝕒𝕕𝕕𝕪)
𝕀 𝕔𝕒𝕟 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟 (𝕀 𝕜𝕟𝕠𝕨)
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟 (𝕕𝕒𝕕𝕕𝕪)
𝕃𝕖𝕥 𝕞𝕖 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟 (𝕀 𝕜𝕟𝕠𝕨)
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟 (𝕕𝕒𝕕𝕕𝕪)
𝕀 𝕔𝕒𝕟 𝕓𝕖 𝕪𝕠𝕦𝕣 𝕨𝕠𝕞𝕒𝕟 (𝕀 𝕜𝕟𝕠𝕨)
𝕎𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟, 𝕨𝕠𝕞𝕒𝕟

𝕷𝖊𝖙 𝖒𝖊 𝖇𝖊 𝖞𝖔𝖚𝖗 𝖜𝖔𝖒𝖆𝖓...

original:  https://www.youtube.com/watch?v=mOvSub-yTRI

8d mala slowed - 6ix9ine feat. Anuel Aa

MALA - Slowed + Reverb

Instagram: https://instagram.com/maksizzel?igshid=ZDdkNTZiNTM=

David Kushner - Daylight (Slowed and Reverb)

𝐦𝐚𝐥𝐚 - 𝟔𝐢𝐱𝟗𝐢𝐧𝐞 𝐟𝐭. 𝐚𝐧𝐮𝐞𝐥 𝐚𝐚 (𝐬𝐥𝐨𝐰𝐞𝐝 + 𝐫𝐞𝐯𝐞𝐫𝐛)

Napoleon song (amour plastique) (fast)

kompa je ne sais pas (slowed + reverb)

You're Not The Real Hero I'm the Real Hero  -  Pathetic Society (Slowed)

floyymenor- peligrosa slowed

RVFV - Mirandote (Slowed+Reverb)

Havana Camila Cabello (  reverb    slowed to perfection)(MP3_320K)...cuz I can't find one

Recorded in January-February 2015
at Babajim and the Mosfilm studios
mixing and mastering Nikolay Kulyabko
Cello - Yana Chekina
Violin - Vlada Ponyatovskaya

Field (Lev Knipper Cover)

DTF - Me Gusta (slowed + Reverb)

TRIO MARA - Sari Gyalin - Սարի Գելին - Instrumental - Rouge Mix

Piano: Naze Isxan 
Violin: Nure Dlovani 
Music: Unknown

Sound Engineer: Roland Lücke 
TRIO MARA / LIVE RECORDINGS / Rudolf-Oetker-Opera-Hall / Bielefeld, Germany /30th September 2012 
Mix & Mastering: Roland Lücke

***

TRIO MARA press kit:
http://www.sonicbids.com/2/EPK/?epk_id=369621

TRIO MARA virtual WOMEX: http://www.womex.com/virtual/sakina_teyna/trio_mara

TRIO MARA booking contact: 
booking@ko-event.com, Fax: +49 221 168 42 83, John Tobisch-Haupt

***

KURDISH ETHNO MEETS CLASSICAL 
https://www.facebook.com/trio.mara.project

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Discription & Biography

'Mara' is Zazaki, which is one of the oldest native languages in the Middle East. It means BY US.

Mara draws from the rich treasure of traditional Kurdish songs. They express them anew in their own particular way by contrasting classical and contemporary music. Presented in a way only women can sing them these songs turn into a great experience.

***

Sakina 
SAKINA began her career self taught, as an autodidact, before she received professional education and voice training. 
In the 90′s she was a member of the Mesopotamian Culture Centre, a Kurdish artists association based in Istanbul but acting throughout all of Turkey. Its members suffered various reprisals by the government because of their Kurdish lyrics. Some of them paid their artistic dedication with their lives. 
During this time she organized many (due to the government led forbiddance of the Kurdish language until the late 90s) illegal concerts, until eventually she was forced to flee. 
She continued her work in Armenia, Syria and Kurdish-Irak. 
Currently she is living in Vienna. 
Since 2008 she has become increasingly involved with human rights issues in particular women’s rights issues. 
She views her music as a way portraying the life of people in the Kurdish regions. She realizes this with a sensitive performance of striking melodies by which suffering and melancholy, courage for life and yearning become palpable.

Naze Isxan 
Naze Isxan began to play piano at the age of six. The pianist graduated from the Rimsky-Korsakov Conservatory in Krasnodar as a concertmaster and music teacher. Since the end of the nineties, she has given concerts in Russia at first and since 2001 she also appears on a regular basis in other European countries. 
She has a passion for Kurdish music that she would like to introduce to a wider non-Kurdish audience in her concerts. Therefore, she also arranged traditional Kurdish melodies for piano and published the first Kurdish music book for piano in 2004 (Evina Kurdistane - Bona Pianoforte).

Nure Dlovani 
Nure Dlovani is a solo violinist who also works as a teacher for violin and piano. She received her professional education at the conservatories in Moscow, Erevan, and Frankfurt. 
Her repertory is rich and comprises classical music and pop as well as sound tracks or crossover performances with the New Philharmonics in Frankfurt. She also works with a variety of well-known Kurdish musicians both in the studio and as a solo violinist in live concerts.

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TRÎO MARA 
Trîo Mara ku ji jinan pêk tê û stranên jinan bi înstrumentên klasîk ên rojava û teknîkên deng ê gelerî ji nu ve sirove dike, di kemanê de ji Nurê Dilovanî, di piyanoyê de ji Nazê Îsxan, di stranbêjî de ji Sakîna pêk tê. Rewîtiya Trîo Mara ya mûzîkê berê salek û nîv destpê kir. 
“MARA” bi zaravêya zimanê Kurdî Kirmanckî de tê wateya “Ji Me”. Gelek zimanên din ên Rojhilata Navîn de pêyva “ma” pêyvêk mê ye. Bi Kirmanckî û Ermenîkî tê wateya dê. Mara bi Erebî tê wateya Jin. 
Trîo Mara li keleka sê zaravên zimanê Kurdî, bi Tirkî, bi Ermenîkî û bi Azerî jî stranan dibeje. Endamên Trîo Mara bawer dikin ku sînorên ku deshilatdaran di nava gelande ava kirine bi rêya mûzîkê ku bi xwe zimanek taybete û herkes dikare tê bigîhe ji holê radibin. Bi israrek mezin divê mirov bi zimanê astiyane ya mûzîkê bi pêyîve. 
Her sê hunermendên jin, di stranên xwe de qasê trajedîya gelê Kurd û jinan, heman demê, evîn, sahî û cosî, ês û janên civata xwe jî dixwazin bînin ziman. Hember nêrînên deshilatdar ya zîhniyeta mêran dixwazin bibin dengê jinên ku naxwazin bê deng bimînin. 
Stranên TRÎO MARA ji me wek bêhnek, deng û awazek û rîtmek, ji were bibin xelat. Em hêvîdarin ku hin caran we li serê çiyayên bilind û asîde, hin caran li keleka çemên dîn û har diherikin de, hin caran dêstên bê dawî de derxînin rewîtiyêk xwes ê bi mûzikê re.

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TRIO MARA 
Kadinlardan olusan, kadinlar tarafindan söylenmis sarkilari klasik bati müzigi enstrümanlari ve geleneksel ses teknikleriyle yeniden yorumlayan TRIO MARA, kemanda Nurê Dilovanî, piyanoda Nazê Îsxan, vokalde de Sakîna'nin yer aldigi bir üçlü olarak müzikal yolculuguna bir seneyi askin bir süre önce basladi. 
MARA, Ortadogu’nun kadim dillerinden biri olan Kürtçe’nin Kirmanckî lehçesinde “Bizden„ anlamina gelirken, Ortadogu dillerinin birçogunda da birbirine yakin disil anlamlar tasir. Ma, Ermenice ve Kirmanckî'de köken olarak ana anlamina gelir. Ayrica Arapça'da MARA kadin demektir. 
Kürtçe'nin Kurmancî, Kirmanckî ve Soranî lehçelerinin yanisira, Türkçe, Azerice ve Ermenice sarkilar da seslendiren TRIO MARA, halklarin kültürleri arasinda olusan yapay sinirlarin ortak bir dil olan müzik yoluyla anlamsiz kilinabilecegine ve israrla müzigin barisçil diliyle konusmak gerektigine inaniyor. 
Yüzyillardir savaslarin, kanin, gözyasi ve acinin dinmek bilmedigi Kürdistan’dan gelen TRIO MARA üyeleri, repertuarlarinda kadinlarin ve halklarin trajedilerini yansitan sarkilar kadar, asklarini, coskularini, yasam biçimlerini yansitan sarkilara da yer veriyor. 
TRIO MARA, egemen bakis açilari ve yargilari karsisinda susmayan kadinlarin sesi olmayi amaçliyor. 
TRIO MARA sarkilari bizden size bir nefes, bir ses, bir ritm olarak gelsin. Kah vahsi dag baslarinda, kah coskun irmak kenarlarinda, kah uçsuz bucaksiz ovalarda, müzikle güzel bir yolculuga çikmaniz dilegiyle.


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