青春って都市伝説と思う
だって誰も姿見たことないでしょ？

キラキラとかドキドキとか言うけど
ホントいえば時々邪魔になってる

諦めの雨にずぶ濡れて
伝う物は雨粒なのか涙なのか
わかんなくなっちゃうじゃん

かりそめの夢に引きずられ
ついた傷をわたしたち青春と呼ぶの
　
夕焼けで日焼けする恋愛虚弱体質
あなたと会えるのはガラス越しRGB

W（草）生やす荒野駆け抜けて
つけた足跡きっと青春と呼ぶの　
呼ぶぞ　HEY!

青春って都市伝説と思う
だって誰も姿見たことないでしょ？

Synthesizer V 弦巻マキ AIライト版を使用
Using Synthesizer V Tsurumaki Maki AI light version

Special Thanks : Masaya Kusakabe

青春は都市伝説(Seishun Wa Toshidensetsu 1985 Synthwave Remix)

Silence

DawnOfThePhoenix2

How much can you compose in a two-hour time limit?

Experimentation with pizzicato technique.
Other tones were placed as one felt inclined.

I hope you enjoy it :)

Soju

2hour project "Strange Scene"

Spirits

Something unreal 142 bpm

a gift from Wilfried Hanrath, reworking a track of Marco Lucchi

luglio 2023

Wilfried Hanrath - reimagining OneHandPiano n^2 (Marco Lucchi) *birthday edition*

Operator tank

A long withdrawn murmuration as my Autumn passed into Winter.
Partly inspired by the feel of the 'Kossoff, Kirke, Tetsu, Rabbit' album.

Bill Boethius: guitars, bass, drum machine


Composed, performed & produced by Bill Boethius

After Autumn

Composed, arranged, performed, and produced by:
Carlos Vivanco
For this composition, I use the Tembung scale (C, Db, F, G, Ab.) is the second main pentatonic mode of the pelog scale and is obtained by treating the third and seventh of the pelog scale as auxiliaries. Tembung has a very similar profile to the Japanese kumo hoshi koto scale. Origen: Indonesia. Used in Gamelan music.

Something unreal 142 bpm

Bubba jay 45

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