Table ronde "Memoria : définir les institutions culturelles comme caisses de résonance des enjeux sociétaux" du 6 avril

Intervenants : Storm Janse van Rensburg (Commissaire Senior au Zeitz Museum of Contemporary Art Africa, Afrique du Sud) , 
Bénédicte Alliot (Directrice de la Cité internationale des arts, France) , Nathalie Gonthier (Conseillère arts visuels, musée et cinéma, Direction des Affaires culturelles de Guadeloupe) , Margaux Huille (Directrice de la Fondation H) , Samuel Ramaholimihaso (Responsable communication et brand manager de Hakanto Contemporary)

Modération : Nadine Hounkpatin (Commissaire de l’exposition Memoria)

Table ronde 6 avril - Les institutions culturelles comme caisses de résonance des enjeux sociétaux

INTRODUCTION I CH

CHEN JIALU & SELF-COMB SISTERS, Gupouk, 2020–aujourd’hui I CH

MERCEDES AZPILICUETA, Potatoes, Riots, and Other Imaginaries, 2021 I CH

XYZA CRUZ BACANI, 9 tirages de la série We Are Like Air, 2013–2018 I CH

HU YINPING, CV, 2025 I CH

GAËLLE CHOISNE, Entre chien et loup, 2015 I CH

Recorded during the launch of the catalogue of the exhibition 'Safiotra' [Hybridités / Hybridities] by Yinka Shonibare, this conversation brings together the artist, Gus Casely-Hayford (Director, V&A East, London, who wrote an essay entitled 'Yinka Shonibare: Cartographer of our time') and Margaux Huille (Director, Fondation H, Antananarivo).

📍 Recorded at 1-54 London, on Thursday 16 October 2025.

Catalogue Launch — Yinka Shonibare in Conversation with Gus Casely-Hayford & Margaux Huille | Fondation H at 1-54 London

Missing Threads: disentangling the colonial 'fabric' brings together artist Erika Tan and researcher Aurélie Petiot, moderated by Nina Volz, Head of International Development at AWARE.

This conversation considers what is absent from dominant narratives, and the research and artistic methods used to reconstitute or reimagine these gaps.

Connected with AWARE’s research programme 'The Flow of History. Southeast Asian Women Artists' and KADIST’s 'Threads of Kinship' exhibition, it also critically examines the “present part of the loom,” circulated within a colonial context.

Table ronde 6 avril - Les institutions culturelles comme caisses de résonance des enjeux sociétaux

Fondation H

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