2RuleSynth Demos OneSynth

Test for the KVR One Synth Challenge #175
Synth: 2RuleSynth
DAW: Studio One 6.2

2RuleSynth Test 1

Derelict

KVR OSC submission
https://sites.google.com/site/kvrosc/2023/osc-175-2rulesynth

Degradation

Test for the KVR One Synth Challenge #175
Synth: 2RuleSynth
DAW: FL Studio 21

2RuleSynth Test 2

Made with only one synthesizer "2RuleSynth" for the One-Synth-Challenge #175.

OSC 175 - Frank Geppert - Time Guardians

2RuleSynth Test 3

An entry for KVR One Synth Challenge #190 - Vital.
All sounds created with Vital.

She who waits...

Reaper 7
Vital (19)

Native FX :
ReaComp (1)
ReaMIDIControl (1)

3rd Party FX :
A1TriggerGate (1)
ChowTapeModel (3)
DSEQ (1)
GSatPlus (1)
MTremolo (1)
Pro-C2 (9)
Pro-Q3 (10)
Pro-Q4 (2)
Springbox (1)
Standard Clip (2)
STFU (1)
ValhallaDelay (8)
ValhallaFreqEcho (2)
TDR Limiter 6 GE (1)

OSC190 - Vital

Élan Vital

Asian style downtempo track made 100% only with DS Thorn synthesizer for KVR OSC 193 contest.
I hope you like it. Free download.

Track i made for KVR OSC contest.
100% Synthesizer (DS Thorn by Dmitri Sches)
Made in 10 hours with one synth and free/FL effects.

Picture edited by Irion Da Ronin.
All music rights reserved to Irion Da Ronin.

✪ Sakura No Shojo

OSC#193: DS Thorn

Instances: 17
DAW: MuLab
FX: Panagement 2, Frank CS, OTT, LoudMax, Supermassive, KSHMR Essentials Kick, Protility, WideFire, smartEQ, ZL Equalizer, TDR Nova, Airwindows Tube2, bx_subfilter, Frontier.

Taron - FrontlineRobot [DS Thorn]

My contribution for the osc193 made with Thorn by DS Audio
All instruments made with Thorn no samples or other synths

Ascending from Darkness

It's my submission to KVR's One Synth Challenge #193, featuring the Thorn synth by DS Audio

Placed 6th.

Thorn

All ready, set to go...
Going Up There, to a better place.
A place at the window, comfortably looking down.
But instead you got a cold damp dump with bugs.
And just when you start to rest in peace,
it's time to dance to the tune of Dr.Voodoo
Who can't even play properly.

Next time, better go with ASHES2ASHES Funeral Services !

Stay Safe, Save Space !
And Rest Assured At Bargain Prices ! 
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​​

A minor silliness for One Synth Challenge 193, perpetrated in Reaper using:

DS Thorn - 28 instances for 13 instruments, 6 of those percussion. 
All single layer, the difference due to voice spitting. 
light clean-up duties performed by TDR Nova.
Widening of pads by A1 Stereo Control
A minor amount of delay applied to said pads with HY-Delay 4.
A smidge of reverb on the bass by Supermassive.
Snipping of drums done by CHOP & Flux Bittersweet.
Reverberated by several Protoverb and Supermassive, 
with the assistance of HOFA Pan & Delay, TDR Nova, A1 Stereo Control & JS MIxer.
At the master level, general polishing was done by TDR Nova, A1 Stereo Control & Bittersweet.
All louderizing by Limiter No6.

Zombie Dance

johnkhf - Short Circuit Shuffle OSC194

Loris - Wake Up
Reaper 7

108 instances of Monolit

FX Used: 
Gclip
frequency spectrum analyzer
VUMeter
Voxengo SPAN
Signilizer
KHz Distortion
ReaComp
ReaPhaseRotator - to try to get the sine wave in the kick phase aligned
MCompressor
KHz Clipper
ReaXComp
ReaEQ
Khz Reverb
KHz Filter
Ozone 8 Imager
MBandPass
Mequalizer
KHz Delay
MConvolutionEZ
KHz Formant Filter
Khz transientShaper
Ohmicide - not used to its full potential
ReaLimit
MCharmVerb
Khz gain
MComb - for light accentuation on percussion
Khz Stereo
KHz trance Gate

This song took several tries to get to where i want it. Once i fleshed out the idea, i started layering sounds to get a fuller feel for the track and to decorate the space. im particularly proud of the kick which is three active instances of the synth, i crafted the envelopes down to the milisecond and used an oscilliscope to precisely dial in the timing. I had several initial approaches for the kick none of which worked well. I worked a lot on the percussion to get metallic sounds using the FM function of the synth and also using a lot of EQ to peak frequencies. I woulnd say i went full 11/10 but i went 9/10 on EQ. I also used some distortion, to about 8/10. I accentuated sounds but did not completely distroy them. A lot of texture to certain percussion was obtained by layering different sounds at different pitches and also different FM ratios etc. Playing with envelopes goes a long way. 

The bass sounds are all very simple actually and most are a few layers deep with different waveforms FMing at different ratios and pitches. I was gonna go ballistic on the basses and use EQ, clipping and even convolution to obliterated the sound. But to avoid being DQ i opted for the PG 13 version. 

the amount of automation in this project with greater than 100 instances of the synth has made it a chore to navigate. Some midi clips have 6 or 7 layers of automation and other have only one but heavily adjusted everywhere. the automation i used the most is volume. Cutting sounds so they dont interfere with other sounds and to cut reverb tails, and also to shape sounds since i did not like the way the envelopes in the synth itself worked at times. Working with audio clips would have made this much more easy. I do not think i will go this hard for OSC ever again. But then again...it was kinda fun...

The song is clipped and compressed severely. I could have pushed it harder but i did NOT!! in order to preserve that last gasp of dynamic range that was slowly waiting to die. This is not a ballad, or classical, its dubstep - or something like it. 

The song got its name from the distinct digital alarm sound that we're all so familiar with. I used it in the buildup, in the drop, everywhere...

Nothing on the master except Gclip and ReaLimiter. 

Thats all i got

Loris - Wake Up!

This track made for the KVR One Synth Challenge with all sounds created by the VSTi Monolit.

Thanks to Taron for letting me use a refined version of his bass patch.

DAW: Reaper

Track details:
15 * Monolit, Bass Professor, Piz midiPolyphony, Oril River, OTT, ReaEQ
Master Details:
TDR VOS SlickEQ, Voxengo MSED, Limiter No 6.
Meter:
SPAN, Youlean Loudness Meter
Stats:
LUFS: -13.0, DR: 9

Enjoy

A Trio awaits us - OSC #194 - Monolit

Check out YouTube version: https://youtu.be/CiEgYpJuoZQ

Submission for One Synth Challenge #194 - "Monolit".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-194-monolit

More music:

VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Spicestorm: https://www.youtube.com/watch?v=WMZWzKNYczA 
Hope Remains: https://www.youtube.com/watch?v=90XBo9-Mqyg
Dystopia Today: https://www.youtube.com/watch?v=PrO-ymAqCAc
Danger Zone: https://www.youtube.com/watch?v=xb0av_71N38

This time I focused on rough analog tones and glitchy sound effects this synth is really capable of. Sometimes limited instruments like this can bring new ideas more effectively than a feature packed commercial product. It makes you want to tweak it rather than constantly switching through hundreds of presets. Though, I had to multitrack it sometimes to get thicker sounds and polyphonic patches, but since OSC188 I'm not afraid of that.

The idea of the song came after watching a new T*** movie trailer.

48 instances used to create a track.

2RuleSynth Test 3

JuergenK

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