Anders

3331

素材ミックス

studio Mastering: lorenzotarghetta@gmail.com
Piece for solo guitare played by Carlo Siega
Score available here: https://www.babelscores.com/catalogs/instrumental/8046-de-toucher-de-lignes8046

de toucher de lignes - (2021 solo E-guitar)

E N T - (FREE) - LIVE AT MIGHTY

Electronic piece composed in 2014 and mended in 2022!

Studio Mastering: lorenzotarghetta@gmail.com

V-idiom

"Copia carbone" (2022, for ensemble)
Commissioned by Ensemble Proton Bern, in the frame of Protonwerk n.11. 
Instrumentation:  B.Fl, Lup, C.Cl, Bsn (+Cf), Midi ctrl, Hp, Vn, Vc
Live Recording:  15 March 2022 @ Dampfzentrale, Bern (CH), WP
Ensemble Proton Bern, Aaron Cassidy (cond.)
Score published by Ricordi, Milan.

Copia carbone (2022)

Eyes on the prize and the latest lies …. he said
Lead us on to the bridge of highs…. he said
Milk and honey, follow the money … …he said
Giving up the ghost of the Sunday roast… … he said

Fool Britannia, selling off the waves
Fool Britannia, selling off the waves

Offering the lamb for the latest scam…he said
And it came to pass, following the ass…he said
Disciples scream as he’s selling the dream…he said
Playing the clown as the people drown…he said

Fool Britannia, selling off the waves
Fool Britannia, selling off the waves

On your side with the mockery of pride… he said
Believe in me and the land of the free… he said
Onward Faustian soldiers march… he said
In the theatre absurd, he doesn’t mean a word he said

Fool Britannia, selling off the waves
Fool Britannia, selling off the waves

C (me): guitars, voice, stuff
M (@allopenelectrics): selling the sax...
Video: https://youtu.be/2DxgmWbfpHM

Selling The Dream (by C÷M )

Keyboard Lover

The City

Number Station

Done in a very lone and dark place, surrounded by thousand thoughts of my life from laying on a rock in the middle of the forest, listening to C.M.X. Aura-album on walkman, batteries running all low to living the dream of finding my true love and hear the Hammond organ play the wedding dance in a cheap Vegas church. And ditching it all away for hopes of finding that ultimate anwser for everything and maybe an extra digit to it! Rock'n'r0ll and LFMAO on cough syrup while shitting my guts out. 1/3

Stillimages Full album

Moon in Aries (2018) by Hannah Reardon-Smith
Bass flute + electric guitar + live electronics

Performed by Richard&Linda at Spectrum East, Belgrade | 25. Jan 2018

Richard&Linda | Moon in Aries

29.8.2018
BOOM Vacuum #11 !! first !! birthday !! party
Junk Bar, Ashgrove Q

'A series of new-music nights that explore the visionary sounds and warm sonic adventurings of Brisbane’s aural undergrowth.. Unexpect the expected.' 

Hannah Reardon-Smith | bass flute + electronics
Liam Flenady | bowed electric guitar + electronics

R&L @ BOOM Vacuum

Piece with Click track
premier in Strasbourg June 2018
flute: Keiko Murakami
clarinette: Adam Starkie
saxophone: Philippe Koerper
piano: Gilles Grimaître
score available here:
https://www.babelscores.com/catalogs/instrumental/6972-a-view-on-michelle-agnes-ritual6972

A view on Michelle Agnes Ritual (2018 Ensemble L'imaginaire)

Watered Fire

Over Pressured Soul

Excerpts from live performances by Richard&Linda in 2018.

0'00" R&L @ BOOM Vacuum (Junk Bar, Ashgrove, Brisbane), Aug 29 — bass flute, bowed electric guitar, and live electronics
3'12" R&L @ Loophole, Berlin, Jan 31 — piccolo, electric guitar, and live electronics
6'06" R&L play 'Moon In Aries' (2018) by Hannah Reardon-Smith @ Spectrum East, Belgrade (Serbia), Jan 25 — bass flute, electric guitar, and live electronics

Richard&Linda are Hannah Reardon-Smith and Liam Flenady.

R&L Excerpts 2018

RizoMix per il Seminario Musica e Filosofia Roma Tre https://www.facebook.com/SMFRoma3/

Thanks to Rizosfera https://rizosfera.net/sounds/?fbclid=IwAR2W-6tlBvQqWZryKQHwka1STruA_M-TWqHv9zvVnFXKHHycL4zxWgr8ujk

Architettura

This was a track that was supposed to be bigger, but it didn't make it.

Experimental Percussion Insert

Thirteen alto saxophones, performed by the 13 members of the student-collective Kug-Sax-Sippia in Graz, Austria, occupy the entire field of “Odd Music,” the first track on Julien Malaussena’s album Articulated Sound Energy. They operate like a single instrument—or organism—delivering serial, droning noir. The Paris-based composer has engaged deeply with the continental academic scene, studying composition and orchestration with various eminent teachers, including composer Jean Luc Hervé; but this album illustrates those ideas being worked on by a new generation of classical composers. Influenced by the organic sensuality of Chaya Czernowin and the unique points of musical departure explored by composer Pierluigi Billone, Malaussena’s scores proceed from the artist’s concept behind the title: the event of a physical, non-musical sound, which then gets articulated, or elaborated upon. This album contains recordings of three concerts, three distinct paths that this approach can take. On “Concerning articulated sound energy,” the kinetic philosophy results in an almost incomprehensible din far from standard chamber fare: sounds of stretched out balloons, lips puckering, and great, big wobblings. Indeed, rather than strict instrumentation, Malaussena’s compositions allow for chance, following in the footsteps of modern epistemes such as the Darmstadt School, while breaking new ground.


Release Date:
March 26, 2021

Format:
Vinyl LP; covers are printed with water-based ink on recycled paper; strictly limited to 100 copies worldwide.

Buy link: https://enmossed.bandcamp.com/album/articulated-sound-energy 

Audio/Artwork Credits:
Mastering: Jack Callahan
Lacquer cut: Amy Dragon
Photo: Florent Carron Darras
Design and layout: Sam Lubicz
Liner notes: Max Erwin
Silkscreening: Mark Rice

“Odd Music” performed by Kug-Sax-Sippia
"Concerning Articulated Sound Energy" performed by ECCE Ensemble
"A View on Michelle Agnes Ritual" performed by Ensemble l'imaginaire

Artist Bio:
Julien Malaussena considers his compositional prism to be sound energy–not timbre nor time; not dynamics, pitch, nor the sound space, but rather this element straddling all of these, one less palpable, less quantifiable. By setting up a range of entities embodying different stages of such energy, he focuses on the direction–or absence of direction– inherent in each entity. With this conception of directionality, he articulates these entities and the relations amongst them in a musical form, in which entities interact either in a dialectical structure of tension and release, or in a system generated by subtle gradations of tension. His recent work has been an inquiry into the relationship between form (this dialectic) and material (the articulated sound entities).

He was already played by ensembles like Ensemble Nikel, Ensemble 2E2M, Court-Circuit, Xasax, les Cris de Paris, Ensemble l'imaginaire, Ensemble Fractales, le Moscow Contemporary Music Ensemble, Kug-sax-sippia, Ecce ensemble, Les solistes du Balcon, ensemble interface, ensemble Surplus, Duo XAMP (microtonal accordions),20 degrés dans le noir, Schallfeld, Barcelona Modern Ensemble, Wet ink, Ensemble Nemø, Tak ensemble, Ensemble S201 performed in France, Israel, Switzerland, Belgium, Germany, Russia, Austria, Brazil, USA, Turkey, mexico, Italie, Japan and Spain.

He was also involved in the founding of an ensemble dedicated to contemporary music: soundinitiative.

Julien Malaussena - Odd Music (ENM09)

A nice zombie who honors the moment does not allow himself to be terrorized by the future and the past. While two guardian spirits shield him from good advice.

All tracks and Images by Heinz Kobalt  and Artificial Intelligence.