"Puisque les plus heureux ont des douleurs sans nombre,
Puisque le sol est froid, puisque les cieux sont lourds,
Puisque l’homme ici-bas promène son cœur sombre
Parmi les vains regrets et les courtes amours"
Louise Ackermann

Marches de Travers

method: LIMBO! - all of the sounds you hear have traversed a low pass filter at some point or other
narration: I can't hear you - reception is bad - there is a lot of interference and stuff
image, sounds, poem, composition and everything else: copyright jo richter

limelight horror, body terror
your past on a celluloid leash
hauled in to mask the hapless tremor
of neurons and genes, mirrored and selfish

a sky full of stars and the moral law
induce, produce, extrude and include
a common man’s somewhat hesitant awe
while AI assures it is ready to reboot

government agents raid homes in the nude
who will have seen claim that they saw
man’s not as nubile as a lemur
earth holds more ocean than there are fish

this is all dead weight, in the interim
learn to let go, the weltgeist insists
your heart is as pure as the code on the bin
a bird, a feather, an item, no lists

tally categorial - not for the faint of hearing

Are you afraid

I really wanted to try and make a soul song that would be "northern soul danceable" so some lyrics and melodies popped into my head and the idea for this project was born. The lyrics come straight from my stressed out heart - driving in the UK is like this. I wish more people were considerate towards each other on the road as this selfish behaviour causes many dangerous situations and even fatal crashes. 
I used a suitable beat to make a start and Morten was happy to be involved and created a brilliant backing track (after multiple drafts that saw improvement step by step). And as the icing of a cake, Jörg came along and added his wonderful brass to uplift the song's energy further. Thank you for this lovely collab again! 

All lead & backing vocals by Heidi K
Lyrics by Heidi K

Soulful EWI Brass sound by @joerxworx

Sound design by Jeamland
Mix & mastering by Jeamland
Music by @mortenjeamland

Cover photo: Heidi K

Speed on the max

Speed on the max - Heidi K and Jeamland feat. joerxworx


https://music.youtube.com/watch?v=xR8xwWQX_zY&si=dMDAtPqQ_UrrDMku


https://open.spotify.com/album/06W5sM9lX0Pl1arMK8Kiaz?si=E4g_oM46SHuHCLF8aGIrng


https://music.apple.com/us/song/ancora-uno/1855277169



Ancora uno.mp3

(FR) Une IA a rebranché son Walkman et relancé le moteur 80's.
Des nappes synthétiques, une basse qui claque et des breaks électroniques vintage recréent le fantasme d’une route infinie, avec ce grain électronique typique des années 80, qui évoque des autoroutes la nuit, des néons qui clignotent, et des algorithmes qui fument sous le capot.


(EN) 🎧 IA Overdrive – the nostalgia of the future in 4 well-compressed beats.

An AI reconnected his Walkman and restarted the 80’s engine.
Synthetic pads, a slap bass and vintage electronic station wagons recreate the fantasy of an infinite road, with that typical electronic grain from the 80s, which evokes highways at night, flickering neon lights, and algorithms that smoke

IA Overdrive 80's

Recording sessions from 30/07/2025 - 12/10/2025 .
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, 
Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

⚙️ - #Ambient #Movies #Experimental

Serenity-2-

Renaissance (2025) Remastered

" Praise ye the Lord" is an Air form Georg Friedrich Handel's oratorio "Solomon", written in 1748.
The anonymous libretto is currently thought to have been written by the English Jewish poet/playwright Moses Mendes. It is based on the biblical stories of the wise king Solomon from the First Book of Kings and the Second Book of Chronicles.

violin - Clarke Alonzi, Anna Downes
viola - Philip Hayman
organ - Helen Roberts
voice - Robert Llewellyn

We hope you'll enjoy!

lyrics

Praise ye the Lord for all his mercies past,
Whose truth, whose justice will for ever last.

Praise ye the Lord  (Solomon - Georg Friedrich Handel)

It's my great honor to join this cool Jam!
Thank U,Nadia,nic,Jo,Stephen,Jeff and Terry~~RESPECT🙏

After taking a break from this story for a whole year, The Smoking Trout is so happy to share with you all the final chapter in our epic ongoing tale, the Quest for the Holy Dumpling! Thanks to all who've joined us on this fantastic ride, as either listeners or musicians. See credits below to learn about the crew who contributed to this memorable final episode. You'll also find links to our BandCamp and our earlier album, plus Jeff & Jo's incredible lyrics!

Stonerjazz @user-911083679 -- Lyrics, Vocals (intro/outro) Guitar (intro/middle)
Tot - @tot-beat -- Beat & Drums (intro/outro)
Tea R. Sea - @tea_are_sea -- Beat (middle), Synths (throughout), Production
Nadia Selvaggi - @nadiaselvaggi -- Vocals (middle)
TexMex Shaman @texmex-shaman -- Guitar & Guitar Special Effects, Mastering
Nic - @nic_nic_nic -- Vocals, Synths/Keys (middle)
Jo Richter @sonic-textures -- Lyrics, Melodion

-------------
Catch up with all 12 tracks in the Smoking Trout's now-complete concept album, Quest for the Holy Dumpling: on.soundcloud.com/FR63a

Listen to the Smoking Trout's first album, The Land of Zed (2021-2022): on.soundcloud.com/WB34q

Find us on BandCamp! thesmokingtrout.bandcamp.com
-------------

Lyrics (by Stonerjazz & Jo Richter):

Everybody on the bus, Gus and Stu
and some others from Uriah, too, made up their minds
packed up their kinds and kith and kin
and decided unattachedly to pack it in
and Johnny, all nostalgic for the solitude of melancholic bedsheet ascetism, said
"We should go to Zed" and smiled in mild remembrance
"I saw a crack a couple light years back in the space time continuum,
with a sign that read, Zed, 50 miles straight ahead.
We might get there in time to liberate my lost accordion
from the clutches of the local patron
a relative of Mr Smith’, if I am not completely wrong.“

Uriah had a riot
when the dumplings disappeared
trampled by the herds of lust, desire
lampooned by the nerds of rust and fire
gobbled up by fast food throats and street flock trucks
and someone farted, burped and said they wanted seconds
and that was when the trouble started and ursurped the mental landscape
and who’s to blame but some minions from that moppet, Alfred Rufus Smith
who to his simian bewilderment was headed back to earth
in that stolen starship that he stole again, restole and stole for just another time
(the way rebirthing beings rack up karma by incarnating ceaselessly)
from the only holy spaceport of that karmic spacelord on the potted planet
frowned upon by Gus and Stu and all the riders of experience on the nirwana bus--

--"And so it was , they crossed the boundry into Zed, and landed lightly on the purple plain
and when they did, all the holograms on board the bus turned into real Girls and Boys
Would love to say thing turned out well but what the hell , who can tell
Uziel Wivress, Neal Nic and Nadia, jeff and Jo, Stephen Tot and Terry too enjoyed the view as the bus it hit the ground
in the golden grass near the end of June--
Gus and all the crew were happy to have arrived safe and sound
and without a scratch on that sacred patch of rock in space--

see the tarmac flotilla in karmic espandrilles
sharpen their common intuition
and like expanding armadillos
overcome respective inhibition
and cross across the crucial rift and ,riffing, raft the cosmic shift
and wake up in the place where Jonny is remembered as the bringer of the dumpling and the player
of the most beautiful instrument Divine --

Quest for the Holy Dumpling: The End of the Line

sickening

Hi everyone,
Thanks for the great support.
From now on, I will write the name RooR-twenty without a hyphen. It will only be RooR twenty with a space, which makes it easier for users to find me.
Thanks for your understanding.

Hallo zusammen,
Danke für die Super unterstützung.
Ab sofort werde ich den Namen RooR-twenty ohne Bindestrich schreiben.Nur noch mit einem leerschlag  RooR twenty das erleichtert es Systemtechnisch einem leichter aufzufinden.
Danke fürs verständnis.

Are you afraid

RooR twenty

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