Belle chanson Alain. Composition et production sympas ! Bravo !

Ah l'hypocrisis, je pense qu'elle a toujours été à l'oeuvre... et ça ne s'arrange pas. Encore un beau texte Bravo 🎶

Salut Alain, j'adore cette composition ! La façon dont les accords évoluent entre les modes majeur, septième et mineur est géniale. Ton chant est superbe aussi. Bravo !

great tune..Had to listen again..fab. vocals.. nice feel🙏

🎭🎭Beautiful Chanson 🎭🎭
🎭not sure how I missed this awesome song
🎭beautiful songwriting 
stunning vocals & lyrics 
🎭fantastic instrumental accompaniment., really ties the vocals together perfectly 
🎭great job mixing & producing 
👏🏻👏🏻👏🏻👏🏻Bravo Alain👏🏻👏🏻👏🏻👏🏻

Daily Drops

The World should care for the Children, they need a better present & a better futur... 

Lyrics & Vocals : Special Cecilia

Musicians Beatmakers, if you want you can remix this song adding some instrumental. 
The file is on Freedownload.
Let's Keep spreading positive vibes...

PRAY FOR THE CHILDREN

***See version 2 of this song, w/sax & Hammond, here***
https://soundcloud.com/bruceavery/the-blue-room-version-2?si=3976cab678424394950e6c2b27429883&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Blue Room – smoke and whisky and tears….

The original idea was a smoky, jazzy, late night club-for-lonely-hearts kind of thing.  But since my “jazz” piano always ends up honky-tonk, and I can’t seem to lose the backwoods in my voice, the final product – though still smoky & late night – is more lonely hearts beer joint than jazz club.  Jazzabilly maybe.  Redneck Blues. 
								
But there is a plan to give the song a little jazz credibility.  I play an organ solo mid-song that I actually wrote for saxophone.  I’m sending the song to my little brother, longtime Atlanta musician Herb Avery, who says he knows a sax player who’ll take it on.  So if Herbert can make that happen, I’ll upload the new version later.  If he can’t, I’ll be looking for a sax player out there. 

My daughter Julia helped out vocally on the choral refrain.

So here we go.  Come set for a spell in The Blue Room…..when nobody loves you.

The Blue Room (orig. version)

My Dope Cool Friend-Chameleon
U should definitely check out his page👍https://soundcloud.com/t-n-565697684
All stuff are Chameleon&Tot.masa
Thank U4 listening from us both🙇🙇✨
Peace＆Love🤞

Unbreakable ft-Chameleon

Piano drops

Texte Français et Google Traduction

LES VRAIS DU FAUX
Ils ont beau dire, ils ont beau faire
Tous leurs sourires sont à l’envers
Beaucoup de trop, et çà se voit
Se sentant haut tant ils s'y croient.
Sous apparence vivent au-dessus
Dans l'insolence voir même plus
Jouant les meilleurs se sentant beaux
En rois de coeur, qui sonnent faux
Riant de tout, même pas marrant
Quand on s’en fout complètement
Ils s’intéressent sans écouter
Et puis ils laissent tout çà tomber.

Dans les amis, nos confidents
Il reste les vrais, heureusement
Pouvoir se dire et franchement
Les beaux, les pires des sentiments.

Ils congratulent dans le mépris,
Nous prennent pour nuls et puis aussi
Sans de scrupule en font leurs vies.
En tête de rang, la bonne place
Tous les gênants ils les déplacent
Se faisant grand  ils les remplacent.
L'hypocrisie en bandoulière
Car çà aussi ils savent la faire
Ils continuent, se croyant fort
Tout au-dessus, voir plus encore.

Dans les amis, nos confidents
Il reste les vrais, heureusement
Pouvoir se dire et franchement
Les beaux, les pires des sentiments.

Tout çà se voit et on le sent 
Alors pourquoi perdre son temps
Laissons tomber une fois pour toute
Plus les garder sur notre route.
Car peu importe, faut avancer
Fermant  nos portes, les oublier
Laissons les dirent, laissons les faire
Prendre un soupir à l'ordinaire
Sentiments sains, bons ressentis
Pour que demain, saine soit la vie.

Dans les amis, nos confidents
Il reste les vrais, heureusement
Pouvoir se dire et franchement
Les beaux, les pires des sentiments.

THE TRUES FROM THE FALSE

No matter what they say, no matter what they do
All their smiles are upside down
Too many, and it shows
Feeling high as they believe in it.
Under appearance live above
In insolence see even more
Playing the best feeling beautiful
In kings of hearts, who ring false
Laughing at everything, not even funny
When we don't care at all
They are interested without listening
And then they drop it all.

In friends, our confidants
There are still the real ones, fortunately
Being able to say oneself and frankly
The beautiful, the worst feelings.

They congratulate in contempt,
Take us for rubbish and then too
Unscrupulously make their lives out of it.
At the head of the row, the right place
All the troublesome ones they move them
Making themselves big they replace them.
Hypocrisy on the shoulder
Because that too they know how to do
They continue, believing themselves strong
All above, even more.

In friends, our confidants
There are still the real ones, fortunately
Being able to say oneself and frankly
The beautiful, the worst feelings.

All this can be seen and felt 
So why waste your time
Let's give up once and for all
No longer keep them on our way.
Because it doesn't matter, you have to move forward
Closing our doors, forgetting them
Let them say it, let them do it
Take a sigh at the ordinary
Healthy feelings, good feelings
So that tomorrow, life will be healthy.

In friends, our confidants
There are still the real ones, fortunately
Being able to say oneself and frankly
The beautiful, the worst feelings.

LES VRAIS DU FAUX

at the disco
goin’ all the way
with a speedball
on an empty day

i wonder if i stopped my cryin’
i wonder if i stopped now

crooked halo
all you’ve got today
your dependents
better back away

i wonder if i stopped my cryin’
i wonder who i’d be now

in the moonlight
goin’ all the way
to the river
gonna watch for day

i wonder if i stop my crying’
i wonder what i’d see now

------------------------------------------------------------------------------------------

Thanks to Cheesemont Paisely-Paisely, Jacques DiCroce, Janine Levinson, David Weiss, and Wheelwright for encouragement and the fine tooth comb.

Pity Party

The track is inspired by the rise of AI in the ARTS.....which I see as coming from the "dark side". I don't condone it and am very much opposed to it. We can already see the confusion it has caused regarding copyright etc. I have no doubt that in the short term it will prevail, however "real" art will survive as long as all artists (musical and otherwise), continue to create. Not having a crystal ball, prevents one, maybe for the better, seeing how the future pans out.  
Meanwhile from a musician's/composer's aspect, I shall endeavour to play and create without the use of AI. Neither will I listen to it in any shape or form.
Alan



Don't Deal With The Devil

I am very honored to have recorded drums on The Recursives first original song! A fine rave up in true Rock fashion! I capitalized our names, so nobody will think that AL is @ AI!🤩🤩🤩

AL -vocals, bass guitar, songwriting 
TEZ-guitars, production, mix
KEN-Drums

Money Wouldn’t Stretch -The Recursives/K2 and the Three

Collaboration
Check out AnandaTuk's music at: @user-11396379

For Some Strange Reason -With AnandaTuk

A while ago...
https://soundcloud.com/bigpapashonan played this awesome violin and designed this wonderful instrumental,  a Big Thank You for that, it was a great pleasure to write and sing along. Please take a listen to the remix of KBS: https://soundcloud.com/bigpapashonan/trickery0228?si=35e45cbd417c4accb2a68553122900b0&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The lines (translated, edited, retranslated, reedited...) derive from "Philoctetes“ (409 B.C.), a Greek tragedy by Sophocles (496 - 405 B.C.). Mainly it is Ulysses speaking to Neoptolemos (The son of Achilles) in order to conspire against the bowman Philoctetes…

The picture shows a detail of „The Wounded Philoctetes“, a painting by Nicolai Abildgaard, 1775

Trickery

1 
This is how far we have gone 
In the matter (4)
Into the nets
Of our own and others’ steps
That there is no way out
But just the farther

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now
You can leave…
You can leave now…

Bridge
Oh, you have two eyes…
Please, show me my face


2
Easily with twisted tongue
You catch him
Easily we drag him
To the ship -
In this trade 
You are not the first one
Who does, 
What he does’nt want to…
We did it before you 
We did that before…

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now 
You can leave…
You can leave now…

Trickery (wt KBS, raw edit)

Cast of characters:

Jack Karasek — beats and seed idea

K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation

Llanpsych–@llanpsych –Tez– electric guitar

Tea R. Sea @tea_are_sea -- Terry – Synthesizer

TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production

This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.

  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.

  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 

  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 

  We hope you enjoy listening to this as much as we enjoyed making it. 

  Oh, and just a side note for all of our friends who follow along with us, we will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us! 


Throwing Rocks - Eclectic Collective w/ Jack Karasek and Tea R Sea

Added a since original upload ~ Bass. I was going to call my bass a bitch but I couldn't that. Harley is worth too much (59 euro on Thomann) to insult! Added Electric guitar /  Transistor piano / Cello, Violin and combined String sections 3 seperate runs /

Shout out to Single Use & Recycled. Whilst playing this electric line I'm thinking of them. There is no way I would have tried playing what I tried playing without their direct influence recently. So far I could only dream of expressing on a guitar some of the scaling they can but that highlights for me a few things... Over the decades bands are starting to disappear. Thats an industry driven thing but also a natural bi product of the ability of a band or a huge amount of what a band can do is possible by one person. That sucks for bands but it's very empowering to the individual musician. If you think pre internet, we had hubs of cities and regions where bands were spawned.... SoundCloud is like one big Seattle for me. How I learn everyday from everyones interpretation of music is astounding to me especially given a band was also for me a dream at one point as a boy. In a way even if we aren't directly collaborating it's still like we are all jamming with one another on some level and thats I guess a really positive thing in the light of less actual bands breaking through to mainstream...

Check out guitar you probably can't play and amazing songs... here: https://soundcloud.com/user-995867230 ~ Artist name: Single Use & Recycled


I bet you wouldn't be allowed to make this with ChapGPT!
I won't waste my fingers valuable energy testing that shit


Lyrics

Vaffanculo, Fuck off, Ayreh feek
Vā se foder, Foutre le comp
Gûndàn, Fakkuofu, Bhaad mein jao
Multi-continental curse with me now

Cagna, Bitch, Šarmûta
Cadela, Chienna
Mûgôu, Meinu, Kutiya
Multi-continental bitch ass wow

Where is the profane?
What gives these words power of propane
Too much? You're a clown
Rare then make impact
A ya cunt is in town

Multi-continental curse with me now
Multi-continental bitch ass wow
A ya cunt is in town

Notes
I hope nobody is offended by my terrible pronunciation. I endeavour to get that focking perfect eventually

I don't think words should ever be taught as bad. Context & frame of reference contain the meaning and intent. Calling words bad and limiting their use is limiting expression in my view. yes we should inspire younger generations to express themselves in more articulate ways but maybe our culture says curses are needed to truly express this reality. 

Multicontinental Curse

When I was a kid, I had toys on my brain but now kids today want video games.
***
She says there’s a really overpowered character in in this video game that she likes
There’s a really overpowered character in in this video game that she likes
It’s my favorite game daddy she says please won’t you let me buy it
I say no, no, no, no, no no, no, ten dollars a week that’s too much money to spend
Ten dollars a week five hundred twenty dollars a year
I say no, no, no, no, no no, no, ten dollars a week that’s too much money to spend
Ten dollars a week five hundred twenty dollars a year

When I was a kid I’d ask my parents for toys and a lot of times they’d say no
Cause funds were tight and there were places where the money had to go
And now the shoes on the other foot and I’m starting to understand
I’m not pooping money like Daddy Warbucks
I’m not buying expensive drinks at Starbucks
She keeps wearing me down and there’s only so much I can take
And I know that sooner or later my resolve is going to break
Food clothing and shelter, Maslov had a hierarchy of needs
But if you drill a little bit deeper down into the weeds
There’s lots of other things that we all want
I say no, no, but eventually I’ll give in, cause I’m fighting a battle that I know I just can’t win
I say No no but eventually I’ll give in, cause I’m fighting a battle that I know I just can’t win
I’m fighting a battle that I know I just can’t win

The No No Song

Slow Train (Rehearsal)

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and compostion
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
Mistermark-- @user-432503709 -- Mark –- VST timbale, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – electric piano and synth
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HSS electric guitrar
This song began as Carl's tribute poem to our drummer, Ken. Carl came up with the chord progression and started a project, to which he invited the rest of us. This is the third song Eclectic Collective has done that is a tribute by Carl to one of our members.  We couldn't feel more honored than to be the subjects of his wild and boundless creativity.
  Fittingly, Ken was first in line to add his magnificent drums. Once we had drums, Josh had something to work with to add his bass, which he did shortly after the drums were up. Mark paid the project a visit next, helping out with a bit of production editing, and dropping in a mad percussion solo using his VST timbale drums.
 Stephen jumped in soon after, adding the melodic electric guitar riffs that appear throughout. Not to be outdone, JJ added some sonically thickening electric piano, as well as the throwback psychedelic synth that pops up towards the end. Finally, Tez came along and added the electrifying solo that appears about a third of the way in, as well as the one at the end. 
  Once the recording was finished, we turned it over to Stephen to mix in his always professional manner. 
  This song is all about our very talented teammate and brother, Ken, and it is well deserved, too. As mentioned, this is the third song from Carl about one of us. It's hard to describe the feeling of having someone who you respect take the time and energy to think about you in such a positive way as to produce a song about you. Then to have all your buddies join in to amplify it to a solid song is just mind-blowing. We are all very grateful to Carl for not only sharing his music with us, but for his thoughtful consideration of each of us as subjects. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Perfect Dark:
Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture

Rhythmic mountain maestro
Each day, graft, working hard
So kids can eat
Bruised back sees very best of yard

Still, beats get born of evenings
Deep love finds joules to jam
May generation X soothe meaning
Let's teach the younger pussies what we can

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture
Sticks in hand
Cymbals a floating
Snare and bass backbone gland
Tom'ed Ringo Star man keep quoting
Keep life steady paced by hand

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Rhythmic Mountain (Eclectic Collective with The Beautiful Dark)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Chansons Françaises écrites, composées, arrangées et enregistrées à la maison.
Elles sont toutefois déposées à la SACEM.

LES VRAIS DU FAUX

Alain GUERIN

Recent comments

Chris Huff

Beats By Luke..

bart mastin

Pee Gee , Lyricist

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