what a lovely piecfal piece excellent 👌👌

Many thanks to Timothy McGuire for adding his exquisite orchestration to my "Beginning" piano composition/track. It is always a pleasure working with Timothy and to hear more of his incredible work, you can visit his SoundCloud page by clicking here: @tim_mcguire

Beginning (feat. Fr. Harris)

We are starting to come out of winter, so, in celebration, this little piano/viola ditty is in celebration of sunshine unhindered by a chem-trail sky.
1-Mar-25 update. I spoke too soon - the chem-trails are back.

First Sign of Spring

Orchestral Piece in E

Far away

My initial piano sketch for this piece aroused associations with two styles: nothern shanty and southern work songs. So when it came to composing and arranging the full piece, I lent heavily into these styles. They blended incredibly good and the result is some adventurous fantasy piece that gave me strong pirate-vibes. Hence the cover - Arrr!

You may have noticed that I find more and more joy in recording live instruments. So if you want to have a look behind the scenes and see what and how I've recorded, you'll find quite a few shorts from this on my YouTube channel: https://www.youtube.com/@TorbenFugger/shorts

Saltwater Roots

A Higher Path

An immense thank you to Franck Charles for his splendid orchestration which has added so much power and solemn beauty to my original piano piece. It’s always a sincere pleasure and honour for me to collaborate with Franck.

More of his magnificent music is available here: @franck-charles-676082884

Thank you so much for your attention and support of our work. Hopefully, it will resonate with you!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: Franck Charles

All (Ft. Franck Charles)

Far beyond the known world lies Eloria, an ancient realm once protected by the spirits of the wind. Among golden dunes and whispering stones stood a temple, carved from pale sandstone, devoted to the harmony between humankind and nature.

But the wind has changed. The sandstorms no longer carry only dust—they carry forgetting. The last of the sand oracles, a priestess named Aelira, senses the fading of her world. With the last strength of her voice and soul, she sends out a plea—a musical invocation to the ancient elements. Not a cry of despair, but a fragile thread of hope. She doesn’t want Eloria to vanish in silence. She wants someone to remember.

Her song rises over the dunes, intertwines with the wind, blends with the drifting sands—and becomes part of the desert itself. To this day, if you listen closely, you might still hear it: the whisper of Eloria’s Plea.

Orchestral Piece in E

Mark Hughes

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